‘I’m here to do a soft inoffensive profile on his brother, with Hal mentioned only as part of an American family exceptional in several respects. I don’t see what’s quandariacal for Dr. Tavis about this.’ The tiny plump officious man who seemed to have a phone tucked under his chin at all times, the kind of frenzied over-cooperation that’s a technical interviewer’s worst nightmare for an interrogation; the little man’s monologue had done to Steeply’s brain kind of what a flashbulb does to your eyes, and if he’d explicitly denied him access to the brother then the denial had been slipped in after he’d worn Steeply down.
There was the slight shaken-saw wobble of bleachers as deLint walked back up, stacked charts against his chest like a schoolgirl’s books, his smile at the Québecois player in his seat as if he’d never met her before, settling in heavily on Steeply’s other side, glancing down at where the profiler’d bracketed notes on the possible sounds a string-hit ball sounds like in cold air: cut, king, ping, pons, pock, cop, thwa, thwat.
The samizdat Entertainment’s director’s other son chipped a return that caught the tape and sat there a moment and fell back.
“Veux que nous nous parlons en français? Serait plus facile, ça?’ This invitation because Poutrincourt’s eyes had gone hooded the minute the de-Lint person joined them.
Poutrincourt’s shrug was blase: Francophones are never impressed that anyone else can speak French. ‘Very well then look:’ she said (Poutrincourt did, in Québecois), ‘pubescent stars are nothing new to this sport. Lenglen, Rosewall. In A.D. 1887 a fifteen-year-old girl won Wimbledon, she was the first. Evert in the semifinals of the US Open at sixteen, ‘71 or ‘2. Austin, Jaeger, Graff, Sawamatsu, Venus Williams. Borg. Wilander, Chang, Treffert, Med-vedev, Esconja. Becker of the A.D. ‘8os. Now this new Argentinean Kleckner.’
Steeply lit a Flanderfume that made deLint’s face spread with distaste. ‘You compare it is like gymnastics, figure skating, competitive to-swim.’
Poutrincourt made no comment on Steeply’s syntax. ‘Just so, then. Good.’
Steeply was adjusting the long peasant skirt and crossing legs so he was inclined away from deLint, gazing at a kind of translucent mole on Poutrincourt’s long cheek. Poutrincourt’s thick rimless specs were like a scary nun’s. She looked more male than anything, long and hard and breastless. Steeply tried to exhale away from everyone. ‘The world-plateau tennis not being required to have neither the size and muscle of the hockey nor the basketball nor the American football, for example.’
Poutrincourt nodded. ‘But yes, nor the millimetric precision of your baseball’s hitting, nor how the Italians say the senza errori, the never-miss consistency, that keeps the golfers from true mastery until they have thirty or more years.’ The prorector switched for just a moment to English, possibly for deLint’s benefit: ‘Your French is Parisian but possible. Me, mine is Québecois.’
Steeply now got to give that same sour Gallic shrug. ‘You’re saying to me serious tennis doesn’t need of an athlete anything already adolescents do not possess, if they are exceptional for it.’
‘The medicinists of sports science know well what top tennis requires,’ Poutrincourt said, back in French. ‘Too well, which are the agility, the reflexes,[274] the short-range speed, the balance, some coordination between the hand and the eye, and very much endurance. Some strength, with particular importance for the male. But all these are achievable by the period of puberty, for some. But yes, but wait,’ she said, putting a hand on the notebook as Steeply started to pretend to inscribe. ‘The thing you have put as the question to me. This is why the quandary. The young players, they have the advantage in psyche, also.’
‘The edge of mentality,’ Steeply said, trying to ignore the boy speaking into his hand several seats over. DeLint seemed to be ignoring everything around him, engrossed in the match and his statistics. The Canadian prorec-tor’s hands moved in small circles out front to indicate engagement in the conversation. Americans’ conversational hands sit like lumps of dough most of the time, Rémy Marathe had pointed out once.
‘But yes, so, the formidable mental edge that their psyches are still not yet adult in all ways — therefore, so, they do not feel the anxiety and pressure in the way it is felt by adult players. This is every story of the teenager appearing from no location to upset the famous adult in professional play — the ephebic, they do not feel the pressure, they can play with abandon, they are without fear.’ A cold smile. Sunlight blazed on her lenses. ‘At the beginning. At the beginning they are without pressure or fear, and they burst from seemingly no location onto the professional stage, instant étoiles, phenomenal, fearless, immunized to pressure, numb to anxiety — at first. They seem as if they are like the adult players only better — better in emotion, more abandoned, not human to the stress or fatigue or the airplaning without end, to the publicity.’
‘The English expression of the child in the store of candy.’
‘Seemingly unfeeling of the loneliness and alienation and everyone wants a thing from the étoile.’
‘The money, also.’
‘But it is soon you start to see the burning out which the place like ours is hoping to prevent. You remember Jaeger, burned out at sixteen, Austin at twenty. Arias and Krickstein, Esconja and Treffert, too injured to play on by their late teenage years. The much-promising Capriati, the well-known tragedy. Pat Cash of Australia, fourth on earth at eighteen, vanished by the twenties of age.’
‘Not to be mentioning the large money. The endorsings and appearings.’
‘Always so, for the young étoile. And now worse in today, that the sponsors have no broadcasting to advertise with. Now the ephebe who is famous étoile, who is in magazines and the sports reports aux disques, he is pursued to become the Billboard Who Walks. Use this, wear this, for money. Millions thrown at you before you can drive the cars you buy. The head swells to the size of a balloon, why not?’
‘But can pressure be far behind the back?’ Steeply said.
‘Many times the same. Winning two and three upset matches, feeling suddenly so loved, so many talking to you as if there is love. But always the same, then. For then you awaken to the fact that you are loved for winning only. The two and three wins created you, for people. It is not that the wins made them recognize something that existed unrecognized before these upset wins. The from-noplace winning created you. You must keep winning to keep the existence of love and endorsements and the shiny magazines wanting your profile.’
‘Enter the pressure,’ Steeply said.
‘Pressure such as one could not imagine, now that to maintain you must win. Now that winning is the expected. And all alone, in the hotels and the airplanes, with any other player you could speak to of the pressure to exist wanting to beat you, wanting to be exist above and not below. Or the others, wanting from you, and only so long as you play with abandon, winning.’
‘Hence the suicides. The burn-out. The drugs, the self-indulging, the spoilage.’
‘What is the instruction if we shape the ephebe into the athlete who can win fearlessly to be loved, yet we do not prepare her for the time after fear comes, no?’