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    'What, R-Richie?' Bill asks.

    'Can't remember that part yet,' Richie admits. 'Can you?' Bill shakes his head slowly.

    'Hockstetter was with them that day,' Eddie says. 'It was the last time I ever saw him alive. Maybe he was a replacement for Peter Gordon. I guess Bowers didn't want Peter around anymore after he ran the day of the rockfight.'

    'They all died, didn't they?' Beverly asks quietly. 'After Jimmy Cullum, the only ones who died were Henry Bowers's friends . . . or his ex-friends.'

    'All but Bowers,' Mike agrees, glancing toward the balloons tethered to the microfilm recorder. 'And he's in Juniper Hill. A private insane asylum in Augusta.'

    Bill says, 'W-W-What about when they broke your arm, E-E-Eddie?'

    'Your stutter's getting worse, Big Bill,' Eddie says solemnly, and finishes his drink in one gulp.

    'Never mind that,' Bill says. 'T-Tell us.'

    'Tell us,' Beverly repeats, and puts her hand lightly on his arm. The pain flares there again.

    'All right,' Eddie says. He pours himself a fresh drink, studies it, and says, 'It was a couple of days after I came home from the hospital that you guys came over to the house and showed me those silver ball-bearings. You remember, Bill?'

    Bill nods.

    Eddie looks at Beverly. 'Bill asked you if you'd shoot them, if it came to that . . . because you had the best eye. I think you said you wouldn't . . . that you'd be too afraid. And you told us something else, but I just can't remember what it was. It's like - ' Eddie sticks his tongue out and plucks the end of it, as if something were stuck there. Richie and Ben both grin. 'Was it something about Hockstetter?'

    'Yes,' Beverly says. 'I'll tell when you're done. Go ahead.'

    'It was after that, after all you guys left, that my mother came in and we had a big fight. She didn't want me to hang around with any of you guys again. And she might have gotten me to agree - she had a way, a way of working on a guy, you know . . . '

    Bill nods again. He remembers Mrs Kaspbrak, a huge woman with a strange schizophrenic face, a face capable of looking stony and furious and miserable and frightened all at the same time.

    'Yeah, she might have gotten me to agree,' Eddie says. 'But something else happened the same day Bowers broke my arm. Something that really shook me up.'

    He utters a little laugh, thinking: It shook me up, all right . . . Is that all you can say? What good's talking when you can never tell people how you really feel? In a book or a movie what I found out that day before Bowers broke my arm would have changed my life forever and nothing would have happened the way it did . . . in a book or a movie it would have set me free. In a book or a movie I wouldn't have a whole suitcase full of pills back in my room at the Town House, I wouldn't be married to Myra, I wouldn't have this stupid fucking aspirator here right now. In a book or a movie. Because -

    Suddenly, as they all watch, Eddie's aspirator rolls across the table by itself. As it rolls it makes a dry rattling sound, a little like maracas, a little like bones . . . a little like laughter. As it reaches the far side, between Richie and Ben, it flips itself up into the air and falls on the floor. Richie makes a startled half-grab and Bill cries sharply, 'Don't t-t-touch it!'

    'The balloons!' Ben yells, and they all turn.

    Both balloons tethered to the microfilm recorder now read ASTHMA MEDICINE GIVES YOU CANCER! Below the slogan are grinning skulls.

    They explode with twin bangs.

    Eddie looks at this, mouth dry, the familiar sensation of suffocation starting to tighten down in his chest like locking bolts.

    Bill looks back at him. 'Who t-told you and w-w-what did they tell you?'

    Eddie licks his lips, wanting to go after his aspirator, not quite daring to. Who knew what might be in it now?

    He thinks about that day, the 20th, about how it was hot, about how his mother gave him a check, all filled out except for the amount, and a dollar in cash for himself - his allowance.

    'Mr Keene,' he says, and his voice sounds distant to his own ears, without power. 'It was Mr Keene.'

    'Not exactly the nicest man in Derry,' Mike says, but Eddie, lost in his thoughts, barely hears him.

    Yes, it was hot that day but cool inside the Center Street Drug, the wooden fans turning leisurely below the pressed-tin ceiling, and there was that comforting smell of mixed powders and nostrums. This was the place where they sold health - that was his mother's unstated but clearly communicated conviction, and with his body-clock set at half-past eleven, Eddie had no suspicion that his mother might be wrong about that, or anything else.

    Well, Mr Keene sure put an end to that, he thinks now with a kind of sweet anger.

    He remembers standing at the comic rack for awhile, spinning it idly to see if there were any new Batmans or Superboys, or his own favorite, Plastic Man. He had given his mother's list (she sent him to the drugstore as other boys' mothers might send them to the comer grocery) and his mother's check to Mr Keene; he would fill the order and then write in the amount on the check, giving Eddie the receipt so she could deduct the amount from her checking balance. This was all SOP for Eddie. Three different kinds of prescription for his mother, plus a bottle of Geritol because, she told him mysteriously, 'It's full of iron, Eddie, and women need more iron than men.' Also, there would be his vitamins, a bottle of Dr Swett's Elixir for Children . . . and, of course, his asthma medicine.

    It was always the same. Later he would stop in the Costello Avenue Market with his dollar and get two candy-bars and a Pepsi. He would eat the candy, drink the soda, and jingle his pocket-change all the way home. But this day was different; it would end with him in the hospital and that was certainly different, but it started being different when Mr Keene called him. Because instead of handing him the big white bag full of cures and the receipt, admonishing him to put the receipt in his pocket so he wouldn't lose it, Mr Keene looked at him thoughtfully and said 'Come

 

 

2

 

back into the office for a minute, Eddie. I want to talk to you.' Eddie only looked at him for a moment, bunking, a little scared. The idea that maybe Mr Keene thought he had been shoplifting flashed briefly through his mind. There was that sign by the door that he always read when he came into the Center Street Drug. It was written in accusing black letters so large that he bet even Richie Tozier could read it without his glasses: SHOPLIFTING is NOT A 'KICK' OR A 'GROOVE' OR A 'GASSER'! SHOPLIFTING is A CRIME, AND WE WILL PROSECUTE!

    Eddie had never shoplifted anything in his life, but that sign always made him feel guilty - made him feel as if Mr Keene knew something about him that he didn't know about himself.

    Then Mr Keene confused him even further by saying, 'How about an ice-cream soda?'

    'Well - '

    'Oh, it's on the house. I always have one in the office around this time of day. Good energy, unless you need to watch your weight, and I'd say neither of us do. My wife says I look like stuffed string. Your friend there, the Hanscom boy, he's the one who needs to have a care about his weight. What flavor, Eddie?'

    'Well, my mother said to get home as soon as I - '

    'You look like a chocolate man to me. Chocolate okay for you?' Mr Keene's eyes twinkled, but it was a dry twinkle, like the sun shining on mica in the desert. Or so Eddie, a fan of such Western writers as Max Brand and Archie Joceylen, thought.

    'Sure,' Eddie gave in. Something about the way Mr Keene pushed his gold-rimmed glasses up on his blade of a nose made him edgy. Something about the way Mr Keene seemed both nervous and secretly pleased. He didn't want to go into the office with Mr Keene. This wasn't about a soda. Nope. And whatever it was about, Eddie had an idea it wasn't such great news.