Venice, view toward the Molo and the Piazzetta, showing the Old Library, Campanile, Doges' Palace, and domes of San Marco Basilica.Ralph Lieberman
The Venetian Senate originally comprised 60 members (the Pregadi), but by 1450 it had grown to 300 members, of whom some 200 had the right to vote. It was particularly concerned with foreign policy, war, and matters of commerce. Its chosen ambassadors constituted the first and finest diplomatic service in Europe. In addition to their regular dispatches, these men were expected on their return from duty to produce a detailed account (relazione) of the government and country to which they had been sent. The Senate also organized the fleets and the recruitment and supervision of condottieri (see below); it controlled the markets of grain, salt, wine, and oil; and it built the principal merchant galleys and organized the regular convoys (mudae) in which they sailed to “Romania” (Constantinople and the Black Sea), “Flanders” (London and Brugge), and Tunis. The Senate auctioned the lease of ships for each voyage, nominated their master mariners, and laid down elaborate regulations for their crewing and equipment.
Alongside the Great Council and the Senate stood the Council of Ten. In 1310 Baiamonte Tiepolo and other nobles had sought to seize power from the dominant faction in the Great Council. It was after the suppression of this conspiracy that the Great Council created the Council of Ten, armed with exceptional powers. At first it was to exist for a limited time to watch over the security of the state, but, after the attempted coup by Marin Falier in 1355, the Council of Ten became permanently established. Its members controlled the secret police, espionage, and counterespionage, and they exercised in some measure their own judicial system. From that power base they came to exert a strong influence on financial and diplomatic administration.
Below the patrician class, who formed and monopolized all the political offices of the Venetian state, existed a less-privileged class, that of the citizens. Consisting of about 2,500 males of the status of notaries and the like, they controlled the civil service. Their leader, the grand chancellor, though not a patrician, was, as head of the civil service, one of the most important men in the republic. Outside the ranks of the citizens were the disenfranchised majority of the population—labourers, shopkeepers, artisans, and, in great numbers, seamen.
Under this constitution the Serenissima (“Most Serene Republic”) produced the most satisfactory form of government and society known in the world at that time. Petrarch’s praises of
the most miraculous city of Venice, rich in gold but richer in fame, strong in power but stronger in virtue, built on both solid marble and the harmony of its citizens, secured more by the harmony of its citizens than by its surrounding seas,
echoed a virtually universal praise. Such rhetoric, typical of most discussions of the republic from the 13th to the 16th century, gained its persuasive power from the real social concord that the Venetian government, like no other, indeed provided. This outstanding success at home was matched by victories abroad. In the second (1294–99) and third (1351–55) Genoese-Venetian wars, the Genoese, the Venetians’ principal economic rivals, gained numerous victories against the republic, and in the fourth war (1378–81) they temporarily seized Chioggia and Malamocco, on the lagoon at the heart of Venice’s power. Yet in the end, with the superiority of its state structure and civic spirit, Venice always won these wars. In the overseas empire a careful administration secured from its peoples, if not passionate loyalty, at least a submission that drew no small strength from the threat of an alternative Turkish dominion. Florence in the 14th century
In Florence, the other great republic of northern Italy, the key constitutional moment came in 1293 with the Ordinances of Justice. Though modified somewhat two years later, they preserved a system in which sovereignty explicitly rested with the popolo, an elite class drawn from the seven major guilds, or arti maggiori—that is, the judges and notaries, the Calimala (bankers and international traders in cloth), the money changers, the silk merchants, the doctors and apothecaries, the wool merchants, and the dealers in furs. Together with dominant figures from five guilds of lesser status (the arti medie, or middle guilds, consisting of the butchers, the shoemakers, the smiths, the stonemasons, and the secondhand dealers), the popolo gathered every two months to elect six priors who ruled Florence as supreme magistrates.
Behind these forms, the men who effectively ruled were members of the popolo grasso (“fat people”), consisting of bankers and businessmen of great wealth, who professed allegiance to the Guelf party. Yet the survival of guild government was, in these years, often precarious. Fierce rivalries often split the dominant faction. So in 1302 the “Black” Guelfs, in alliance with Pope Boniface VIII, succeeded in expelling the “Whites.” Among the White Guelfs at this time was Dante (1265–1321), who had held public office. Doomed to spend the rest of his life in exile, he wrote La commedia (c. 1308–21), later named La divina commedia (The Divine Comedy), whose pages still offer eloquent testimony to the extreme bitterness of domestic conflict in these years. Moreover, external pressures forced the city to accept the lordship between 1313 and 1322 of King Robert of Naples and then again, between 1325 and 1328, of Robert’s son, Charles of Calabria. It was perhaps fortunate for the continuance of the commune that Robert was too preoccupied with his own kingdom to establish any full and permanent control and that Charles died prematurely.
Yet, despite such political difficulties, Florence probably reached the apogee of its prosperity during the first three decades of the 14th century. Its population grew to about 95,000 people, and a third circle of walls, constructed between 1284 and 1333, enclosed an area that the city was not to surpass until the middle of the 19th century. In the 1290s, construction began on the new cathedral (Duomo) of Santa Maria del Fiore (the dome was not completed until 1436) and the fortress-residence of the Palazzo Vecchio—both potent symbols of the commune, to which was soon added a third, Giotto’s campanile.
Cathedral of Santa Maria del Fiore (the Duomo) in Florence, constructed between 1296 and 1436 (dome by Filippo Brunelleschi, 1420–36).© Karel Miragaya—EyeEm/Getty Images
Up to the beginning of the 1340s, Florence reigned supreme in long-distance trade and in international banking. From that time, grave shocks struck its economy, and these, combined with failure in war, led to another brief experiment in signorial rule; in 1342 a protégé of King Robert, Walter of Brienne, titular duke of Athens, was appointed signore for one year. Almost immediately on his accession, Walter changed this grant to that of a life dictatorship with absolute powers. But his attempt to ally himself with the men of the lower guilds and disenfranchised proletariat, combined with the introduction of a luxuriant cult of personality, soon brought disillusion. An uprising in the following year restored, though in a rather more broadly based form than hitherto, the rule of the popolo grasso.