A battle between armies, he discovered quickly, was no clean, discrete thing, but a whirl of individual scenes which made little sense.
. . . Michael ran through the smoke toward the dam and the sounds of struggle, slipping near the smoldering hulk of a bus, on its side at the western end of the dam. There was the loud tink of a bullet striking metal not two inches from his head, and his shaved scalp was peppered with hot flecks of steel. He threw himself facedown onto the sand as a line of metallic craters dimpled the sheet metal where he'd just been. He felt warm blood running down one of his arms, and he realized he'd opened a long, deep slice in his middle left arm on a sharp corner of the wrecked vehicle. The pain hit him then, and he rolled on his side, clutching at the wound.
He stopped. Someone was staring at him from alongside the bus, no more than four inches away from his face: Masud, the Joker Plague fan. His eyes were wide in his hairless skull and his mouth was open in a soundless scream, his temple a gory red crater. Gray brain matter and blood were sliding thickly down the bus just above him. Masud's earbuds had fallen from his earholes, the white cord trailing back to the pocket of his uniform, and Michael could hear Joker Plague's music playing shrill and thin. Michael's stomach lurched, unbidden, and he vomited loudly and explosively. His stomach still knotted, he ran again . . .
. . . he was on the dam itself, still running and trying to find any familiar faces in the chaos. Through the smoke, he saw Rustbelt as he came around another cluster of overturned vehicles barricading the roadway. Three soldiers in the uniform of the caliphate were firing at the ace from point-blank range, and Michael could hear a metallic ting-wheep, as bullets bounced from Rustbelt's body and ricocheted away. Rustbelt, shouting, reached out to touch the nearest weapon. The barrel crumpled to red dust. Rusty was bleeding as badly as Michael. His right shoulder displayed a sickening red crater; he might be immune to bullets, but something had punched through his natural armor. Michael saw the soldiers backpedaling as they continued to fire at Rusty, retreating and clustering together. The weaponless man reached for a canvas belt bandoliered around his shoulder and fumbled with a grenade there.
Michael crouched; the roadway was broken, and he snatched up a two-foot hunk of concrete curbing with his lower hands, and flipped it to his upper set of arms. Grunting, he heaved it overhead with all his considerable strength toward the soldiers. They went down hard as Michael dove for the ground, trying vainly to cover his head with all six arms. The gunfire stopped. When he glanced up, Rusty was looking down at him, nodding his riveted head and clutching at his wounded shoulder. "Thanks, fella. That would've been a bad deal." Michael sat up: The grenade had rolled away from the crushed soldier's hand, the pin still attached. He could see it on the pavement, not two feet away . . .
. . . people were running westward past Michael and Rustbelt, all of them jokers, some of them with weapons clutched in their hands, many of them bloodied and injured. "What's going on?" Michael shouted, catching one on them in his hands, but the man replied in fast, frightened Arabic, pushing at Michael's arms to get away. "Djinn," was the only word Michael caught. Rustbelt shrugged and pointed northward over the edge of the dam. There, maybe a mile down the river, Michael could see a large island. Bright girders glowed as a bridge between the island and the town of Syrene on the west bank, with the black dots of hundreds of people hurrying across the improvised span. Then smoke obscured the scene again. "Hardhat. Good fella." Rustbelt grunted and started walking eastward, and Michael followed behind him.
. . . it seemed like he'd been running along this road forever, dodging around the roadblocks and ducking behind any cover he could find whenever he heard gunfire. He'd lost Rusty during one of those moments. Craters erupted in the edge of the roadway as an automatic weapon fired, and Michael flung himself behind a stack of burning tires. "You never hear the one that hits you," he muttered to himself. He thought he'd heard that somewhere. He was close to the middle of the dam, the arrow-straight roadway stretching out in front of him. A hundred yards ahead of him there was another roadblock, this one piled high with the burning, motionless hulk of a caliphate tank perched atop the rubble, stretching entirely across the two-lane road. To the north, there was an eighty-foot sheer drop to the Nile; to the south there was water, only a few feet below the stone retaining wall.
And on this side of the improvised roadblock: Kate.
She wore a hodgepodge uniform: The helmet of a WWII German soldier, a bulky Kevlar vest over her T-shirt, camouflage pants tucked into heavy boots. Several joker soldiers were gathered around her. Ana, similarly attired, was with them, as was Rusty, Lohengrin clad in his shining ghost steel, and Holy Roller. Ahead of them all, prowling from side to side of the road, was Sekhmet, glowing brightly even in the sunlight. The huge lioness's fur was spattered with blood, her claws were snagged with tatters of cloth and raw meat, and smoke coiled from her mouth as she roared defiance.
Michael wondered what Sekhmet was growling at. He wondered at the shuddering of the roadway under his feet. The answer to both came immediately. The Righteous Djinn loomed up behind the barricadea scowling giant who looked to be three stories tall, a nightmare with black tendrils of smoke curling about him. Fear struck Michael at the sight, a mindless, unreasoning fear that stole the air from his lungs and clamped hands around his throat, a fear that sent his bowels grumbling and bile burning in his stomach, a fear that made his muscles quiver. He shouted with alarm, the cry lost because it was echoed by them all. All but a few of the joker soldiers dropped their weapons and fled past Michael as he gaped up at the Djinn.
"All is lost," Michael heard Lohengrin proclaim, his sword down. "We cannot stand against this. . . ."
Holy Roller shrieked. "It's Satan himself!" he shrilled. "The devil walks the earth!" And he was gone, rolling westward and heedlessly bowling over fleeing soldiers in his rush. All of the rest of them except Fortune had backed up several paces. They looked ready to follow Holy Roller. Michael had to fight the compulsion to put his back to this horror.
"Fear is his greatest weapon," Lohengrin had told them yesterday. "He radiates terror, and his enemies often flee from him without fighting." Michael believed that now.
The Djinn glared down at them. His monstrous hands came down and plucked the tank from the barrier. He lifted it high, and Michael and the others scattered like roaches. There was no place to gobut the Djinn flung the tank effortlessly sideways over the side of the dam. They heard it hit the ground far below, as the Djinn flicked his massive hands as if brushing away crumbs, sweeping aside the rest of the barricade. Behind the Djinn, Michael could see troops in the uniform of the caliphate. One of the soldiers held a banner of red on which a crescent moon enclosed an eight-pointed star made of scimitar blades, both symbols yellow against the blood-hued backdrop: the Djinn's personal banner. They were advancing at a walk, the Righteous Djinn behind them, the roadway shuddering under his step, the army behind him.
The lioness of Sekhmet stood her ground, her tail lashing furiously, her glow almost blinding.
Michael remembered Lohengrin's other warning: You can't get near him. If he touches you, he will steal your power entirely away.
Looming above ranks of his elite guard, the Djinn extended his huge hand, palm-up, toward Sekhmet, his fingers curling back toward him in unmistakable invitation. The elite guard pressed to either side of the roadway, leaving an open path to the Djinn. Michael could hear the sounds of the army of the caliphate advancing relentlessly behind the Djinn and his guardspart shouts, part the chatter of tank treads and the growl of diesel engines, part stones tumbling and timbers cracking, part the varied barks of weaponry. All of it the sound of death.