Every November, between I. Day and the WhataBurger Invitational in Tucson AZ, the Academy holds a semipublic exhibition meet for the ‘benefit’ of E.T.A.’s patrons and alumni and friends in the Boston area. The exhibition is followed by a semiformal cocktail party and dance in the dining hall, where players are required to appear showered and semiformal and available for social intercourse with patrons. Some of them all but check our teeth. Last year Heath Pearson had appeared for the gala in a red vest and bellboy’s cap and furry tail, carrying a little organ and inviting patrons to grind the organ while he capered around chattering. C.T. was unamused. The whole Fundraiser is a Charles Tavis innovation. C.T. is far better at public relations and pump-priming than was Himself. The exhibition and gala are possibly the climax of C.T.’s whole administrative year. He’d determined that mid-November was the best time for a fundraiser, with the weather not yet bad and the tax-year drawing to a close but the U.S. holiday season, with its own draining system of demands on goodwill, not yet under way. For the past three fiscal years, the Fundraiser’s proceeds have all but paid for the spring’s Southeast tour and the European terre-batu-fest of June-July.
The exhibition meet involved both genders’ A and B teams and was always against some foreign junior squad, to give the whole Fundraising affair a patriotic kicker. The gentle fiction was that the meet was just one stop for the foreign squad on a whole vague general U.S. tour, but in truth C.T. usually flew the foreigners in special, and at some expense. We had in the past done battle with teams from Wales, Belize, the Sudan, and Mozambique. Cynics might point to an absence of tennis juggernauts among the opponents. Last year’s Mozambique thing was a particular turkey-shoot, 70-2, and there’d been an ugly xeno-racist mood among some of the spectators and patrons, a couple of whom cheerily compared the meet to Mussolini’s tanks rolling over Ethiopian spearchuckers. Y.D.A.U.’s opponents were to be the Quebec Jr. Davis and Jr. Wightman Cup teams, and their arrival from M.I.A.-D’Orval[346] was keenly anticipated by Struck and Freer, who claimed that the Québecois Jr. Wightman girls were normally sequestered and saw very few coed venues and would be available for broadening intercultural relations of all kinds.
It was improbable that anything was going to be landing on time at Logan in this kind of snow, though.
The wind also produced a desolate moaning in all the ventilation ducts. Mario said ‘key’ and sometimes ‘ski,’ drawing them out. It occurred to me that without some one-hitters to be able to look forward to smoking alone in the tunnel I was waking up every day feeling as though there was nothing in the day to anticipate or lend anything any meaning. I stood on one foot for a couple more minutes, spitting into a coffee can I’d left on the floor near the phone from the night before. The implied question, then, would be whether the Bob Hope had somehow become not just the high-point of the day but its actual meaning. That would be pretty appalling. The Penn 4 that was my hand-strengthening ball for November was on the sill against the window. I’d neither carried nor squeezed my ball for several days. No one seemed to have noticed.
Mario cedes me full control over the phone’s ringer and answering machine, since he has trouble holding the receiver and the only messages he ever gets are In-House ones from the Moms. I enjoyed leaving different outgoing messages on the machine. But I refused ever to back the messages with music or digitally altered bits of entertainment. None of the E.T.A. phones was video-capable — another C.T. decision. Under C.T. the Academy’s manual of honor codes, rules, and procedures had almost tripled in length. Probably our room’s best message ever was Ortho Stice doing his deadly C.T.-impression, taking 80 seconds to list possible reasons why Mario and I couldn’t answer the phone and outlining our probable reactions to all possible caller-emotions provoked my our unavailability. But at 80 seconds the thing wore thin after a while. Our outgoing this week was something like ‘This is the disembodied voice of Hal Incandenza, whose body is not now able …,’ and so on, and then the standard invitation to leave a message. It was honesty and abstinence week, after all, and this seemed a more truthful message to leave than the pedestrian ‘This is Hal Incandenza …,’ since the caller would pretty obviously be hearing a digital recording of me rather than me. This observation owed a debt to Pemulis, who for years and with several different roommates has retained the same recursive message — This is Mike Pemulis’s answering machine’s answering machine; Mike Pemulis’s answering machine regrets being unavailable to take a first-order message for Mike Pemulis, but if you’ll leave a second-order message at the sound of the clapping hand, Mike Pemulis’s answering machine will…,’ and so on, which has worn so thin that very few of Pemulis’s friends or customers can abide waiting through the tired thing to leave a message, which Pemulis finds congenial, since no really relevant caller would be fool enough to leave his name on any machine of Pemulis’s anyway.
Plus it was also creepy that, when the face’s effulgence becomes the boiled white of the Trauma Wing ceiling as he comes up with a start up for air, the apparently real nondream Joelle van D. is leaning over the bed’s crib-railing, wetting Gately’s big forehead and horror-rounded lips with a cool cloth, wearing sweatpants and a sort of loose brocaded hulpil whose lavender almost matches the selvage on her clean veil. The hulpil’s neckline is too high for there to be much cleavage-action as she leans over him, which Gately regards as probably kind of a mercy. The two brownies Joelle’s got in her other hand (and her nails are bitten down to the ragged quick, just like Gately’s) she says she liberated from the nurses’ station and brought down for him, since Morris H. meant them for him and they’re by all just rights his. But she can see he’s in no shape to swallow, she says. She smells like peaches and cotton, and there’s a sweet evil whiff of the discount Canadian gaspers so many of the residents smoke, and underneath those smells Gately can detect that she’s got on a bit of perfume.[347]
To amuse him she says ‘And Lo’ several times. Gately makes his chest go up and down rapidly to signify amusement. He declines either to moo or mew at her, out of embarrassment. Her veil this morning has a springy light-purple around the border, and the hair framing the veil seems a darker red, duskier, than when she’d first come into the House and refused meat. Gately hadn’t been much into WYYY or Madame Psychosis, but he’d sometimes run into people who were — Organics men, mostly, opium and brown heroin, terrible mulled wine — and he feels on top of the febrile pain and the creepiness of the amphetaminic-wraith- and Winston-Churchill-face-Joelle-and angelic-maternal-Death-Joelle-drearns an odd vividness in himself at being swabbed and maybe even generally admired by someone who’s an underground local intellectual-dash-art-type celebrity. He doesn’t know how to explain it, like as if the fact that she’s a public personage makes him feel somehow physically actuated, like more there-feeling, conscious of the way he’s holding his face, hesitant to make his barnyard sounds, even breathing through his nose so she won’t smell his unbrushed teeth. He feels self-conscious with her, Joelle can tell, but what’s admirable is he has no idea how heroic or even romantic he looks, unshaven and intubated, huge and helpless, wounded in service to somebody who did not deserve service, half out of his tree from pain and refusing narcotics. The last and pretty much only man Joelle ever let herself admire in a romantic way had left and wouldn’t even face up to why, instead erecting for himself a pathetic jealous fantasy about Joelle and his own poor father, whose only interest in Joelle had been first aesthetic and then anti-aesthetic.