The goanna had its leathery chin resting just above her fringe. It tested the air nervously with its forked tongue. Its front claws gripped her broad shoulders, its baggy muscled body moulded itself to her cotton-clad back and its hind claws gripped the soft mound of her generous backside. Its tail, striped yellow like all its body, did not quite touch the ground.
Charles then transformed himself from an acned, red-faced, awkward youth into an expert. The schoolchildren who had whispered and giggled about his funny face and bandy legs saw the change and fell into a silence.
"Get a chaff bag," he told the bank manager, with such terseness that the man did as he was told. Charles turned off his hearing aid and walked out into the no man's land that separated the assembled pupils from the frozen girl.
Emma, seeing him stand before her, observed the hearing aid, a small brown bakelite knob protruding from his fleshy ear, and it made her trust him. He seemed older and more experienced. She felt his personality to be round and smooth and free from nasty spikes. She smiled, a smaller, shyer smile than last time, and this raised, from the ranks of the children in front of her, the same magical incantation that had greeted Leah Goldstein and Izzie Kaletsky when they embraced in a Bondi bus shelter.
"Hubba hubba," the children shouted.
The bag arrived. When this fact had, at last, been drawn to Charles's attention, he walked slowly towards the goanna. His neck was tingling. He felt a warm hum at the base of his skull. The goanna blew out its neck. Charles made a noise deep in his throat. The goanna hissed and then, before anyone had time to gasp, Charles had it off and into the bag, causing no more additional damage than a ripped patch of dress which revealed a blood-spotted petticoat underneath.
"Thank you," she said, and waited for Charles to fiddle with his hearing aid with one hand while he held the agitated chaff bag with the other.
"Charles Badgery," he said, blushing now that the expert performance was ended and he found himself, a shy boy, faced with a girl he liked the look of.
"Don't hurt it," she said.
She placed her hand on his wrist, a pressure so light Charles could barely feel it and, at the same time, could feel nothing else. "It wasn't the goanna's fault." Her voice was as light as her touch. "It was them," she nodded at the pupils who were still, for the moment, quiet. "The little beggars were cheeking it. Promise me you won't hurt it."
"You have my word," he said, quite scarlet, but now they were being crowded and, like aviators just landed, were taken away by the mob, Emma by her pupils, Charles by Les Chaffey and the bank manager.
19
Never in Les Chaffey's life had a plan worked out so neatly and it took him by surprise. He had developed plans more rational, more reasonable, prettier plans, more optimistic plans but these – carefully detailed to the last screw – had been stillborn while this careless doodle, this idea that Charles must fall in love with the schoolteacher, now came to pass exactly as he'd envisaged.
"Well, I'll be damned, I'll be euchred, I'll be a Dutchman." He grinned and rubbed his leprechaun mouth and gazed at his raw red friend who would only confess that Miss Underhill seemed "like a nice sort of girl".
The motor cycle, it was obvious, was an essential aid to courting and Les, having belted his truck up the drive in a cloud of dust, did not stop for tea or a chat with his wife, but pulled his overalls on over his good Fletcher Jones trousers and set to work immediately. It was not in his nature to work so quickly, but he could see that an hour lost would be a dangerous hour, so he put his head down and did not stop until the AJS was back together. It was because of this, or because of Charles impatiently circling him, getting in his light, kicking over his tools, that the quality of the job was less than it might otherwise have been and the machine would ever after be troubled by faults that originated in those two excited days.
As it turned out such haste was unnecessary and no motor cycle was required to woo Miss Emma Underhill who, tired of her landlady's son who was building an outhouse specially to please the young miss, walked the six miles across from Red Hill to inquire, she said, about the well-being of the goanna. The Underhill women were all great walkers and Emma did not come traipsing along the sandy road in high heels and white lawn dress. She put on her white short socks and her strong brown brogues. She wore a heavy tweed pleated skirt that did not show the dirt, and a black twin-set, a colour that suited her complexion. She did carry an umbrella, but she used it energetically, like a walking stick, and she put her shoulders back and held up her head and walked with a good stride, strong and determined, but not without grace or sensuality either. Whilst walking, Emma Underhill showed a part of her character she kept hidden the rest of the time and for an hour and a half she did not lower her eyes once.
She handled the complications of the Chaffeys' gate without hesitation and she walked, more sedately, up the long drive, aware that a woman was squatting on the front veranda watching her. She put up her umbrella and realized, for the first time, that she was being bold. She would be talked about.
She introduced herself to Mrs Chaffey and said she had come about the goanna.
She was directed around the house to the back where she found Charles and the goanna, both together, inside a stout stockade on the edge of the scrub. The monitor was already well on its way to being tame.
She did not go into the cage at once, but stayed with her hands clutching the chicken wire while Charles showed her how the monitor would let its back be stroked and its head rubbed. He was very shy and this made him stern. He said he had begun by using a long piece of cane, and when the animal was used to being rubbed with this, he had used his hands. He said he was lucky, that another monitor, identical in age and appearance, might have stayed wild forever, but this particular one was different. It was quite safe for her to come into the stockade. He gave her his word she would not be harmed and this last commitment he made very solemnly indeed.
Emma entered, clutching her handbag to her chest. She had already decided to get married. She squatted beside the prone reptile, even though it made her wounds hurt. She had had a single stitch on her bottom and a tetanus shot as well. She touched the hard scaly back with the tip of her finger.
"Hello, Mr Monster," she said. Charles loved her voice. It was so soft and blurred, like pastels. It made his neck tingle just to listen to her. It gave him the same delicious feeling he had as he hovered on the brink of sleep and this feeling – until now – had been the single most pleasant feeling in his life. It was the voice that coloured everything he now thought about her. It was shy and tentative and musical. Sometimes he did not manage to hear the words she said, but he did not let on about his deafness.
Emma had withdrawn her hand and stayed squatting in the dust. "You're its friend," she said. "It likes you more than me."
"It can't tell you from me, I reckon." Charles drew a doodle in the dust with a broken stick. "All it knows is that we are the sort of animals that bring it food."
Both of the Chaffeys were now hovering around the chook pen, pretending to be mending a laying box. It was Mrs Chaffey who observed, tartly, that if they swapped the goanna for a bag of cement it would have made no difference. And, to be fair, the goanna, being well fed and contented, was not unlike a bag of cement. It lay flat on its belly in its heavy timber and wire stockade while Charles Badgery and Emma Underhill squatted on either side of it and rubbed and patted, patted and rubbed, their cheeks flushed.