Would a tourist be likely to carry such a valuable document with him while taking a holiday on a tiny island like Krk?
Or to approach the problem differently, how did a confidential source in Bulgaria happen to be familiar with rumors on Brac? And how could an unemployed Croatian peasant from Krk, in the first place, afford to stay drunk on imported plum brandy in Brac, in the second place?
The third place being reserved for the fact that the plum brandy everyone was drunk on, curiously enough, just happened to be Bulgarian.
And along that same line of reasoning, why was everybody involved in the case asking to be paid in Bulgarian leva when the two islands in question were both Yugoslavian? What was the matter with good Yugoslavian dinars?
Nubar sat very straight in his chair, his pencil poised, well aware of his role in history. The great doctor had cloaked his discoveries to confuse the unworthy, but Nubar intended to be worthy and he wouldn't be so easily fooled. Could anyone in Krk be trusted? Could anyone in Brac? What were his people over there on the Black Sea really up to with their routine requests to proceed in the Adriatic?
Krk-Brac. In short, what was the truth?
Nubar wrote down an extensive list of questions to be answered before any more money was spent on the Krk-Brac operation. Having done so, he felt much better. He left his workbench to go to the window for a breath of air.
In the distance lay the Adriatic. Nubar looked down on the valleys where peasants were farming the Wallenstein land, at the workers several hundred feet below who were clearing the castle moat so that it could be filled with water again, a little more than a century after his grandfather had disappeared in the Holy Land and caused the castle to fall into ruin.
It had been his idea and Sophia was enthusiastic, but he hadn't suggested it out of devotion to his grandfather's memory. Rather, having turned twenty-one and become legally a man, he wanted the added protection of the moat, a hygienic insulation between himself and the outside world.
As he leaned on the windowsill Nubar noticed that one of the stones in the sill had become loose.
Abruptly his left eyelid drooped in excitement. He worked the stone free and leaned out the window with it, taking aim at a peasant laboring in the moat.
Down and away, down and down. The stone didn't hit the peasant on the head as he had hoped, it struck him on the shoulder. But from that height it was enough to knock the man down. There was a roar of pain far below, then one of anger. When last seen the man was scrambling out of the moat swinging a pickax, heading toward the workmen on top of the embankment. Nubar giggled and pulled in his head.
Order. Alignment. Hygiene.
Nubar spent the rest of the morning straightening his bookshelves, nudging the books forward or backward so the bindings made a perfectly flat surface. To facilitate this daily task, tiny metal conductors had been inserted at the base of the bindings in all his books, the conductors resting on metal contacts in the shelves that led in series to a circuit breaker. Ceramic insulators had been installed at both ends of every shelf. Nubar only had to stretch an electric wire taut down the length of a shelf, and throw a switch, to know whether the alignment was perfect or not.
Buzz.
Nubar nudged the offending book into place and moved to the next shelf.
When he was a little boy he had liked to lean forward on the toilet bowl and peek through his legs to see what was happening. A brown round head appeared and slowly lengthened, longer and longer. He held his breath. Plop. Another. The little brown logs circled peacefully down there. He pulled the chain and waved as they spiraled away.
Good-bye, little friends.
When he was nine he had become fascinated with butterflies and wanted to learn how to embalm them.
Sophia wrote to Venice and soon a slender young Italian lepidopterist arrived at the castle to assume his duties as Nubar's private embalming tutor. The Italian also taught him other things as Nubar, wide-eyed, bent over the trays of butterflies, his lips nestled between their richly colored spread wings.
On Sunday afternoons the Italian tutor took him to band concerts in towns on the Adriatic. Nubar sat sorely but happily on the hard wooden chairs, entranced by the uniforms, especially the conductor's with its cascading loops of gold braid.
Someday, he decided, he too would have a gorgeous uniform.
That winter he found himself attracted to one of the mechanics who maintained the automobiles at the castle, a hairy man who was always covered with grease. By then Nubar knew how to embalm butterflies so the Italian tutor was sent back to Venice. Throughout the chill rainy weather little Nubar's experiences in the grease pit of the garage, his hands pressed against the cold slimy walls for support as the hairy mechanic bucked and grunted behind him, were far more delirious than the languid summer encounters he had known with the slender young Italian over trays of butterflies.
By the end of the Great War, Nubar had grown into a small adolescent with an unusually large head, a narrow sunken chest and a prominent potbelly. His face was small and round and pinched, and his tiny weak eyes were very close together. He wore round glasses, wire-framed in gold, that seemed to push his eyes even closer together. Two of his front teeth were gold.
He had a small nose and a small mouth and lips so thin he couldn't make them whistle. He cultivated a short straight moustache and combed his straight black hair low over his forehead to hide his baldness, his hairline having already begun to recede by the time he was fifteen.
A mild December day in 1927, in the tower room of the ancestral Wallenstein castle.
Nubar finished putting his books in order with a frown on his face, having recalled the dream that was disturbing his sleep lately. In the dream he entered a restaurant carrying a baby and asked the chef to cook it rare. The chef, in a tall white hat, bowed respectfully while three young men sat at a table crunching chicken and grinning up at him with lascivious expressions, their hands and mouths dripping with grease. The unpleasant noise of the chicken bones cracking in their mouths woke him up and he found he had a painful need to urinate.
Mercury poisoning again?
Parabombheim von Ho von Celsus. Immortal Bombastus.
The gong sounded in the courtyard announcing lunch with Sophia. Nubar gathered up his queries on the Krk-Brac operation and started down the long winding stairway.
-10-
Sophia the Black Hand
She put her tiny right fist in the fragile porcelain cup of crude, wiggled it around and brought it out dripping. With a gesture of authority she flattened her hand in the very center of the map.
When Sophia entered the dining room the opening chords of Bach's Mass in B Minor boomed forth from the organ in the balcony at the far end of the room. That piece of music had been the favorite of her common-law husband, Nubar's grandfather, and Sophia always had it played during meals at the castle.
Nubar kissed his grandmother lightly on the lips and went to his chair in the middle of the table. At the far end, nearer the organ and facing Sophia, the usual place had been set for his dead grandfather.
Sophia was then in her eighty-sixth year. She was dressed entirely in black as she had been for half a century, ever since the last of the Skanderbeg Wallensteins had ceased to recognize her upon the birth of their natural son, Catherine, Nubar's insane dead father. She wore a flat black hat and black gloves and a thin veil, raised only at meals. But the firmness of her unlined face made her look much younger than she was.