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And there we are walking through the Brass Rail as diners stare at us wondering was there a confrontation? between the maître d' and that arrogant black man? I try to see us: but there's a blur, a merciful haze; as in a dissolving dream; the gray silk vest, the black silk dress; a face frozen in anger, a face stricken in embarrassment. Can I live this life, am I strong enough? I waited outside the Brass Rail as Vernor Matheius settled the bill.

And later. In Vernor's bed in those sheets smelling of our bodies; in Vernor's arms that didn't close about me, but held me loosely rocking as one might comfort a small child; I was trying not to cry for nothing's so banal as crying in a lover's arms, banal and futile; as Vernor said, with unnatural gentleness, "Didn't I warn you, girl, I'm not a man for any woman to count on? Eh?" and, more gently, "I wish I could love you the way you deserve, a girl like you, but I can't, you know I can't, I have never lied or misled you, Anellia, have I?" These earnest words like a pronouncement of death and yet I was pleading, "Vernor, I can I-love enough for us both. Give me a chance!" My absurd makeup had begun to melt on my sallow little face. My hair I'd shampooed that afternoon, brushed to a sheen, now disheveled as if I'd been wakened from sleep. And Vernor saying in that soft resolute voice, "Anellia, maybe you should go away now. Maybe this should end." I held myself very still, very still, not hearing.

To purify myself utterly, how? To become nothing, bare picked white bones. And then I will be free.

29

On June 12, 1963, three days after our evening at the Brass Rail, a young NAACP field secretary named Medgar Evers entered history; he was shot in the back by a white racist as he was about to enter his home in Jackson, Mississippi. Even Vernor Matheius who avoided the news like a bad smell could not avoid learning of this.

Fuck. Fuckers.

It was a sign of Vernor's debasement, that so common, you could say so clichéd a vulgarity sprang to his lips.

Beginning now to drink in the early afternoon. At midday. Waking late, groggy and still drunk from the night before; dragging himself to work at his desk, or try to work; beer, rot-gut wine, cheap jug wine; refused to leave his apartment, even to wash, put on fresh clothes. He was feverish, he had no appetite. Now the raw sewage was backing up on him. Stay away he warned me but I would not. I took advantage of his illness, his weakness; every day, twice daily, I climbed the outside stairs at the rear of Vernor Matheius's building where the door might be locked against me and no amount of pleading could induce Vernor to open it, or the door might be unlocked, might swing open when I pushed against it and an odor of defeat and fury would fill my nostrils so that my instinct was to flee even as, stubbornly, I would not. Why! Why d' you come here when I don't want you was Vernor's silent accusation. As I pleaded, in silence taking his hand and lifting it, the sweaty unwashed palm, to my cheek. I've told you: I can love enough for us both.

Through that long winter and into the spring there'd been a flu epidemic in upstate New York. Vernor had boasted of being immune to such weakness, but at last he succumbed; joking that he'd been poisoned at the Brass Rail. Within a week he'd lost so much weight I could see his breastbone sharp as the edge of a shovel outlined through his filthy shirt when he lay flat on his back; I saw that his cheekbones had grown sharper, his eyes were sunken and glowed meanly as the candlelit eyes of a deranged Hallowe'en pumpkin. I was frightened for him. I worried he would starve himself to death out of spite like those recluses we'd hear of sometimes in the countryside of my childhood, who hadn't enough to eat during the winter or were too poor or too proud or too stubborn or too deranged to ask neighbors for help. Of the martyred Medgar Evers whose assassin had not yet been named Vernor said That's what happens when you step into history: history grinds you flat beneath its boot heel. The remark seemed to give him pleasure.

There were times when he seemed delirious; there were times when he ranted, cursed; once when I let myself in, with a key I'd appropriated from him, I was shocked to see that he'd thrown books and papers onto the floor in disgust, he'd torn down the likenesses of Socrates and Descartes; in the smelly little bathroom, it looked as if he'd urinated onto the likeness of Wittgenstein with his enigmatic bamboo cane. Trying to lower his window shades he'd dislodged them from their rollers and they dangled in strips and shreds I could not repair, and so I removed them; there was broken glass underfoot, there were cigarette butts, ashes; the room stank of beer and cheap jug wine and of smoke and of scorched fabric; there were scattered burn marks in the bedclothes; I worried that Vernor would set fire to his bed, burn himself and his fellow tenants in the night.

Let me love you. Let my love heal you.

Vernor Matheius heard me perfectly well. He fell into a fit of coughing and lay his head on his arms, on the kitchen table.

On his ransacked desktop the portable typewriter had been shoved back against the wall. There were gouge marks in the wallpaper. A sheet of paper looked to have been torn out of the typewriter carriage, and on this paper there were numerous XXX's and a single legible paragraph-

Axiom: if (following LW) the propositional sign is assigned a protective "relation" to the world does it therefore follow that the use of the perceptible sign of a proposition (spoken or written) is a projection of a possible situation? (See LW, 3.11)

I understood that "LW" was Ludwig Wittgenstein; the rest of the argument, which must have been part of the treatise Vernor was writing for his doctoral dissertation, was lost to me. Nor did I dare to ask Vernor about it since he'd have been furious to know I was looking through his papers. My task was to care for him, and this I did with energy, resolution, and good humor; I would not fall sick myself but would be his nurse, and he would see how I loved him, and did not judge him; for you don't judge the sick, you nurse them back to health; you nurse them back to sanity; you nurse them back to their true selves. I brought food to Vernor's apartment to prepare for him; on his sickest days he hadn't any appetite, food disgusted him and he could tolerate only soup; a thin broth of a soup in which I cooked sliced vegetables; I