Oil and immense wealth.
Yet within the tiny old woman there still lived a haunting innocence, as witnessed by others on the lemon-scented barge where she had once floated on a flying carpet, the innocent simplicity of an eight-year-old peasant girl who had found a broken man lying at the gate of a ruined castle, the last of the Skanderbeg Wallensteins home from his unparalleled ordeal in the Holy Land, and with the perfect faith of her years fallen in love with him forever.
Indeed, there were still mornings when Sophia rose long before dawn with a strange distant smile on her face, silently to descend the stairways of the castle to a small unused room in its foundations, a servants'
kitchen where she had been born and lived in poverty with her mother during her first years, the room where the two of them had tenderly nursed the last of the Skanderbegs back to life on their bed of straw, while they slept on the stone floor.
Sophia had kept the room exactly as it had been then, with its bare walls and its little hearth, the one or two pots and the bed of straw, the broom by the door.
On those mornings she took the broom and proudly swept the floor of the little kitchen. Went down on her knees in her plain black dress and her flat black hat and her black gloves to scrub and scrub the worn stones. Chopped a few imaginary vegetables and kindled a meager imaginary fire, setting the pot to cook the morning meal for the lord of her ruined castle.
Later she drifted up to the courtyard to gather imaginary firewood and tend the imaginary garden where imaginary vegetables grew, down on her knees once more washing out imaginary rags and hanging them up to dry, humming Armenian nursery rhymes as she did the chores of her childhood.
It's on her, whispered the servants in awe, peeking out the windows.
Sophia had broken her hip and the bones had mended poorly, causing her to totter when she walked, bent forward from the waist with her hands groping in the air for balance. And on those special days the bent old woman wandering in the courtyard, so tiny and frail, seemed at any moment about to grasp some passing breeze that would lift her above the walls and the lemon groves on the soft sunlight of her memories.
It's on her, whispered the servants in awe, peeking out the windows to see whether their tiny mistress was still with them. Or whether she had already taken flight, and the strange distant smile of a child's dreams had finally found its way to heaven.
In the dining room Bach's Mass in B Minor progressed from a chanted solo to a choral response. Sophia accepted two lamb chops, waiting until the empty place at the far end of the table had been served before she picked up her fork. Nubar was already chewing a slice of brown bread and cutting up boiled vegetables.
I wish you'd have just one of these chops, she said gently, but Nubar ignored the comment.
Vegetarianism was one of the important resolutions he had made on his twenty-first birthday.
I've come across a fascinating historical study, he said to change the subject.
Sophia sighed.
What is it this time?
It was written by a Scotsman. It's called, Proofs of a Conspiracy Against All the Religions and Governments of Europe, carried on in the secret meetings of Freemasons, llluminati, & Reading Societies.
Sophia shook her head.
Really, Nubar, spare me. What is that supposed to mean?
Just what it says. It turns out, you see, that the Knights Templars weren't really exterminated in 1364 as everyone has always thought. They survived as a secret society dedicated to abolishing all monarchies and overthrowing the papacy in order to found a world republic under their control. From the beginning they were poisoning kings, slowly, so the kings would appear to be insane, as so many have. Then in the eighteenth century they captured control of the Freemasons. In 1763 they created a secret literary society ostensibly led by Voltaire and Condorcet and Diderot. But it wasn't really the Templars who were doing all this. They were behind it.
Plots? asked Sophia. Still more plots? Who were they?
The Jews of course.
Oh Nubar, spare me. Not that kind of nonsense.
But it's not nonsense, Bubba, it's fact. And it goes back much further than the Templars. I can prove it to you.
Now Sophia tried to change the subject.
What was in those crates the workmen were carrying up to your tower this morning?
Cinnabar, Bubba.
Cinnabar? More cinnabar? I thought there was a shipment just last week.
There was, but my experiments use up a great deal of mercury.
Tell me about the experiments. Are they interesting?
Yes, but another time. Have you ever heard of Mani or the Old Man of the Mountain? Or of Osman-Bey?
Sophia looked confused
I'm not sure. Are they local people?
Not at all. Mani founded Manichaeism in Persia in the third century. The Old Man of the Mountain was supreme ruler of the Assassins, the Moslem sect that was also founded in Persia. Both men were Jews.
As for Osman-Bey, he fearlessly exposed the Jewish plot to take over the world.
Oh Nubar. Why don't you try reading the Catholicos Narses IV instead of things like this? It's such gentle poetry. It would soothe your nerves.
And the founder of the Freemasons, continued Nubar excitedly, was also a Jew and so are many of the cardinals in Italy. They're hoping for a majority soon so they can elect a Jewish pope. Didn't you know the French Revolution was a Jewish-Masonic conspiracy?
That's ridiculous. And I thought you just said the Jews captured control of the Freemasons in the eighteenth century. Why would they have to do that if they'd already founded the Freemasons?
It's the same thing. The Jews made a secret pact with the Templars and then took them over, later they did it again with the Freemasons. The grand master of the Freemasons has always been a Jew and every Freemason must assassinate anyone the grand master orders him to, even a member of the inner council.
You can't become a Freemason of the thirty-third degree unless you're a Jew. The symbols they use in their lodges are the snake and the phallus.
You ought to find a wife, Nubar.
Have you ever heard of Sir John Retcliffe?
No.
He was an Englishman who wrote an autobiographical novel called Biarritz. There's a chapter in it that describes the secret meetings held in a cemetery in Prague by twelve Jews, representing the twelve tribes.
The novel has two versions. In the first version Sir John is the chief rabbi at a meeting in the cemetery in 1880, when he delivers a speech calling for world domination by the Jews. He wrote that to try to fool them but it didn't work, so then in the second version he told the truth.
What was the truth?
That he was an English diplomat, a Catholic, and that he might well have to pay with his life for revealing, fictionally, the Prague cemetery plot.
What happened to him?
He paid with his life.
Sophia shook her head.
Such lurid fantasies, Nubar. And you've never even known a Jew, have you?
No one who was openly a Jew or admitted to it. But I have my suspicions.
Oh dear, Nubar. I think it's time you took a vacation with the Melchitarists.
Nubar scowled. The Melchitarists were a monastic literary order of Catholic Armenians, formerly in Constantinople and now in Venice, who published works in Armenian. Sophia admired their combination of monastic piety and literature, perhaps because it reminded her of his grandfather's labor in the Holy Land, and whenever she thought Nubar was becoming overexcited she suggested he go off and visit the Melchitarists. They would have been more than happy to welcome him, Sophia being their chief financial benefactor. But he had no desire to vacation with monks in Venice or anywhere else.