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    He started to say so, then looked at their faces and saw that they knew it already.

    He walked away instead, raising one hand briefly in farewell. The misty air felt good against his face. The walk back to town would be a long one, but that was all right. He had a lot to think about. He was glad that the reunion was over and the business had begun.

 

C H A P T E R  1 1

 

Walking Tours

 

1

Ben Hanscom Makes a Withdrawal

 

Richie Tozier got out of the cab at the three-way intersection of Kansas Street, Center Street, and Main Street, and Ben dismissed it at the top of Up-Mile Hill. The driver was Bill's 'religious fella,' but neither Richie nor Ben knew it: Dave had lapsed into a morose silence. Ben could have gotten off with Richie, he supposed, but it seemed better somehow that they all start off alone.

    He stood on the corner of Kansas Street and Daltrey Close, watching the cab pull back into traffic, hands stuffed deeply into his pockets, trying to get the lunch's hideous conclusion out of his mind. He couldn't do it; his thoughts kept returning to that black-gray fly crawling out of the fortune cookie on Bill's plate, its veined wings plastered to its back. He would try to divert his mind from this unhealthy image, think he had succeeded, only to discover five minutes later that his mind was back at it.

    I'm trying to justify it somehow, he thought, meaning it not in the moral sense but rather in the mathematical one. Buildings are built by observing certain natural laws; natural laws may be expressed by equations; equations must be justified. Where was the justification in what had happened less than half an hour ago?

    Let it alone, he told himself, not for the first time. You can't justify it, so let it alone.

    Very good advice; the problem was that he couldn't take it. He remembered that the day after he had seen the mummy on the iced-up Canal, his life had gone on as usual. He had known that whatever it had been had come very close to getting him, but his life had gone on: he had attended school, taken an arithmetic test, visited the library when school was over, and eaten with his usual heartiness. He had simply incorporated the thing he had seen on the Canal into his life, and if he had almost been killed by it . . . well, kids were always almost getting killed. They dashed across streets without looking, they got horsing around in the lake and suddenly realized they had floated far past their depth on their rubber rafts and had to paddle back, they fell off monkey-bars on their asses and out of trees on their heads.

    Now, standing here in the fading drizzle in front of a Trustworthy Hardware Store that had been a pawnshop in 1958 (Frati Brothers, Ben recalled, the double windows always full of pistols and rifles and straight-razors and guitars hung up by their necks like exotic animals), it occurred to him that kids were better at almost dying, and they were also better at incorporating the inexplicable into their lives. They believed implicitly in the invisible world. Miracles both bright and dark were to be taken into consideration, oh yes, most certainly, but they by no means stopped the world. A sudden upheaval of beauty or terror at ten did not preclude an extra cheese-dog or two for lunch at noon.

    But when you grew up, all that changed. You no longer lay awake in your bed, sure something was crouching in the closet or scratching at the window . . . but when something did happen, something beyond rational explanation, the circuits overloaded. The axons and dendrites got hot. You started to jitter and jive, you started to shake rattle and roll, your imagination started to hop and bop and do the funky chicken all over your nerves. You couldn't just incorporate what had happened into your life experience. It didn't digest. Your mind kept coming back to it, pawing it lightly like a kitten with a ball of string . . . until eventually, of course, you either went crazy or got to a place where it was impossible for you to function.

    And if that happens, Ben thought, It's got me. Us. Cold.

    He started to walk up Kansas Street, not conscious of heading anyplace in particular. And thought suddenly: What did we do with the silver dollar?

    He still couldn't remember.

    The silver dollar, Ben . . . Beverly saved your life with it. Yours . . . maybe all the others' . . . and especially Bill's. It almost ripped my guts out before Beverly did . . . what? What did she do? And how was it able to work? She backed it off, and we all helped her. But how?

    A word came to him suddenly, a word that meant nothing at all but which tightened his flesh: Chüd.

    He looked down at the sidewalk and for a moment saw the shape of a turtle chalked there, and the world seemed to swim before his eyes. He shut them tightly and when he opened them saw it was not a turtle; only a hopscotch grid half-erased by the light rain.

    Chüd.

    What did that mean?

    'I don't know,' he said aloud, and when he looked around quickly to see if anyone had heard him talking to himself, he saw that he had turned off Kansas Street and onto Costello Avenue. At lunch he had told the others that the Barrens were the only place in Derry where he had felt happy as a kid . . . but that wasn't quite true, was it? There had been another place. Either accidentally or unconsciously, he had come to that other place: the Derry Public Library.

    He stood in front of it for a minute or two, hands still in his pockets. It hadn't changed; he admired its lines as much now as he had as a child. Like so many stone buildings that had been well-designed, it succeeded in confounding the closely observing eye with contradictions: its stone solidity was somehow balanced by the delicacy of its arches and slim columns; it looked both bank-safe squat and yet slim and clean (well, it was slim as city buildings went, especially those erected around the turn of the century, and the windows, crisscrossed with narrow strips of iron, were graceful and rounded). These contradictions saved it from ugliness, and he was not entirely surprised to feel a wave of love for the place.

    Nothing much had changed on Costello Avenue. Glancing along it, he could see the Derry Community House, and he found himself wondering if the Costello Avenue Market was still there at the point where the avenue, which was semicircular, rejoined Kansas Street.

    He walked across the library lawn, barely noticing that his dress boots were getting wet, to have a look at that glassed-in passageway between the grownups' library and the Children's Library. It was also unchanged, and from here, standing just outside the bowed branches of a weeping willow tree, he could see people passing back and forth. The old delight flooded him, and he really forgot what had happened at the end of the reunion lunch for the first time. He could remember walking around to this very same spot as a kid, only in the winter, plowing his way through snow that was almost hip-deep, and then standing for as long as fifteen minutes. He would come at dusk, he remembered, and again it was the contrasts that drew him and held him there with the tips of his fingers going numb and snow melting inside his green gumrubber boots. It would be drawing-down-dark out where he was, the world going purple with early winter shadows, the sky the color of ashes in the east and embers in the west. It would be cold where he was, ten degrees perhaps, and chillier than that if the wind was blowing across from the frozen Barrens, as it so often did.

    But there, less than forty yards from where he stood, people walked back and forth in their shirtsleeves. There, less than forty yards from where he stood, was a tubeway of bright white light, thrown by the overhead fluorescents. Little kids giggled together, high-school sweethearts held hands (and if the librarian saw them, she would make them stop). It was somehow magical, magical in a good way that he had been too young to account for with such mundane things as electric power and oil heat. The magic was that glowing cylinder of light and life connecting those two dark buildings like a lifeline, the magic was in watching people walk through it across the dark snowfield, untouched by either the dark or the cold. It made them lovely and Godlike.