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The Adantic was locked up tight that year; Paulie and I were not the only kids who didn't have movie money. But the fire escapes were open, three flights of strap-iron stairs going up to what we called nigger heaven. I don't know why, exactly. The colored kids from the neighborhood didn't sit up there, in fact. I never saw them in the movies at all. The fire escapes made a good place to go. Paulie and I went up there a lot, when he wasn't working, to look down on everybody in the street and not have anyone know we were watching them. So Kitty and I went up to the second landing and sat on the steps, and in a minute I put my arm around her.

And all of this, you know, I'd thought out like two or three months in advance, going up there by myself and experimentally bouncing my tail up and down on the steps to test for discomfort, calculating in a wet morning in May what it would be like right after dark in August, and all. It was a triumph of 14-year-old forethought. Or it would have been if it had come to anything. But somebody coughed, higher up on the fire escape.

Kitty jabbed me with her elbow, and we listened. Somebody was mumbling softly up above us. I don't know if he had heard us coming. I don't think so. I stood up and peered around the landing, and I saw candlelight, and an old man's face, terribly lined and unshaven and sad. He was living there. All around the top landing he had carefully put up sheets of cardboard from grocery cartons, I suppose to keep the rain out. If it rained. Or perhaps just to keep him out of public view. He was sitting on a blanket, leaning his forearm on one knee, looking at the candle, talking to himself.

And that was the end of that. We tiptoed down the stairs, and Kitty said she had to go home. And did. Otherwise, I honestly think that in the long run I would have married her.

I remember the years of the war, the headlines and the blackouts and the crazy way everything was changing under my very eyes. Paulie had it made. He enlisted first thing, and wrote me clipped, concise letters about the joys of close-order drill. I remember buying his old car the last time he came home on furlough, with his cuffs tucked in his paratrooper boots, telling deadpan stories about the hazards of basic training. The car was a 1931 Buick, with a jug cork in the gas tank instead of a cap. I sold it for the price of two train tickets when I ran out of gas-ration coupons in Pittsburgh, on my honeymoon. Not with Kitty. Kitty had gone far out of my life by then. Her dancing lessons had paid off: amateur-night tap dancer to Film Fun model to showgirl at the International Casino; and then she'd gone abroad to Paris with a troupe and been caught in the Occupation. Well. Mutatis mutandis and plus 9a change and so on. Or, as one might say, things keep getting all screwed up.

I breezed through the war. Barring a company clerk in Jefferson Barracks who I really wanted to kill, there was nothing I couldn't handle; Paulie had lied. Or maybe for me it was a different war. I had got into newspaper work, which let me get into Special Services when my time came. Nobody was shooting at unit managers for USO shows. I went through forty-one months of exaltation and shame. You see, this was the war that really mattered and had to be won; and how I burned, with what a blue-white flame, with pride to be a part of it. And how I groveled before anyone who would listen because my part was mostly chasing enlisted men away from big-breasted starlets. Do you suppose it's really true that somebody had to do that job, too? I couldn't believe it, but it was because of that that I met Kitty again.

She turned up looking for a job as a translator, looking very much as she always had. She was different, though. She was married, to this very nice captain she had met during Occupation days in Paris, and she had become a German national. It was a grand reunion. I took her to dinner and she told me that Paulie had been wounded in the Salerno landing and was still in the hospital. And a little bit later she told me about her husband, the darling, dimpled SS officer, who was now a POW on the Eastern front. And for four months in Wiesbaden she lived in my billet with me, translating day and night; and, actually, that's what happened to that first marriage of mine, because my wife found out about it. I don't think she would have minded a Fraulein. She minded my shacking up with a girl I'd known before I knew her.

I remember more consequential causes than I can count. When I look inside my skin I don't see anything but consequences; all I am is the casual aftereffects of, item, an unemployed carpenter evicted from his home and, item, a classification clerk who had been in the newspaper game himself once, and all the other itemized seeds that have now blossomed into 52-year-old me.

I remember more than I absolutely want to, in fact, and some things I remember in the context of a certain time and a certain place when, in fact, I really learned them later on.

The man on the landing. Years after the war, when I had become a TV producer doing a documentary on the Depression, I put one of my research girls on checking him out. She was a good girl, and tracked him down. That's how I know he had been a carpenter. The banks closed and the jobs vanished, and he wound up on the fire escape. It happened that when the police chased him away a reporter was in the precinct house, and he wrote the story my girl found.

And I remember Paulie, 29 years old and weighing a fast 90 pounds, gasping hoarsely as he reached out to shake my hand in the VA hospital ward, the day before he died. He had been there for three years, dying all that time. He looked like his own grandfather. That was a consequence, too: a landing in the second wave at Salerno and a mine the engineers had missed. He got his Purple Heart for a broken spine that kept getting worse until it was so bad that it killed him.

I think I've seen the place where he got it—assuming that I remembered what he said well enough, or understood him well enough, when he was concentrating mostly on dying. I think the place it happened was on the city beach at Salerno, way at the north horn of that crescent, about where there's a little restaurant built out over the water on stilts. I stood there one afternoon on that beach, looking at the floating turds and pizza crusts, trying to see the picture of Paulie hitting the mine and being thrown into the sky in a fountain of saltwater and blood. But it wasn't any good. I can only see what I've seen, not what I've been told about. I couldn't see the causality. All I could do was ask myself questions about it: What made him sign up for his hero suit? Was it really reading that Percival Christopher Wren book when he was 13 years old? Or: What made me alive, and sort of rich, when Paulie was so poor and dead? Was it the four or five really good contacts I made in the USO that turned me into a genius television producer? Is there any of me, or of any of us, that isn't just consequence?

I think, and I've thought it over a lot, that everything that ever happened keeps on happening, extending tendrils of itself endlessly into the moving present tense of time, producing its echoes, and explosions and extinctions forever. Just being careful isn't enough to save us, but we do have to be careful. Smoky Bear wouldn't lie to you about that.

If I'd married Kitty I think we would have had fine kids, even grandchildren by now; but I didn't, not even batting .500 out of my two chances at her. First it was the old man on the fire escape, then it was the kindly Nazi she decided to go back to waiting for. She waited very well and for a long time, all through the years while the Russians were taking their time about letting him go and all through the de-Nazification trials after that. I suppose by then she felt she was too old to want to start a family. And none of my own wives have really wanted the PTA bit.