This tree, for example, under which (for no known reason) he found himself lying, this column of gray bark with the groining, high up, of sun-speckled branches, this ought by rights to be a beech tree. But in that case-and Will admired himself for being so lucidly logical-in that case the leaves had no right to be so obviously evergreen. And why would a beech tree send its roots elbowing up like this above the surface of the ground? And those preposterous wooden buttresses, on which the pseudo-beech supported itself-where did those fit into the picture? Will remembered suddenly his favorite worst line of poetry. "Who prop, thou ask'st, in these bad days my mind?" Answer: congealed ectoplasm, Early Dali. Which definitely ruled out the Chilterns. So did the butterflies swooping out there in the thick buttery sunshine. Why were they so large, so improbably cerulean or velvet black, so extravagantly eyed and freckled? Purple staring out of chestnut, silver powdered over emerald, over topaz, over sapphire.
"Attention."
"Who's there?" Will Farnaby called in what he intended to be a loud and formidable tone; but all that came out of his mouth was a thin, quavering croak.
There was a long and, it seemed, profoundly menacing silence. From the hollow between two of the tree's wooden buttresses an enormous black centipede emerged for a moment into view, then hurried away on its regiment of crimson legs and vanished into another cleft in the lichen-covered ectoplasm.
"Who's there?" he croaked again.
There was a rustling in the bushes on his left and suddenly, like a cuckoo from a nursery clock, out popped a large black bird, the size of a jackdaw-only, needless to say, it wasn't a jackdaw. It clapped a pair of white-tipped wings and, darting across the intervening space, settled on the lowest branch of a small dead tree, not twenty feet from where Will was lying. Its beak, he noticed, was orange, and it had a bald yellow patch under each eye, with canary-colored wattles that covered the sides and back of its head with a thick wig of naked flesh. The bird cocked its head and looked at him first with the right eye, then with the left. After which it opened its orange bill, whistled ten or twelve notes of a little air in the pentatonic scale, made a noise like somebody having hiccups, and then, in a chanting phrase, do do sol do, said, "Here and now, boys; here and now, boys."
The words pressed a trigger, and all of a sudden he remembered everything. Here was Pala, the forbidden island, the place no journalist had ever visited. And now must be the morning after the afternoon when he'd been fool enough to go sailing, alone, outside the harbor of Rendang-Lobo. He remembered it all-the white sail curved by the wind into the likeness of a huge magnolia petal, the water sizzling at the prow, the sparkle of diamonds on every wave crest, the troughs of wrinkled jade. And eastwards, across the Strait, what clouds, what prodigies of sculptured whiteness above the volcanoes of Pala! Sitting there at the tiller, he had caught himself singing-caught himself, incredibly, in the act of feeling unequivocally happy.
" 'Three, three for the rivals,' " he had declaimed into the wind.
" 'Two, two for the lily-white boys, clothed all in green-oh; One is one and all alone . . . ' "
Yes, all alone. All alone on the enormous jewel of the sea. " 'And ever more shall be so.' "
After which, needless to say, the thing that all the cautious and experienced yachtsmen had warned him against happened. The black squall out of nowhere, the sudden, senseless frenzy of wind and rain and waves . . .
"Here and now, boys," chanted the bird. "Here and now, boys."
The really extraordinary thing was that he should be here, he reflected, under the trees and not out there, at the bottom of the Pala Strait or, worse, smashed to pieces at the foot of the cliffs. For even after he had managed, by sheer miracle, to take his sinking boat through the breakers and run her aground on the only sandy beach in all those miles of Pala's rockbound coast- even then it wasn't over. The cliffs towered above him; but at the head of the cove there was a kind of headlong ravine where a little stream came down in a succession of filmy waterfalls, and there were trees and bushes growing between the walls of gray limestone. Six or seven hundred feet of rock climbing-in tennis shoes, and all the footholes slippery with water. And then, dear God! those snakes. The black one looped over the branch by which he was pulling himself up. And five minutes later, the huge green one coiled there on the ledge, just where he was preparing to step. Terror had been succeeded by a terror infinitely worse. The sight of the snake had made him start, made him violently withdraw his foot, and that sudden unconsidered movement had made him lose his balance. For a long sickening second, in the dreadful knowledge that this was the end, he had swayed on the brink, then fallen. Death, death, death. And then, with the noise of splintering wood in his ears he had found himself clinging to the branches of a small tree, his face scratched, his right knee bruised and bleeding, but alive. Painfully he had resumed his climbing. His knee hurt him excruciatingly; but he climbed on. There was no alternative. And then the light had begun to fail. In the end he was climbing almost in darkness, climbing by faith, climbing by sheer despair.
"Here and now, boys," shouted the bird.
But Will Farnaby was neither here nor now. He was there on the rock face, he was then at the dreadful moment of falling. The dry leaves rustled beneath him; he was trembling. Violently, uncontrollably, he was trembling from head to foot.
2
Suddenly the bird ceased to be articulate and started to scream. A small shrill human voice said, "Mynah!" and then added something in a language that Will did not understand. There was a sound of footsteps on dry leaves. Then a little cry of alarm. Then silence. Will opened his eyes and saw two exquisite children looking down at him, their eyes wide with astonishment and a fascinated horror. The smaller of them was a tiny boy of five, perhaps, or six, dressed only in a green loincloth. Beside him, carrying a basket of fruit on her head, stood a little girl some four or five years older. She wore a full crimson skirt that reached almost to her ankles; but above the waist she was naked. In the sunlight her skin glowed like pale copper flushed with rose. Will looked from one child to the other. How beautiful they were, and how faultless, how extraordinarily elegant! Like two little thoroughbreds. A round and sturdy thoroughbred, with a face like a cherub's-that was the boy. And the girl was another kind of thoroughbred, fine-drawn, with a rather long, grave little face framed between braids of dark hair.
There was another burst of screaming. On its perch in the dead tree the bird was turning nervously this way and that; then, with a final screech, it dived into the air. Without taking her eyes from Will's face, the girl held out her hand invitingly. The bird fluttered, settled, flapped wildly, found its balance, then folded its wings and immediately started to hiccup. Will looked on without surprise. Anything was possible now-anything. Even talking birds that would perch on a child's finger. Will tried to smile at them; but his lips were still trembling, and what was meant to be a sign of friendliness must have seemed like a frightening grimace. The little boy took cover behind his sister.
The bird stopped hiccuping and began to repeat a word that Will did not understand. "Runa"-was that it? No, "karuna," Definitely "karuna."
He raised a trembling hand and pointed at the fruit in the round basket. Mangoes, bananas . . . His dry mouth was watering.
"Hungry," he said. Then, feeling that in these exotic circumstances the child might understand him better if he put on an imitation of a musical-comedy Chinaman, "Me velly hungry," he elaborated.
"Do you want to eat?" the child asked in perfect English.
"Yes-eat," he repeated, "eat."
"Fly away, mynah!" She shook her hand. The bird uttered a protesting squawk and returned to its perch on the dead tree. Lifting her thin little arms in a gesture that was like a dancer's, the child raised the basket from her head, then lowered it to the ground. She selected a banana, peeled it and, torn between fear and compassion, advanced towards the stranger. In his incomprehensible language the little boy uttered a cry of warning and clutched at her skirt. With a reassuring word, the girl halted, well out of danger, and held up the fruit.