Cy Ogle stood his ground, hands in the pockets of his trench coat.
Freel dove the last six feet, wrapped his arms around Ogle's thighs, and bent his head back, mouth open to bite into Ogle's genitals.
Ogle took his hand from his pocket, holding a small cylindrical object. His index finger twitched and fired a long stream of Mace directly into Freel's open mouth. Freel went into violent convulsions and fell to the horseshoe drive, thrashing, foaming, and howling like a wounded animal.
"Welcome to public relations hell," Ogle said, and then climbed into a waiting car. As it drove away, he was able to look back and watch Freel convulsing on the drive in front of the hotel, surrounded now by photographers and cameramen who were all aiming their lenses downward.
56
The final, and by far the most important, debate of the presidential campaign was held on the evening of Friday, November 1, four days before Election Day, in a lecture hall at Columbia University. The participants were the President of the United States, William Anthony Cozzano and Nimrod T. ("Tip") McLane. The moderator was the president of the hosting university. He fielded questions among the three presidential candidates and a panel of four journalists, who were all of the first rank.
All three of the candidates had spent the last couple of days mostly in seclusion, honing their skills in mock debates. McLane and the President had both brought in mimics to simulate the other two candidates, and spent hours in exhausting practice sessions, during which simulated journalists would throw out the most difficult, vicious, twisted questions imaginable.
The advance people had been at the auditorium for a solid day. Lecterns had to be arranged on the stage. Lights had to be focused and adjusted. Camera placement had to be worked out. All of these were subject to intensive negotiation. A wrongly placed spotlight in '84 had emphasized the bags under Mondale's eyes and made him look older than Reagan. The height of each lectern had to be adjusted relative to the height of the candidate. The color of the set and the color of the lights affected what kind of suits would look best; standins had to be brought onstage, wearing different suits, in order to decide which looked best. Makeup had to be tried out; makeup artists had to have rooms in which to work, and no one candidate's could be bigger, better equipped, or closer to the stage than any other's.
Though an audience was going to be present in the hall, its only real function was to provide a bit of ambient noise: applause (to be kept under control as much as possible) and possibly the occasional outburst of laughter, though using humor in these circumstances was probably too risky to be considered. In the current political climate, humor was a zero-sum game. The impression that the candidates made on the live audience was unimportant. A huge video screen was erected above the stage so that the people and the journalists in the hall could see the TV feed, which was the only thing that mattered.
The same feed was piped into a large, low-ceilinged room beneath the auditorium and displayed on a couple of dozen monitors. This room was filled with long tables where journalists could set up their laptop computers, plug into telephone lines, and file their stories. This was the room where the spin doctors from the three campaigns would circulate before, during, and after the debate, explaining to the reporters what was happening.
It was the single largest gathering of explosively tense people on the face of the earth. Tense people don't like surprises. Therefore, there was a great deal of shock and unhappiness in that hall when, ten minutes before air time, just as the President and Tip McLane were emerging from their makeup rooms and taking their positions on the stage, Cyrus Rutherford Ogle appeared, walked up to the moderator, and informed him that William A. Cozzano would not be participating in tonight's debate because he had more important things to do.
Pandemonium was a term coined by Milton to refer to the capital of Hell, where all of the demons were together in one place. From this it naturally came to mean any central headquarters of wickedness. Over time, though, as happens with many good words, its meaning had been diluted to mean any place that was noisy and chaotic. Nowadays, a person could speak a pandemonium at a birthday party full of two-year-olds.
Cy Ogle preferred the old definition of the word. No other word could possibly have described the situation in the auditorium after he strolled on to the stage and made his announcement. There was no doubt in his mind that if not for the presence of witnesses, the campaign staffs of the President, Tip McLane, the panel of journalists, and the organizers of the debate would drag him outside and hang him from a stately tree on the Columbia campus. Outside of an actual lynching, never had so much hostility been directed against one man by so many people for so many reasons. Consequently he could scarcely prevent himself from grinning through the whole thing.
There was an initial phase during which people merely screamed at him, then ran off into the wings to spread the news to other people, who ran out to scream at him some more. This probably would have gone on for quite some time if not for the fact that air time was rapidly approaching. So it got compressed into a very intense couple of minutes. A tone of emotional restraint was imposed by the technical types, who had a show to put on.
"Well, I can't give you Cozzano in person," Ogle said, "and I'm deeply sorry for that. But to make amends, we did blow quite a bindle buying some satellite time. Be can bring you Cozzano live from his home in Tuscola."
This announcement brought of Pandemonium into a state of stunned silence. Cozzano could participate via TV? And Ogle was paying for the satellite time? We can live with that.
"Only thing is," Ogle said, after they had bit on that, "that we will need to make one small change in the format. Cozzano has an important announcement to make. A very, very important announcement. And with your forbearance, we would like to have a minute or two at the beginning of this program for him to make that announcement."
Absolute silence reigned on the stage.
Pandemonium had relocated downstairs, into the press room, where a couple of hundred reporters were screaming into their telephones. Most of them were screaming the same thing: Cozzano is withdrawing from the race!
They managed to launch the program on time. The moderator took these last-minute changes calmly, made a few changes to his notes, and sat down in his throne, unruffled. McLane and the President met in the middle of the stage and shook hands (this encounter had been choreographed during an hour-long summit conference between their campaign staffs) and Cozzano's lectern remained unoccupied.
Out in the parking lot behind the auditorium, several semitrailer rigs were parked in parallel slots. There were some satellite uplink trucks, one GODS container on a flatbed rig, and a mobile studio from one of the networks, which was the nerve center of the whole debate: this was where the pool feed originated. Feeds from all of the cameras on the stage converged on this vehicle and showed up on small monitors. A director sat in front of them and decided which camera was going on the air. Now, the director had a new feed patched into his system, which came directly from a satellite downlink. This feed originated in Tuscola, Illinois.
When he had learned about the business with Cozzano, the director had been expecting just a simple, live, one-camera feed, probably Cozzano sitting in his living room by the fire, or something. It would be there all night long, and whenever Cozzano's turn came up, he would push the appropriate button and the image of Cozzano would go out.
Naturally, it turned out to be a lot more complicated than that. The feed from Tuscola, when he first saw it, consisted of a long shot of Cozzano's house as seen from the street. Obviously, Cozzano's house wasn't going to participate in the debate. They would have to have at least one more camera, inside the house. Which meant that somewhere in Tuscola there was another director who was sitting in another studio like this one - a director who worked for Cy Ogle and William A. Cozzano. That director was managing feeds from at least two cameras, deciding which one was going to be fed up to the satellite.