"I'm trying to find some water, Alice. You'd like a little tea?"
"The kettle smells."
"I'll wash it for you. You mustn't become dehydrated."
She nodded grudgingly. "What's been happening?"
"Nothing… It's already happened." A ripe but not unpleasant smell rose from Alice's body. "Everything is starting to get back to normal."
"What about Alan-you said you'd look for him."
"I'm afraid he's gone." Laing disliked these references to Alice's husband. They introduced a discordant note. "I found your apartment but it's empty now."
Alice turned her head away, indicating that she had seen enough of her brother. Laing bent down and gathered together the kindling she had scattered on the floor beside the mattress. These dining-room chair-legs, well impregnated with glue and varnish, would burn briskly. Laing had looted the chairs from Adrian Talbot's apartment after the psychiatrist's disappearance. He was grateful for this reproduction Hepplewhite-the conventional tastes of the middle-floor residents had served them well. By contrast, those on the lower levels found themselves with a clutter of once-fashionable chromium tubing and undressed leather, useless for anything but sitting on.
All cooking was now done over fires which the residents lit for themselves on their balconies, or in the artificial fireplaces. Laing carried the sticks on to the balcony. As he squatted there he realized that he had nothing to cook. The secret cache of cans he had long ago been obliged to surrender to the orthodontic surgeon next door. In fact, Laing's position was secure thanks only to the morphine ampoules he had concealed.
Although Steele frightened him with his unpredictable cruelties, Laing had attached himself to him out of necessity. So many people had gone, or dropped out of the struggle altogether. Had they deserted the high-rise for the world outside? Laing was sure that they had not. In a sense he depended on the uncertainties of his relationship with the dentist, following his murderous swings like a condemned prisoner in love with a moody jailer. During the previous weeks Steele's behaviour had become frightening. The deliberately mindless assaults on anyone found alone or unprotected, the infantile smearing of blood on the walls of empty apartments-all these Laing watched uneasily. Since his wife's disappearance Steele had been as tautly strung as the huge crossbows which he constructed from piano wire and mounted in the lobbies and corridors, their vicious arrows fashioned from the shafts of golf-clubs. At the same time, however, Steele remained strangely calm, as if pursuing some unknown quest.
Steele slept in the afternoon, giving Laing a chance to prospect for water. As he picked up the kettle he heard Alice call out to him, but when he returned to her she had already forgotten what she wanted.
She held out her hands to him. Usually Laing would have rubbed them for her, trying to kindle a little warmth in them, but out of some kind of peculiar loyalty to the dentist he made no effort to help Alice. This petty show of callousness, his declining personal hygiene, and even his deliberate neglect of his health, were elements in a system he made no attempt to change. For weeks all he had been able to think about were the next raid, the next apartment to be ransacked, the next tenant to be beaten up. He enjoyed watching Steele at work, obsessed with these expressions of mindless violence. Each one brought them a step closer to the ultimate goal of the high-rise, a realm where their most deviant impulses were free at last to exercise themselves in any way they wished. At this point physical violence would cease at last.
Laing waited for Alice to subside into half-consciousness. Looking after his sister was taking up more of his energy than he could afford. If she was dying there was little he could do, apart from giving her a terminal gram of morphine and hiding her body before Steele could mutilate it. Dressing up corpses and setting them in grotesque tableaux was a favourite pastime of the dentist's. His imagination, repressed by all the years of reconstructing his patients' mouths, came alive particularly when he was playing with the dead. The previous day Laing had blundered into an apartment and found him painting a bizarre cosmetic mask on the face of a dead account-executive, dressing the body like an overblown drag-queen in a voluminous silk nightdress. Given time, and a continuing supply of subjects, the dentist would repopu-late the entire high-rise.
Carrying the kettle, Laing let himself out of the apartment. The same dim light, pearled by a faint interior glow, filled the corridor and elevator lobby, a miasma secreted by the high-rise itself, distillation of all its dead concrete. The walls were spattered with blood, overlaying the aerosolled graffiti like the tachist explosions in the paintings that filled the top-floor apartments. Broken furniture and unravelled recording tape lay among the garbage-sacks piled against the walls.
Laing's feet crackled among the polaroid negatives scattered about the corridor floor, each recording a long-forgotten act of violence. As he paused, wary of attracting the attention of a watching predator, the staircase doors opened and a man in a flying-jacket and fleece-lined boots entered the lobby.
Watching Paul Crosland stride purposefully across the debris-strewn carpet, Laing realized that the television announcer had just returned, as he did every day, from reading the lunch-time news bulletin at the television station. Crosland was the only person to leave the high-rise, maintaining a last tenuous link with the outside world. Even Steele side-stepped him discreetly. A few people still watched him read the news on their battery-powered sets, crouching among the garbage-sacks behind their barricades, perhaps still hoping that even now Crosland might suddenly depart from his set text and blurt out to the world at large what was happening within the high-rise.
Inside the staircase Laing had set up a dog trap, using a tropical mosquito-net he had lifted from an anthropologist's apartment three floors above. A plague of dogs had descended the building from their breeding grounds on the upper floors. Laing had no hopes of catching the larger dogs in the spring-loaded contraption, but a dachshund or pekinese might become entangled in the nylon mesh.
The staircase was unguarded. Taking a chance, Laing made his way down the steps to the floor below. The lobby was blocked by a barricade of furniture, and he turned into the corridor that served the ten apartments in the northern wing of the building.
Three doors along, he entered an abandoned apartment. The rooms were empty, the furniture and fittings long since stripped away. In the kitchen Laing tried the taps. With his sheath-knife he cut the hoses of the washing-machine and dishwasher, collecting a cupful of metallic water. In the bathroom the naked body of an elderly tax-specialist lay on the tiled floor. Without thinking, Laing stepped over him. He wandered around the apartment, picking up an empty whisky decanter on the floor. A faint odour of malt whisky clung to it, an almost intoxicating nostalgia.
Laing moved to the next apartment, also abandoned and gutted. In a bedroom he noticed that the carpet covered a small circular depression. Suspecting a secret food cache, he rolled back the carpet, and found that a manhole had been drilled through the wooden floorboards and concrete deck to the apartment below.
After sealing the door, Laing lay down on the floor and peered into the room beneath. A circular glass table, by a miracle still intact, reflected his blood-spattered shirt and bearded face, staring up from what seemed to be the bottom of a deep well. Beside the table were two overturned armchairs. The balcony doors were closed, and curtains hung on either side of the windows. Looking down at this placid scene, Laing felt that he had accidentally been given a glimpse into a parallel world, where the laws of the high-rise were suspended, a magical domain where these huge buildings were furnished and decorated but never occupied.