Every time a car went down Duane Street, which was not often, he came out of the trance and was alert. Then he went back to the small house near the hospital in Ben Hoa in 1968. Thus the night passed.
In the morning it was the same in reverse. The car pool picked up Miranda, and then Carrie Lanin set off for work. Tranh followed. Carrie went into her office building. Tranh went into a coffee shop and bought coffee and a scrambled egg and bacon sandwich to go. He squatted against a wall across from the office building and ate; and waited. He thought that he had more patience than Rob Pruitt with his new gun, and that whatever was going to happen would happen soon.
He was correct. With a song in his heart and an M-l carbine (the wire-stock model) under his coat, Rob Pruitt arrived in a stolen Chevy to pick up his sweetheart at work and begin a wonderful life of perfect romance. He parked at the fire hydrant in front of the building and went in.
Seven minutes later, he came out again, gripping Carrie Lanin by the arm. Nobody on the crowded street gave them any notice, except as another pair of objects to dodge: an ordinary-looking man with cropped brown hair and dark eyes set perhaps a little too close together and a blonde in her early thirties, with a classic American-pretty former cheerleader face, now unflatteringly frozen in the paralysis of terror. Pruitt had the carbine suspended by a strap around his neck, with his right hand under the coat gripping the stock and trigger and the muzzle peeping out between the buttons, pointing at his companion. Carrie hung from his grip, barely able to keep her knees working; she had just seen her supervisor and his secretary shot down.
Pruitt was extremely happy as he politely opened the car door for his bride. He had only had to shoot two people, which was less than he had figured on shooting. He hoped that they weren’t hurt too badly. In any case what was done was done, and his plan was working well. He was positive Carrie would understand why it was necessary and would come to admire him for it.
He pulled into the crowded street, turned at the next corner onto Thirty-fifth, and headed west. As he drove, he explained his plan to Carrie. He had his own car parked on Eleventh. They would change to that car and drive through the Lincoln Tunnel. And they would keep driving until they reached Alaska, where they would start a new life. Nobody asked questions in Alaska about what you had done in the lower forty-eight. It was a frontier. He would get a good job maintaining the pipeline, and they would be happy.
“My-my daughter …” said Carrie. Her mouth was so dry that it was hard to speak. Her words sounded odd, as if they were being broadcast over a cheap speaker.
Pruitt frowned. “You’re not understanding me, Carrie. This is a new life. We should’ve had this life before, see? We don’t want any reminders of the old life, okay? Look, I got everything planned out. You’ll see. It’ll be great.”
Carrie Lanin resumed her silence. She had already noted that the door handle had been removed from the passenger door. She closed her eyes; tears leaked out from between her lashes.
They turned south on Eleventh Avenue, drove for a few blocks, and then turned into a deserted side street near a ruined warehouse. Pruitt parked behind a blue 1977 Mercury.
“Here we are,” he announced cheerily. “I got a great deal on this car, Carrie. Only six thousand-” Pruitt stopped. There were two eyes looking at him out of his rearview mirror. Instinctively, he swung his head around. Tranh smashed him across the face with his heavy Tokarev pistol, shattering his nose. Then Tranh leaned forward and cracked Pruitt across the face twice more, until the man lay still against the driver’s door, blowing red bubbles. Carrie Lanin stared at him. He said to her, “Do not to be afraid, Madame. You are safe.”
Then he unbuttoned Pruitt’s coat and pulled out the carbine. He rested the muzzle against Pruitt’s cheekbone and offered the other end of the weapon to Carrie Lanin.
“No … I can’t,” said Carrie in a whisper. She seemed to have no breath left.
Tranh nodded and gently lifted her right hand. He placed it on the pistol grip of the carbine. He worked her finger through the trigger guard, which was somewhat difficult because he was wearing gloves and her hand was entirely passive, like the hand of someone under hypnosis. She had her eyes closed.
He steadied the stock of the carbine with his left hand, and with his right hand he pressed the woman’s finger against the trigger. He used five rounds.
Carrie Lanin still had her eyes closed. Her ears rang; she could not stop shaking. Tranh leaned forward, rolled down the passenger window, pushed Carrie against the dash, and snaked himself out onto the street. There was no one around. Into her ear he said, “You fight for the weapon. You shoot it. He is dead. I am not here. Do you understand? I am not here. Do you understand it is best?”
A slight nod. Tranh looked down at himself and brushed a few bits of brain and other tissue off his pea coat. The blood did not show except as a darker dampness against the navy blue wool. Then he went to a phone booth and placed an anonymous call to the police.
TEN
Marlene was backstage at Alice Tully Hall, in the Juilliard School of Music, standing outside the performers’ dressing room, when her pager buzzed. She snarled an obscenity at the little box, choked it into silence, and stuck her head through the dressing room door. It was a small room, but just large enough for a small party, which was what it now contained. Edie Wooten was sitting with a glass of Evian water in her hand, flanked in the manner of Renaissance paintings by her mother and father, both of whom were drinking Krug from crystal flutes. In another little group stood the members of Wooten’s quintet: Anton Ten Haar, the Dutch violinist whom Marlene had seen at Wooten’s apartment, thin, long haired, pale, and dry looking; Felix Evarti, the pianist, squat, dark, curly headed, and damp looking, with a nervous manner; Norma Merriam, the second fiddle, a tall woman in her forties with a long gray ponytail; and Curtis Dumont, the violist, a portly dark brown man with a pointed white beard. They all paused and looked at Marlene when she appeared, as at a visitor from another, and more hostile, planet. Edie Wooten was the only one of the group who smiled.
“Come and have a drink, Marlene,” she offered after a tiny uncomfortable pause.
Looking at the scene, Marlene flashed briefly on Degas, or some other painter of the bourgeois world in its theatrical manifestation. Black and white were the prevailing colors, the gowns of the three women, the white tie of the men, set off by the bright splashes of the bouquets, the glitter of the bottles and glasses, the exotic touch lent by the complexion of the single black. It looked so warm and cozy, so arranged, that Marlene briefly felt herself the wolf at the door. No, she thought, not the wolf, the sheepdog, but they still didn’t want it in the house. She had felt this way before, in similar company, which was why she chose not to devote her life exclusively to the protection of celebrities and the rich.
Her eye cast once again around the room, a professional look. She had already checked out the bouquets-no contributions from the Music Lover-but the people were another matter. She caught an expression of active distaste on the face of the pianist, Evarti. Mr. and Mrs. Wooten showed the bland, tanned politesse of the wealthy. The others were neutral, uninterested. Marlene shook her head.
“No, thanks. I just wanted to tell you I’ve got to make a call. Wolfe is just backstage, if you need him.”
“Is anything wrong?” asked Edie.
“No, this is something else.”
She left and found a pay phone in the small foyer. People were already gathering there in numbers, heading for their seats. One of them had to be their guy. A face swam out of the crowd, a man, blond, well dressed, tall. Their eyes met and he passed on. It stirred a memory. It was the man they had passed in the elevator lobby at the Wootens’. Ginnie’s boyfriend. Marlene made a mental note to ask Wolfe if he had checked him out yet. Then she stopped herself from examining the passing faces. An impossible security situation, of course, but Marlene thought that the man they wanted would move toward the performers’ dressing room, as he had several times before. They had a chance of intercepting him there.