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The worst thing, naturally, was the responsibility. Responsibility, while Bill had never shunned it, wasn’t something that he’d ever actively sought out. When Philip Doddridge and that quietly scary and formidable deathmonger, Mrs. Gibbs, had told them that Mansoul’s authorities were leaving the whole Michael Warren business up to them, Bill’s largely metaphorical blood had run cold. It sounded, on the face of it, like adults taking an indulgent and relaxed view in regard to the inconsequential games of children, but that wasn’t it, Bill knew. That wasn’t what was going on. The Reverend Dr. Doddridge and the deathmonger weren’t really adults, for a start-off, anymore than the Dead Dead Gang were real children. They were all just ageless, timeless souls suspended in the pyrotechnic linger of Eternity, all dressing themselves in the forms and personalities that they thought they looked best in. And the doctor of divinity’s instructions to the gang amounted to something a lot more serious than “run along and play.”

If Michael Warren was as crucial to the pending Vernall’s Inquest and the Porthimoth di Norhan that would follow it as Bill was starting to believe he was, then the success or otherwise of a divine plan had been left to an unruly mob of phantom ruffians. It was Mission: Impossible over again, only without the handy get-out clause of “Your mission, should you choose to accept it …”. The gang didn’t really have a choice about accepting it, considering the source the orders came from. Bill hoped, not without a sense of irony, that the Third Borough knew what he or she or it was doing, although given Bill’s lifelong mistrust of management, he frankly rather doubted it. The central flaw in the proposal, as Bill saw it, was that they’d been more or less instructed to make sure that Michael Warren was returned to life with at least some recall of where he’d been, so that he could inspire his sister’s apparently necessary paintings. And yet all the regulations of Mansoul, which were like laws of physics and could not be broken, stated that it was impossible to retain memory of your exploits in the higher world once you’d returned into your life again. Otherwise everybody would remember from the moment of their birth that this had all occurred a billion times before. Since this was not what everybody had experienced during their own nativity, then for them suddenly to realise it would be to change what had happened, what was happening, what would forever happen. It would alter time, time as a physical dimension, time as a solid component of a solid and changeless eternity. You simply couldn’t do it. Even the Third Borough couldn’t do it, and as a result what happened in Mansoul stayed in Mansoul.

This was the problem him and Phyllis had been wrestling with for a good deal of their long walk along the Ultraduct to the collapsed and merged asylums. They’d debated how to go about returning Michael Warren to the mortal world without him just forgetting everything, their sense of hopelessness only allayed by the assurance of eventual success that their own memories allowed them. After all, they’d both seen Alma’s finished paintings during their own mortal lifetimes, which implied that they were going to find some way to sort this mess out, so that Alma’s pictures could reflect her brother’s vision of this comical and frightening before-and-afterlife.

The problem was, Bill hadn’t really paid that much attention to the artworks when he’d seen them, and could not remember how specific they’d been in depicting Upstairs or the ghost-seam. He recalled a wall-sized board of tiles that looked as if it had been swiped from M.C. Escher, and another terrifying large piece that had been like looking down into a mile-wide garbage grinder that was in the process of devouring everything noble or dear in human history. There had been all the charcoal drawings with their double-exposed figures reminiscent of the half-world’s desolate rough sleepers, and those jewelled acrylic studies of immense interiors that may have represented Mansoul, although Bill couldn’t remember anything conclusive. The piece that Phyllis and Bill had found the most impressive had been that scaled down papier-mâché model of the Burroughs, which had not had any obviously supernatural elements and which had not eventually been included in the final London exhibition of her work that Alma had put on. Unsettlingly, it had occurred to Bill that just because Alma had done some pictures of an afterlife, it didn’t mean they were the right ones. What if the Dead Dead Gang didn’t manage to return Michael to life with enough memory of his vision to make Alma’s paintings meaningful, make them sufficient to the task required of them? What if the Vernall’s Inquest was a failure, and the Porthimoth di Norhan could not then be held? It struck Bill that this current caper, far from being the gang’s greatest triumph, could turn out to be a damning failure that would reverberate unendingly throughout the long streets of forever. Him and Phyllis were still chewing all this over when they’d finally reached the asylums and their conference had been interrupted by another Reggie Bowler and another Bill, bewildering invaders from the future, having all the mad-apples away wrapped in a fascist banner.

He’d got no idea what all that was about. It must be something him and Reg were going to do at some point, but with all the other problems he was wrestling with he hadn’t really had the time or inclination to consider it. The thing with Michael Warren, that was the main business, and since Phyll had gone all huffy with him after the appearance of his thieving future self he’d had to think it all through on his own. The best that he’d been able to come up with was that they’d be better off in nothing-five or nothing-six, up closer to the time when these events were meant to come about, so that they’d have a better sense of what was going on. He’d mentioned this to Phyllis on their way back from the madhouses, once she’d recovered from her strop and had decided that she was still speaking to him, and she’d grudgingly agreed that it was probably a good idea. She hadn’t got a better one, that much was obvious. In fact, Phyllis had seemed a bit distracted and upset after her, Michael, Marjorie and John had re-joined Bill and Reggie up at the asylums. Bill wasn’t certain what had happened in the half-an-hour or so that they’d been separated, although it had looked to him like Phyllis now had worse things on her mind than his and Reggie’s future theft of a few mad-apples.

The six of them had walked along the Ultraduct, stuffing themselves with Puck’s Hats and attempting to sing Phyllis’s “We are the Dead Dead Gang” song through a mouthful of chewed fairies, spraying bits of wing or face or finger when they laughed. Their rowdy after-images pursued each of them like a cheerier, paediatric version of The Dance of Death, the jigging figures streaming back along the alabaster boardwalk in their wakes.

Above them, sunsets borrowed from ten thousand years of days and nights competed for attention in the shifting, melting heavens. Bill had marched and sung along with all the others, had allowed the stimulating and invigorating tonic of the Bedlam Jennies to spread through his ghostly system, hopefully inspiring him with some solution to his baffling predicament. As the familiar dreamy and creative glimmer of the meta-fungi gradually enwrapped his thoughts, Bill had gazed down across the blazing causeway’s handrail at the bubbling suburban trees and houses they were then passing above, the crofts and cottages and Barratt Homes constructing themselves out of dust and then as quickly disassembling themselves back down to that same substance. Doubting that his cunning would be adequate to the huge metaphysical conundrum facing him, Bill had reviewed the Michael Warren matter inwardly, turning it over in his mind while he and his companions headed back along the glowing overpass to Doddridge Church.