“It was the only thing I could do in that room without—without letting George know—” That was undoubtedly the truth, Cecelia thought. What a jewel of a captain. What a marvel. She felt like grabbing Heris and dancing her along the passages . . . and at the imagined look on Heris’s face she could hardly contain her laughter. Ronnie, she saw, was looking at her with some suspicion.
“My dear, please, I’m just glad you’re not sick, and that you didn’t do something awful that Captain Serrano would have had to complain to me about, and that you thought better of it and made good use of your time. I have to admit I find the need to placate George amusing . . . but then I’m old, and no longer worry about the opinions of friends. When I was your age, their opinions mattered much more.”
“Even you? I thought you never cared about anyone.” The tone was more respectful than the words.
“I didn’t care about some members of the family—and I’m not bragging about it. But I had friends—others who shared the same interests—and it mattered a great deal to me what they thought. So I will conceal from George your careful study of whatever it was you studied, and pretend to know nothing—which is in fact just what I do know.”
“Thank you, Aunt Cecelia,” he said. Something in his eyes made her think he was not entirely chastened, but overly polite was easier to live with than whining complaint. “I suppose,” he went on, “I should ask you to let me try your simulator.” His tone, again, was almost too bland, but she chose not to notice.
“Of course. Some of your friends—Bunny’s children, and Raffaele—have been using it; I made up a schedule so that we don’t interfere with each other.”
“And the captain,” he went on. She noticed the tension in his jaw which he probably thought he’d concealed. “Is she coming along well?”
“Oh, yes,” Cecelia said. “It’s too bad she didn’t start earlier; she’d have been competitive in the open circuit. As it is, she’ll be a reasonable member of the field once she’s had some real experience.” She smiled at the look on his face, mingled of mistrust and envy. “You’d be good too, I’m sure, if you spent the time on it she has. You’re the right build.”
“But I’m not horse-struck,” Ronnie said. “Just as well; Mother would say you’d contaminated me.”
“Well, make a try at it. You might like it better than you think. The family brought you up to think it was ridiculous, and all because my parents wanted me to marry someone for a commercial alliance, and I wanted to ride professionally. Whether I was right or wrong doesn’t affect the nature of the sport.”
“All right.” He held up his hands, as if in defense, and Cecelia realized her voice had risen. That old quarrel with her parents and her uncles could still make her angry. If they had not been so ridiculously prejudiced, she would not have been that defiant: she would have quit in another year or so, certainly after losing Buccinator, and married someone. If not Pierce-Konstantin, someone reasonable. But they had tried to have her barred from competition, when she was leading for a yearly award; she had rebelled completely.
It occurred to her that she had more in common with Ronnie than she’d imagined.
Most major space stations followed one of three basic, utilitarian designs: the wheel, the cylinder, and the zeez-angle for situations requiring specific rotational effects. When Heris called up the specs for Sirialis, which all her passengers called “Bunny’s planet,” she felt she’d taken another giant step into irrationality. A blunt-ended castle tumbling slowly in zero-gravity? This time she didn’t ponder it alone; she called her employer, and sent along a visual of the Station where Cecelia had said they would dock.
“Is there an explanation, or do I just assume civilian-aristocratic insanity?” she asked.
“Insanity isn’t a bad guess,” Cecelia admitted. From the tone, she was neither surprised nor insulted by Heris’s reaction. “There’s been a certain—oh—eccentricity—in that family for some generations. Some of us think that’s why they got so rich so fast; they’ve got monetary instincts where the rest of us keep our common sense. This Station, though—let me see if I can explain it.”
“No one,” Heris said, watching on her own screen the display of crenellations, towers, stairs, arches, and cloisters, rotating but somehow not making sense, “no one could explain this.” Her eye tried to follow the progression of one staircase up to a square tower, which was suddenly not where it should have been. . . . The staircase had to be going down. Someone, she thought, must have made an error in the display.
“It began with Bunny’s great-great-uncle Pirdich,” Cecelia went on, ignoring the comment. “They’d just managed to recover the worst the original colonists had done, and the lords of the Grande Caravan had been teasing them about how impossible it was. He wanted to make a statement.”
“That Station is a statement?”
“Of sorts, yes. He decided that having overcome what everyone said was an impossible problem in reclamation, he would celebrate it by building an impossible space station. Bunny’s family’s been overfond of the early modern period of Old Earth all along; this Station is built to look like a design by an artist of that period. I don’t know the name; visual arts is not my thing. It is strange, isn’t it? And if you think it’s impossible, wait until you see the internal configuration and the fountain in the central plaza. Everything in it is taken from the work of the same person, and it’s all delightfully skewed.”
Delightfully was not the word Heris would have picked. In her experience, design problems in space stations caused everyone grief, especially captains of ships docking there. Creativity should be subordinate to efficiency. “Are all three stations like this one?” she asked. If not, maybe she could talk Cecelia into docking somewhere other than the prestigious but clearly impractical Home Station.
“Of course not. Once they had one unique impossible station, they wanted each one different. Here—” From Cecelia’s desktop to Heris’s the new visuals flashed: one like a stylized pinecone, in silver and scarlet, and one that looked like a worse mistake than the others, as if someone had dropped a pile of construction material onto a plate with a glob of sticky in the middle. “I think that’s the worst,” Cecelia said. “It’s a Dzanian design, very neo-neo-neo, and the fault of Bunny’s aunt Zirip, who married a Dzanian, and insisted that her family’s fondness for Old Earth was pathological. You can’t take anything very big into it, because the parts that stick out are nonfunctional; the docking bays are all nestled among them. There’s only one berth for a decent-sized ship, and that’s where they do cargo transfer. Zirip thought it was cute, she told me once, because it made for intimate spaces. But Zirip is also the one who converted the closet in her room into her bed and study, and used the room itself for a dance studio. Up until then, I’d thought the oddness in that family rode the Y chromosome.”
Heris pitied the captains of cargo vessels loading and unloading there, but supposed they got used to it. “And the . . . er . . . pinecone?”
“Symbolic. So they told me. I’ve been there once, on a family shuttle; the docking facilities are lovely, but I got very tired of green and brown and the same aromatics all the time. It has the most capacity, and most guest yachts will dock there.” At the end, that had the smug tone of someone who knew she was docking at a more prestigious slot; Heris sighed. She knew what that meant—no hope of talking Cecelia into using another station.