The boat’s top deck lay under an awning like an outdoor ballroom, with a piano and a bar at the bow end, backing on to the wheelhouse and behind that the great stirring blades of the paddles. It was here that Sir Ranalf addressed us, wringing his little hands as he waited for O.K. Radonic and Grace (reluctantly sharing a cabin) to join us.
Some of us leaned against the bar or the piano. Others had taken lounge-chairs or simply preferred to stand back against the railings as the ship rocked gently in the wake of a passing police launch and Old Cairo ululated from the far bank.
‘Fair ladies, gentle chevaliers all,’ began Sir Ranalf with that odd choice of forms which I understood was called Olde Worlde in England and, was now chiefly associated with followers of Shelley. There had never been much discussion of PreRaphaelite or Yellow Book tendencies in my own Pearson’s and Strands, which meant that for years I remained oddly innocent of references most English and Americans find excitingly or disgustingly obvious, depending upon their tastes and dispositions. ‘My dear colleagues,’ he continued. ‘My news from the United States is, like the News from Persifiloum in the Wheldrake poem, of a disappointing rather than a tragic nature. I must tell you at once, sweet mortals, that our mutual master, Mr Samuel “Gold-wynn”, has withdrawn all support from The Nile Remembers. He has washed his hands of you. He claims to know nothing of the Hope Dempsey.’ At our expressions of dismay he released his hands and chuckled. ‘However, I will not play cat-and-mouse with you, hearty lads and noble lasses, but inform you that nothing is lost! Nothing at all!’
It was my turn to consider Sir Ranalf s sanity and wonder if he were not after all one of those many English eccentrics whose instability goes unnoticed in Egypt or India where chaos is always barely held in check and the more bizarre expressions of the human beast’s lusty appetites are given full rein.
‘I have been in frequent communication with our “Tsar”, as they say, and he is emphatic. Without major players an epic on its own is no longer enough. Ben Hur, he says, has proved that much. Everyone’s doing epics now, don’t you know. He is “cutting his losses”, he says. I believe he is about to go into partnership with United Artists. So whether our “star” really did turn up or whether he never intended to leave Hollywood but lay low and relaxed at home, we shall never know.’
‘No word, then, of Barrymore?’ enquired an anxious Swede.
‘None. I think it is probably immaterial now. We can keep our fingers crossed, of course, and hope to tiddlypop that he has discovered our whereabouts and is on his way, but meanwhile time really is money in the kinema profession, as you know, so I think you should just carry on as you were - only this time, my courtly squires and lovely demoiselles, I am your new angel, your producer. You are now working for Cinema Anglo-Cosmopolitain. You’ll receive regular weekly salaries, the best in Egypt, and we shall produce only the most artistic films!’
He went on to explain how Egypt was the apex of the international film business. From here movie-plays were exported all over the world, even to America. Up to now Sir Ranalf had not been able to assemble a team to make the quality of pictures he demanded, but now, to our mutual profit, here was the golden opportunity!
I, for one, was particularly relieved. It seemed I again detected the hand of a benign god. Not only were our salaries saved but our integrity also. I turned to share my joy with Quelch. He was unimpressed, and Mrs Cornelius reflected his reaction. But the rest seemed moderately agreeable to see how the plan worked out.
‘I have already, don’t you know, had a word with Mr Seaman who will explain any details of our contract, but I think, under the circumstances, you’ll find it pretty decent, sweet fellows, fair ladies.’ And he leaned to chuck my Esmé under her little chin. ‘I wish you Godspeed for Luxor. You need not fear a lack of interest. As soon as you berth there I shall take the railway to join you. Meanwhile, this is your hotel! Every facility and servant is at your disposal. They are up-river Nubians, chiefly, and therefore good, docile, cheerful workers. You need fear nothing of thievery or any other form of banditry. You may leave your cabins unlocked, your valuables wherever you care to put them. It has been said before - and I repeat with approval - Islam has a rather more positive way with criminals than we in the West. Perhaps we could learn from their forms of discipline. Be that as it may you have, if it does not seem indelicate to suggest, only to mistrust each other.’ With that, he departed, our miniature Henry V, from the bar. Descending to the main deck by means of a carpeted stairway, Sir Ranalf strode with chubby dignity across the gangplank, up concrete steps to the quayside and into his noble Mercedes.
