But you say grownups and now it sounds like nonsense; it sounds like so much bibble-babble. Why is that, Richie? Why?
Because Derry is as weird as ever. Why don't we just leave it at that?
Because things weren't that simple, that was why.
As a kid he had been a goof-off, a sometimes vulgar, sometimes amusing comedian, because it was one way to get along without getting killed by kids like Henry Bowers or going absolutely loony-tunes with boredom and loneliness. He realized now that a lot of the problem had been his own mind, which was usually moving at a speed ten or twenty times that of his classmates. They had thought him strange, weird, or even suicidal, depending on the escapade in question, but maybe it had been a simple case of mental overdrive - if anything about being in constant mental overdrive was simple.
Anyway, it was the sort of thing you got under control after awhile - you got it under control or you found outlets for it, guys like Kinky Briefcase or Buford Kissdrivel, for instance. Richie had discovered that in the months after he had wandered into the college radio station, pretty much on a whim, and had discovered everything he had ever wanted during his first week behind the microphone. He hadn't been very good at first; he had been too excited to be good. But he had understood his potential not to be just good at the job but great at it, and just that knowledge had been enough to put him over the moon on a cloud of euphoria. At the same time he had begun to understand the great principle that moved the universe, at least that part of the universe which had to do with careers and success: you found the crazy guy who was running around inside of you, fucking up your life. You chased him into a corner and grabbed him. But you didn't kill him. Oh no. Killing was too good for the likes of that little bastard. You put a harness over his head and then started plowing. The crazy guy worked like a demon once you had him in the traces. And he supplied you with a few chucks from time to tune. That was really all there was. And that was enough.
He had been funny, all right, a laugh a minute, but in the end he had outgrown the nightmares that were on the dark side of all those laughs. Or he thought he had. Until today, when the word grownup suddenly stopped making sense to his own ears. And now here was something else to cope with, or at least think about; here was the huge and totally idiotic statue of Paul Bunyan in front of City Center.
I must be the exception that proves the rule, Big Bill.
Are you sure there was nothing, Richie? Nothing at all?
Up by City Center . . . I thought I saw . . .
Sharp pain needled at his eyes for the second time that day and he clutched at them, a startled moan coming out of him. Then it was gone again, as quickly as it had come. But he had also smelled something, hadn't he? Something that wasn't really there, but something that had been there, something that made him think of
(I'm right here with you Richie hold my hand can you catch hold)
Mike Hanlon. It was smoke that had made his eyes sting and water. Twenty-seven years ago they had breathed that smoke; in the end there had just been Mike and himself left and they had seen -
But it was gone.
He took a step closer to the plastic Paul Bunyan statue, as amazed by its cheerful vulgarity now as he had been overwhelmed by its size as a child. The mythical Paul stood twenty feet high, and the base added another six feet. He stood smiling down at the car and pedestrian traffic on Outer Canal Street from the edge of the City Center lawn. City Center had been erected in the years 1954-55 for a minor-league basketball team that had never materialized. The Derry City Council had voted money for the statue a year later, in 1956. I had been hotly debated, both in the council's public meetings and in the letters-to-the-editor columns of the Derry News. Many thought it would be a perfectly lovely statue, certain to become a tourist attraction of note. There were others who found the idea of a plastic Paul Bunyan horrible, garish, and unbelievably gauche. The art teacher at Derry High School, Richie remembered, had written a letter to the News saying that if such a monstrosity were actually to be erected in Derry, she would blow it up. Grinning, Richie wondered if that babe's contract had been renewed.
The controversy - which Richie recognized now as an utterly typical big-town/small-city tempest in a teapot - had raged for six months, and of course it had been entirely meaningless; the statue had been purchased, and even if the City Council had done something as aberrant (especially for New England) as deciding not to use an item for which money had been paid, where in God's name could it have been stored? Then the statue, not really sculpted at all but simply cast in some Ohio plastics plant, had been set in place, still shrouded in a whack of canvas big enough to serve as a clippership sail. It had been unveiled on May 13th, 1957, which was the incorporated township's one-hundred-and-fiftieth birthday. One faction gave voice to predictable moans of outrage; the other to equally predictable moans of rapture.
When Paul was revealed that day he was wearing his bib overalls and a red-and-white-checked shirt. His beard was splendidly black, splendidly full, splendidly lumber jack-y. A plastic axe, surely the Godzilla of all plastic axes, was slung over one shoulder, and he grinned unceasingly at the northern skies, which on the day of the unveiling had been as blue as the skin of Paul's reputed companion (Babe was not present at the unveiling, however; the cost estimate of adding a blue ox to the tableau had been prohibitive).
The children who attended the ceremonies (there were hundreds of them, and ten-year-old Richie Tozier, in the company of his dad, had been among them) were totally and uncritically delighted by the plastic giant. Parents boosted toddlers up onto the square pedestal on which Paul stood, took photos, and then watched with mixed apprehension and amusement as the kids climbed and crawled, laughing, over Paul's huge black boots (correction: huge black plastic boots).
It had been March of the following year when Richie, exhausted and terrified, had finished up on one of the benches in front of the statue after eluding - by the barest of margins - Messrs. Bowers, Criss, and Huggins in a chase that had led from Derry Elementary School across most of the downtown area. He had finally ditched them in the toy department of Freese's Department Store.
The Derry branch of Freese's was a poor thing compared with the grand downtown department store in Bangor, but Richie had been far past caring about such things - by then it was a case of any port in a storm. Henry Bowers had been right behind him and by then Richie had been flagging badly. He had dodged into the mouth of the department store's revolving door as a last resort. Henry, who apparently didn't understand the physics of such devices, had nearly lost the tips of his fingers trying to grab Richie as Richie trundled around and into the store.
Pelting downstairs, shirttail flying out behind him, he had heard the revolving door give off a series of reports almost as loud as TV gunfire and understood that Larry, Moe, and Curly were still after him. He was laughing as he went down the stairs to the basement level but that was only a nervous tic; he was as full of terror as a rabbit caught in a wire snare. They really meant to beat him up good this time (he had no idea that in another ten weeks or so he would believe the three of them, Henry in particular, capable of anything short of murder, and he surely would have whitened with shock if he had known of the apocalyptic rockfight in July, when even that last qualification would disappear from his mind). And the whole thing had been so utterly, typically stupid.
Richie and the other boys in his fifth-grade class had been filing into the gym. A sixth-grade class, Henry hulking among them like an ox among cows, had been coming out. Although he was still in the fifth grade, Henry went to gym with the older boys. The overhead pipes had been dripping again and Mr Fazio hadn't yet gotten around to putting up his CAUTION! WET FLOOR! sign on its little easel. Henry had slipped in a puddle and had landed on his keister.