Once, only once, had he ventured out into the street. But he had only gone a block before he was overcome with his vulnerability, his illegal status, the thought that there was nothing to protect him from questioning, officials, exportation, a gaol sentence in Penang and, finally, conscription to fight the communists in the jungle.
So he returned, and stayed, and did not try to go out again, sad to be locked away from the world and fearful lest he be forced into it.
Mr Lo was an intelligent young man. His teachers had all remarked on his understanding and his diligence. Things did not need to be explained to him twice. Yet he could not, in his present situation, ever understand how he was permitted to stay or what function he had in the workings of Mr Badgery's establishment. He had asked and been answered, but he had not understood and he behaved as he had when, as a child, when his father was still alive, he had gone fishing. He was too young to understand fishing, but he followed the example of his father and uncles. When they jiggled their lines, he did likewise. When they changed bait, so did he. But he did not understand. So it was in Mr Badgery's emporium: he did his somersaults and spoke in languages, but he could be overcome, mid-somersault, with a panic that there was no meaning to his antics. He no longer imagined that he was to be sold. That misconception had not lasted a week, and he had been relieved to realize it, and yet he also dreamed of the day when a beautiful young lady would come through the door – it did not even matter if she was not beautiful, or even if she was no longer young – and she would see him: neat, clever, nimble and she would fall helplessly in love with him. She would not even notice Mrs Badgery and if she did would not be so impolite as to laugh or point. She would stand shyly and lower her eyes, and he would speak to her. On the first visit she would not answer, but she would return, and sooner or later she would speak. She would want to marry him, but he would have to ask her, of course. And then they would walk the streets of Sydney together. He would buy her rice cakes, bright red ones wrapped in green leaf.
Mr Lo began to straighten chairs. He unlocked the little nest of wooden legs that Hissao had made into a "Ghosts' Cage" and lined the chairs neatly along the rail of the gallery. When he had done this he took out his handkerchief and dusted the seats. Then he sat down. He thought optimistic thoughts.
41
I have never been a great one for returning to my past and thus experiencing that giddy gap between past and present where, in a second, you trip and teeter and, with arms flailing, fingernails scraping against egg-smooth walls, you fall through twenty years.
Yet on that day in Sydney, that muggy steaming day, I breathed the odour of my little boy's manly sweat and plunged and soared in the turbulent air of time.
I met the mad woman. I looked into Hissao's eyes and saw my lost daughter, for whatever Emma had made of him, there was no mistaking that similarity, that sweet nature, that pretty face.
Charles, I assume, introduced me once again to Leah, but there was such a commotion in my mind that I did not hear. I did not recognize her and so wondered at the particular attention this handsome woman bestowed on me.
The birdseed importer had a fat bum and took up too much of the front seat. It was hard to turn. I was blocking Charles's view in the rear-vision mirror. We roared up George Street and headed towards the bridge. Charles was shouting various facts about the car and its performance, accelerating, braking, and showing off. He drove no better than Jack McGrath.
"Mother is in Sydney," he shouted… "Who?"
"Phoebe, your wife. My mother is in Sydney."
"Oh," I said. I did not wish to hear about wives. I was taken by the handsome woman in the back seat. I wanted to turn so I could see her wedding finger, but the birdseed importer was trying to question me about my business and Charles wanted a coin for the bridge toll. I got my hand into my pocket, gave him the two bob, and saw it safely into the tollkeeper's hand, and then, as we lurched savagely on to that ugly steel structure all Australia is so proud of, I managed to squirm free of the importer's attention and turn in my seat to look at the woman.
I groan out loud to remember what I did. I tipped my hat, although there was little room to do it, "Herbert Badgery," I said, "I don't believe we've been introduced."
For answer I received a whack across the face.
42
Leah Goldstein had a lovely face. All the angles had become rounded, like a river rock that is so smooth that all you wish to do is place it in your hand, and once it is there it gives you a comfort and a happiness you could not begin to explain, that such a smooth sun-warm rock should fit your cupped palm so perfectly.
We sat on the Argyle steps beneath a Morton Bay fig which is still there today, and I unstrapped the tie and gave her the knife. God, it was an ugly thing – there was no elegance to the weapons made in Rankin Downs. I never did say what it was I planned to do with that blade, but I always assumed she understood. Perhaps she never did, but merely saw it as a symbol of my criminality, something that could be discarded as easily as the dank gaol smell which – she told me later – permeated my clothes and my skin. In any case we dropped the knife into Darling Harbour that afternoon and I wept, for the fourth time that day, and Goldstein wept with me, but perhaps she did not understand. I thought about this often, later. I wondered if I should not make it more clear. When we were lovers again I would be stricken by visions that would make me groan. I would touch her chest or feel her lovely ribcage or lie with my head against her breast listening to her beating heart (it had an odd skip to it, that heart) and think of that steel blade with its grubby rag-and-string glued handle.
I did not ask why she had told me lies so long. All I cared about was the future. I undid my shirt on the Argyle steps. I told you I was a vain man, but I had less to be vain about than I once had. The quacks had been through my back, mining for a kidney stone they never found, but what damage they had done was nothing to what I had done myself in my quest for frailty. I showed her the crepe-skin around my neck, and the place where my biceps had once been tight before I so cleverly dissolved them in the acid of my lying mind.
I swear to God I will never understand Goldstein's criteria about skin, for she found nothing wrong with mine. She touched it and looked at me with her velvety cat's eyes. She did not flinch. She smiled. So did an old lady who was standing on the wrought-iron balcony above those narrow steps. She was hanging out her washing between her canary and the wall and she stopped, with wooden pegs in her mouth, and smiled.
Once the skin was settled, we moved on. My back hurt like hell, but I did not confess it. There were pains shooting up my legs and my teeth set up an ache as vague and persistent as people talking in the next room. I drew myself up and tried to tell myself I was a young man. I drew up my forearms a fraction and imagined myself on the sand at Bondi Beach. But you do not slough off a shuffle so quickly, and I soon had to admit that I would be an old fellow for a little while and that I could not match the dancer's walk beside me.
At sixty-five years of age, women do not see you. You are invisible. Until, that is, you walk down George Street with a young woman with a dancer's walk and then you go from invisible (flip-flop) to neon-signed and you are, take my word for it, a celebrity, a ballet master, a painter, a famous anarchist, a free-thinker, a revolutionary, an inventor of note, a criminal of power and influence, but look at me, I am only Herbert Badgery and once I was shy about my legs and now all I want is to lie down on my bed and take an Aspro and hope my toothache will go away.