‘I can’t help feeling suspicious of an English chap who sports a Boche car.’ Malcolm Quelch scowled after the departing producer. Mrs Cornelius put her arm through his. ‘I noo yer ‘ad yer ‘ead screwed on right; prof. ‘E’s a tricky bugger. Did ya recognise ‘im from somewhere?’ A shy, flattered schoolboy, Quelch allowed her to lead him slowly to the rear of the deck to watch the casting-off procedures of our muscular ‘fellahs’.
The city still held some of her blue dawn haze, turning to pink-gold glaze where it met the sky, and, with her tall silhouetted trees and towers, her pale domes and glittering crenellations, possessed for a moment the air of fabulous romance the tourists so longed to find and which their agreeable guides so poorly understood. It was pleasant to enjoy the skyline’s beauty without having to block out Malcolm Quelch’s dampening realism. The noise of the surrounding paddle-wheelers and motor launches readying themselves for their work slowly drew my attention until I was watching with fascination the brown barefoot boys and men running back and forth through the morning air, shouting orders, slipping lines, pushing off, starting engines, and when I looked back at Old Cairo it was once again the same dusty, modern Europeanate city I had first seen from the railway station, its solid neo-Classical buildings proclaiming the latest followers of Alexander and the Ptolemys working to create stability out of this confusion of creeds and races. In those days there were many of us who still looked to the British Empire as a force for peace and order in the world. The Germans always admired the British. No one was more astonished than Hitler when they sided with the Bolsheviks and, achieving his ruin, achieved their own into the bargain! Who could have predicted such a will to self-destruction?
From a moored felucca, the white-sailed swan of the Nile, came the rhythm of a drum, the yodelling of a native violin and clarinet, as some ceremonial party stepped aboard, the men in dark European suits wearing garlands of pink flowers, the women in enough gold, blue and cerise to make an Odessa wedding look dowdy.
Esmé came back to me, seeming a little wan as she sipped from the glass of Vichy water a Nubian boy brought her. She had on her pale green silk. ‘What are they doing, Maxim?’ Her attitude towards me had changed radically now we again enjoyed the pleasures of man and wife. The mixture of terror and lust, which produces that adrenalin best released in urgent sexual activity, had momentarily taken us in its power and she had developed a peculiar clinging quality which I found flattering and perhaps a trifle alarming. I placed my arm around her little shoulders and told her I guessed they were celebrating a marriage, though it was unclear which particular day of the ceremony they had reached. As we stood together watching the boat, still shuddering and squealing with the sounds of Africa, I reflected that it was not the prospect of marriage I feared, but the threat of betrayal. I was sure Esmé would not betray me but feared that Fate might again conspire to take my darling from me. In the past days I had developed a creeping sense of dread which even Quelch’s comforting junk could not dispel. My attachment to Esmé was deep and enduring. Our mutual sexual satisfaction had peaked, I think, during those days of sublime equality. I could only enjoy such fearful pleasures if they were mutually demanded, when, as it were, the Yin and the Yang achieved their ultimate expression, when the fundamental male and quintessential female found total harmony. This power is only satisfying when it is mutually experienced. I believe it is wrong merely to use women for this particular release (though I must admit there is a certain type of female who almost demands it). After all, I say to Mrs Cornelius, women are the only other sentient creatures on earth! Mrs Cornelius had no brief for Suffragism on the basis that she did not want ‘ther right ter vote fer ther same bunch o’ wankers thass in orlready’. I say that women are half the population of the earth. It is as much man’s responsibility to protect women from the beast that lurks in all men, and which he controls in himself, as it is for women to take care and not arouse that beast. I have fifty per cent of the burden, I say to her, ‘and you have the other fifty per cent.’