“No one on the Council wishes to land troops anywhere in Cloisera, either in Jariola or in Ferrum itself. High Councilor Suyrien is deeply concerned that Solidar not be perceived as showing favoritism to the Jariolans. He and Caartyl have already drafted a communique insisting that the Oligarch and his council immediately begin reimbursing Solidar for its efforts in assisting Jariola.” Rholyn raised his eyebrows. “What does that indicate to you, Rhenn?”
“The Council wants to make clear that the war is about the actions taken by Ferrum, and not about a preference for the Jariolan system of government.”
“That is certainly one purpose.”
I decided against asking what the real purpose was, not directly. “Will the Jariolans actually reimburse us, or is that just a posture?”
“I doubt that they can.”
“But if I might ask why, sir . . .”
“When they demur, we will most likely request a ninety-nine-year lease on Harvik-that’s a small isle off the port of Jaaslk-along with a guarantee of coal sales and shipment, at the prevailing price. The isle does have a harbor, but virtually no inhabitants, and a single pier. But it will make a good sheltered anchorage for the new northern fleet, and we could build our own port there and garrison it. It’s less than a day’s steaming to Ferrial from there.”
“The Council must anticipate problems there for some time to come.” I kept my voice even, trying to concentrate on painting.
“For several centuries, Maitre Poincaryt believes.”
“Problems lasting that long will not please the Council.”
“Lengthy expenditures on anything seldom do.” A quick wry smile crossed his face, and I tried to hold it in my mind, because that expression captured a certain essence of Maitre Rholyn. I stopped working on his neck and switched to his mouth and cheeks. Neither of us spoke for a time.
Then . . . I had the expression, and with the brush itself, and not imaging. Just those touches, and it brought his face to life, not that I didn’t have a great deal more work to do. I even got his neck and collar just right before the bell announced the half glass.
At lunch, I joined Ferlyn and Heisbyl, and we talked about the war, and what might occur once the northern fleet reached the waters off Cloisera. After eating, I took my time walking across the quadrangle and to the Bridge of Hopes, where I stood in the damp chill and waited.
Shortly before first glass, Shomyr escorted Seliora to the east end of the Bridge of Hopes. She was wearing a black cloak over the same outfit she’d worn the week before and carrying a flat parcel of some sort. I walked toward her, and Shomyr waited until we were together. Then he turned and waved, returning to the coach that had brought them.
“That was good of Shomyr.”
“Aunt Aegina, Mama, and Odelia went to a luncheon for Yaena, and he didn’t want them to have to worry about me.”
Yaena? Then the name came to me-Seliora’s cousin who’d gotten married the day after I’d nearly gotten myself killed at the Council’s Harvest Ball. I hoped that the Autumn Ball in two weeks would be far less eventful.
“Oh.” Seliora handed me a large envelope. “This is what Ailphens could discover.”
“Ailphens?” The weight of paper suggested more than a few documents.
“The advocate for NordEste Design. We thought going through him would obscure matters sufficiently.”
After she’d explained, I recalled the advocate’s name as one she’d told me months before. I wished I’d recalled it before she’d had to tell me again. “Have you read what’s in here?”
“Yes. It’s typical for a High Holder. He’s got the main holding, and ownership of various other sections of land across Solidar, but most of his known interests outside his main holdings are in various banques.”
“Such as the Banque D’Rivages and the Banque D’Kherseilles.”
“If you knew that, why did you ask . . .”
“I didn’t know. I suspected, but it was only a guess.”
“You knew. You just couldn’t prove it.” Seliora looked at me. “Did you see it, or just know it?”
“I knew it. The only thing I’ve seen is the fire at the factorage.” So far.
“You’ll see more. You will.”
“Is that a promise?” I laughed softly.
She flushed. “You are . . .” Then she shook her head.
I held the package in my right arm and offered the left to Seliora. We walked off the bridge and along the lane and then across the north end of the quadrangle before turning north toward the workrooms and my studio.
“What about dinner? We’ll meet Shomyr and Haelya at Chaelya’s?” I asked.
“At half past sixth glass. That will give you more time to paint . . . and to learn a bit more about riding.”
“You’ve seen me riding-Pharsi farsight-haven’t you?”
“Just that. Nothing frightening, but it can’t hurt for you to know a little about riding.”
“I doubt that I’ll ever know more than a little. I know enough to ask for a gentle horse.”
On the stone walkway coming toward us were two young imagers. I recognized them both-Gherard and Petryn.
The two looked at Seliora, exchanged knowing glances, then stopped.
“Good afternoon.” I paused. “And yes, she is beautiful, and might I present Mistress Seliora D’Shelim. I’m painting her portrait.”
“Good afternoon, sir, mistress.” Their words were not quite synchronized, and they looked away from Seliora.
“Good afternoon, imagers,” Seliora said, her voice warm, her eyes on Gherard.
The older imager inclined his head. Then, so did Petryn, before the two stood back to let us pass.
“There will be rumors all over Imagisle by tonight.” She smiled at me.
“Among the seconds and thirds, anyway.”
“Not among the masters?”
“Even at meals, we don’t see much of each other. Well . . . I might at midday, but I’m not here then. Sometimes there are only one or two of us at the masters’ table. Most are married, and they eat with their families at breakfast or dinner, unless they have work on Samedi or duty on Solayi.”
“It doesn’t sound like there are that many masters.”
“There might be fifteen or twenty here.”
“And you led me to believe that you’ve done nothing special?” She raised her eyebrows. “In less than a year, you’ve gone from being a prime to a master, and there are only twenty masters out of four hundred imagers?”
“I was fortunate to have a great deal of imaging talent.”
Seliora shook her head. “Do you really believe it’s just that?”
I was glad I didn’t have to answer, because we’d reached the studio door, and I opened it. Before I started painting, I opened the stove door and shoveled more coal inside.
The position I’d finally decided on was one where Seliora looked like she’d been walking, then stopped and half turned to look at something. When I got to painting the split-skirts, I knew that I’d depict them as still flared, as if she’d just turned and they hadn’t settled back down.
This sitting, though, I was concentrating on her face.
One of the hardest parts, as I’d known it would be, was to get the right skin tone. Seliora was fair-skinned, but her face was not that pale bluish white that many women of Bovarian heritage-such as Ryel’s daughter Iryela-flaunted. Nor did Seliora have either an olive complexion or the dark-honeyed look of many Pharsi women, yet her skin held the faintest trace of a bronze-gold. I’d have called it goddess-gold, almost, but I kept that thought to myself.
After working on her face for the entire time, I called a halt to the painting at half past three. That gave me half a glass to clean up the oils, the studio, and myself-and a quick stop by my quarters to drop the information package inside. All that actually took a quint longer, but we were still at the NordEste Design stables by half past four.
This time, Seliora rode a gelding beside me, and we chanced some of the side lanes to the northeast of Hagahl Lane. I managed to stay in the saddle, but I still felt awkward. I was certain I looked even worse than I felt.