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It was the inner sanctum in which they were both, mother and son, loved and cared for, protected from the world, and they felt themselves to be circled by so many loving defences, walls, moats and drawbridges that it was a shock, sometimes, to look up and see the skylight was thin, so brittle, so fragile a barrier between their comfort and the cold of a storm.

So when uninvited guests found her and became angry with her for being in a cage, Emma truly believed that they were jealous.

Indeed, in just eight hours' time from my hesitation on the stairway, she was to offer me, as a mark of special favour, a cage of my own. This, I am pleased to say, was already taken by Mr Lo, and I must, in all politeness, ask you to bear with me, juddering, shell-shocked in the doorway, give me time to take a breather while I tell you a little about Mr Lo and how he found himself in such an odd accommodation.

37

One day, and not too many days before my own arrival – more than a month but less than a year – Leah Goldstein returned from shopping, her string bag heavy with potatoes with which she planned to make a lovely cake, and found a gentleman sitting in the cage with the pink Venetian blinds. He was twenty-two years old, a professional man, and was very nicely turned out in a grey double-breasted suit. He had a golden heart-shaped face and dark, sunken, unhappy eyes. He was Mr Henry Lo, marine architect, illegal immigrant.

Leah turned left as she came, puffing slightly, through the door, and there he was. Mr Lo smiled. Leah smiled. Mr Lo held out his business card. Leah placed the heavy string bag on the floor, very carefully and slowly in case a potato should tumble out and roll with the natural fall of the floor, and drop four storeys by which time it would be a lethal weapon falling at 200 miles per hour and capable of breaking the cranium and lodging itself, pulped and soggy behind the eyes – Charles had told her this, even shown her the mathematics of the fall, kindly provided by a staff member – and so, even though Leah was interested to read the new arrival's card, she was particularly careful with the potatoes, washed King Edwards from Dorrigo, picked early from loose red soil, and so round and easily rolled.

When she had the potatoes as stable as was likely, she placed her feet on either side of them, smiled apologetically at the young man in the cage, and read the card carefully.

Emma was wearing her pearls and her New Look suit. She was out of the cage and playing dutifully with her youngest son over on the southern gallery, racing a heavy lead motor car up and down and fighting for possession of it without taking the slightest trouble to protect her expensive nylons.

Leah offered Mr Lo his card back, but he insisted – he held up his soft pale palm to indicate his meaning – that she keep it. Leah and Mr Lo then bobbed at each other and Leah picked up her dangerous potatoes and squeezed her way past the rusty birdcages and made her way round to Emma's side. She squatted, not only because she was tired, but because she wished to speak to her friend in confidence.

"Who's that?" asked Leah Goldstein.

"That's Mr Lo." Emma gave Hissao the car and found herself a wooden truck to crash into it with. "There," she told the pretty rouge-cheeked boy, "now you're dead."

"Not dead," Hissao said. He started running around the gallery but stopped when he saw the adults were more interested in whispering than chasing.

"Why is he there?" Leah Goldstein hissed and Hissao came back to listen. He snuggled in against his mother, picking at the soft cotton of her dress, rubbing it against his cheek and smudging it, although no one realized.

"He wants to stay," Emma said. "He wants a job, so I gave him one."

"Gave him what?"

"I gave him a job," said Emma and, although she did not smile, there was something happening with her face, as subtle as her perfume.

"Emma!"

Emma pouted but she was not unhappy. She was almost never unhappy. Soon Leah would be going away, as soon as Charles's daddy came to get her, and she would miss her, miss the custard and rich soups, the games of canasta, the long companionable silences, but she would not be unhappy.

"Dear Leah," she said. She was about to fetch some perfume to dab on her friend's wrists when she heard her husband's great big feet – she saw them in her mind's eye, those punched brown brogues, size eleven, on the worn stair treads – they were coming this way. She could hear Charles and cranky Van Kraligan shouting at each other about the budgie factory. Van Kraligan's voice came up over the gallery – he was working below – but Charles was already up the stairs to the fourth level.

"Balt," Van Kraligan said. "I am not a bloody Balt. Balt is from Baltic. I am not Baltic. Fix it," he yelled, "fix it your bloody self, mate."

Charles strode through the door. He had shed his wartime camouflage and emerged with tailor's stitching on his gaberdine lapels. His suits were pressed each day by the American Pressers in Angel Place. He came through the stairs like a wealthy man, turned right rather than left, and thus missed the melancholy but hopeful Mr Lo standing at attention inside the cage Charles had commissioned from Spikey Dawson.

Charles walked – twenty-eight years old and still lifting his feet too high – round to the west side, as far as the door to the kitchen, and then he leaned over the railing so he could shout at Van Kraligan on the gallery below. Don't worry what he said – it was all to do with his ignorance about geography – but rather that Mr Lo heard the tone of voice and did not need to look for a gold watch to know that this hairy giant was definitely the boss.

He therefore readied himself, exposing his cuffs the correct amount and placing a white handkerchief in his breast pocket. When Charles had finished with Van Kraligan, Mr Lo gave a cough, very small, and very polite, which Charles did not hear – he noticed, instead, Emma and Leah staring in the direction of the cage.

When Mr Lo saw that he had the boss's attention, he proceeded to show him what he could do 38 He did not mind if she was mad – he would look after her, just as he had looked after Leah when she arrived, with one thin summer dress crammed in her handbag; just as he gave money to his mother and provided for his children. He got great pleasure from providing. It was a miracle that he could do it. He, Charles Badgery (who did not know what order the letters of the alphabet went in, who was ugly, awkward, shy, deaf, bandy), could provide.

When he threatened to call in doctors, which he often did, it was not because of her madness or lack of it. It was because of the thought that she mocked him. It was the look in her eye, secretive, malevolent, wrapped in thin clear plastic.

And it was this look that he saw, or feared he saw, on the day she put the Asiatic in the cage.

Charles leaned across the rail and watched Mr Lo thoughtfully, as though he were nothing more than a newly arrived cockatoo whose responses he was attempting to judge, to see if he would adapt to his cage readily or would end up noisy and a nuisance to his fellows.

Mr Lo bowed to Charles, bowed as he had not bowed except to Grandfather. Then he spoke a high-flown poem, badly remembered, which his accomplished sister had often recited before visitors. (The poem was in Mandarin. Charles Badgery did not notice the mistakes.) Finally he turned five somersaults and would have done a sixth except that he was out of practice and feared a disgrace.