And it was all a sham! A mask to hide the terrible conflict that was raging within her soul, nothing more.
She did not love him, of that he felt convinced. Man-like, he did notunderstand to the full that great and wonderful enigma, which has puzzled the world since primeval times: a woman's heart.
The eternal contradictions which go to make up the complex nature of an emotional woman were quite incomprehensible to him. Juliette had betrayed him to serve her own sense of what was just and right, her revenge and her oath. Therefore she did not love him.
It was logic, sound common-sense, and, aided by his own diffidence where women were concerned, it seemed to him irrefutable.
To a man like Paul Déroulède, a man of thought, of purpose, and of action, the idea of being false to the thing loved, of hate and love being interchangeable, was absolutely foreign and unbelievable. He had never hated the thing he loved or loved the thing he hated. A man's feelings in these respects are so much less complex, so much less contradictory.
Would a man betray his friend? No--never. He might betray his enemy, the creature he abhorred, whose downfall would cause him joy. But his friend? The very idea was repugnant, impossible to an upright nature.
Juliette's ultimate access of generosity in trying to save him, when she was at last brought face to face with the terrible wrong she had committed, that he put down to one of those noble impulses of which he knew her soul to be fully capable, and even then his own diffidence suggested that she did it more for the sake of his mother or for Anne Mie rather than for him.
Therefore what mattered life to him now? She was lost to him for ever, whether he succeeded in snatching her from the guillotine or not. He had but little hope to save her, but he would not owe his life to her.
Anne Mie, seeing him wrapped in his own thoughts, had quietly withdrawn. Her own good sense told her already that Paul Déroulède's first step would be to try and get his mother out of danger, and out of the country, while there was yet time.
So, without waiting for instructions, she began that same evening to pack up her belongings and those of Madame Déroulède.
There was no longer any hatred in her heart against Juliette. Where Paul Déroulède had failed to understand, there Anne Mie had already made a guess. She firmly believed that nothing now could save Juliette from death, and a great feeling of tenderness had crept into her heart for the woman whom she had looked upon as an enemy and a rival.
She too had learnt in those brief days the great lesson that revenge belongs to God alone.
Chapter XX
The Cheval Borgne
It was close upon midnight.
The place had become suffocatingly hot; the fumes of rank tobacco, of rancid butter, and of raw spirits hung like a vapour in mid-air.
The principal room in the "Auberge du Cheval Borgne" had been used for the past five years now as the chief meeting-place of the ultra-sansculotte party of the Republic.
The house itself was squalid and dirty, up one of those mean streets which, by their narrow way and shelving buildings, shut out sun, air, and light from their miserable inhabitants.
The Cheval Borgne was one of the most wretched-looking dwellings in this street of evil repute. The plaster was cracked, the walls themselves seemed bulging outward, preparatory to a final collapse. The ceilings were low, and supported by beams black with age and dirt.
At one time it had been celebrated for its vast cellarage, which had contained some rare old wines. And in the days of the Grand Monarch young bucks were wont to quit the gay salons of the ladies, in order to repair to the Cheval Borgne for a night's carouse.
In those days the vast cellarage was witness of many a dark encounter, of many a mysterious death; could the slimy walls have told their own tale, it would have been one which would have put to shame the wildest chronicles of M. Vidocq.
Now it was no longer so.
Things were done in broad daylight on the Place de la Révolution: there was no need for dark, mysterious cellars, in which to accomplish deeds of murder and of revenge.
Rats and vermin of all sorts worked their way now in the underground portion of the building. They ate up each other, and held their orgies in the cellars, whilst men did the same sort of thing in the rooms above.
It was a club of Equality and Fraternity. Any passer-by was at liberty to enter and take part in the debates, his only qualification for this temporary membership being an inordinate love for Madame la Guillotine.
It was from the sordid rooms of the Cheval Borgne that most of the denunciations had gone forth which led but to the one inevitable ending--death.
They sat in conclave here, some twoscore or so at first, the rabid patriots of this poor, downtrodden France. They talked of Liberty mostly, with many oaths and curses against the tyrants, and then started a tyranny, an autocracy, ten thousand times more awful than any wielded by the dissolute Bourbons.
And this was the temple of Liberty, this dark, damp, evil-smelling brothel, with its narrow, cracked window-panes, which let in but an infinitesimal fraction of air, and that of the foulest, most unwholesome kind.
The floor was of planks roughly put together; now they were worm-eaten, bare, save for a thick carpet of greasy dust, which deadened the sound of booted feet. The place only boasted of a couple of chairs, both of which had to be propped against the wall lest they should break, and bring the sitter down upon the floor; otherwise a number of empty wine barrels did duty for seats, and rough deal boards on broken trestles for tables.
There had once been a paper on the walls, now it hung down in strips, showing the cracked plaster beneath. The whole place had a tone of yellowish-grey grime all over it, save where, in the centre of the room, on a rough double post, shaped like the guillotine, a scarlet cap of Liberty gave a note of lurid colour to the dismal surroundings.
On the walls here and there the eternal device, so sublime in conception, so sordid in execution, recalled the aims of the so-called club: "Liberté, Fraternité, Egalité, sinon la Mort."
Below the device, in one or two corners of the room, the wall was further adorned with rough charcoal sketches, mostly of an obscene character, the work of one of the members of the club, who had chosen this means of degrading his art.
To-night the assembly had been reduced to less than a score.
Even according to the dictates of these apostles of Fraternity: "la guillotine va toujours"--the guillotine goes on always. She had become the most potent factor in the machinery of government, of this great Revolution, and she had been daily, almost hourly fed through the activity of this nameless club, which held its weird and awesome sittings in the dank coffee-room of the Cheval Borgne.
The number of the active members had been reduced. Like the rats in the cellars below, they had done away with one another, swallowed one another up, torn each other to pieces in this wild rage for a Utopian fraternity.
Marat, founder of the organization, had been murdered by a girl's hand; but Chardon, Manuel, Osselin had gone the usual way, denounced by their colleagues, Rabaut, Custine, Bison, who in their turn were sent to the guillotine by those more powerful, perhaps more eloquent, than themselves.
It was merely a case of who could shout the loudest at an assembly of the National Convention.
"La guillotine va toujours!"