As he’d recalled, it was this accident at work sometime in 2005 that had restored the adult Michael’s memory of what had happened following the choking incident when he’d been three or so. Bill could remember Alma telling him, with snarling indignation, how her brother had been at work reconditioning steel drums in Martin’s Yard, pounding them flat with a sledgehammer as he was employed to do. Apparently, Michael had flattened an unlabelled drum that had turned out to hold corrosive chemicals. These had exploded out into his face, burning and blinding him, thus causing Michael to run into a conveniently-placed steel bar, knocking himself unconscious in the process. It was when he’d woken up from that, Alma had told Bill, that her brother had been suddenly beset by memories of those few childhood minutes when he’d been technically dead.
It had occurred to Bill, strolling along the Ultraduct while munching upon a particularly flavourful and fragrant Puck’s Hat, that if that was what he could remember Alma telling him, then that was almost certainly what happened. It had happened, therefore it would happen, was constantly happening in their fourfold eternal universe where Time was a direction. It would happen, had already happened, whether Bill came up with a solution to the Michael Warren mess or not. Which let him neatly off the hook for perhaps thirty seconds, at which point he’d realised that the “accident” at work might well have only come about because of some as yet undreamed of cunning stunt that Bill himself was going to pull, which of course placed him back upon the same uncomfortable barb. It had all called to mind the snatch of conversation that they’d overheard between that Aziel bloke and Mr. Doddridge, where the minister had asked if anyone had ever really had free will, although Bill couldn’t have explained exactly why this brief exchange seemed to be relevant to his present dilemma. He’d just known he’d better come up with an answer to the problem and he’d better do it quick.
So, he had reasoned, if he thought there was a chance that he might in some way end up contributing to Michael Warren’s accident perhaps that was the area of strategy that he should focus on. How could he manage such a thing, he’d asked himself? Was it even a possibility? With his imagination perked up by the Puck’s Hats, he’d wondered at first if there was some way that he could be instrumental in positioning the iron bar that would knock Michael out, but as with all the profit making schemes he’d once come up with after a few joints, the obvious dead-ends in his blue sky thinking had swiftly revealed themselves.
Foremost amongst these was the issue of how Bill, encumbered by his ghostly state, was going to move an iron bar or, worse, the more than likely heavy mechanism that the iron bar was attached to. How was he going to do that, when the only way that phantoms could affect the physical world was by running themselves dizzy in some corner of a car park, trying to shift a fucking crisp bag? Even then, it would take two of you to generate a tiny dust storm. You’d need a whole continent of ghosts, all running in a circle, before you could shift an iron bar …
It had been then, just as the gang were coming to the Doddridge Church end of the Ultraduct that Bill had first begun to formulate the idea that had led him to his current difficulty, crouching with a clearly-distraught Michael Warren behind the voluminous form of the late Tom Hall, upstairs at the wraith-pub, the spectral Jolly Smokers, watching the horrific floorshow.
Bill had been struck suddenly by inspiration just as Phyllis called a halt, some yards short of the little door halfway up Doddridge Church’s western wall which marked the end of that stretch of the Ultraduct. What if there was some object that was much, much lighter than the iron bar, and yet which might have just as great a part to play in Michael knocking himself out? Bill had been thinking about this when Phyllis told them that if they all jumped down from the shining overpass at this point, they could go and play in the collapsed earthworks-lagoon they’d noticed earlier, as she’d promised Michael.
The peculiar little acre of unfolded wasteland, there between Chalk Lane and the brick wall that was the boundary of St. Andrew’s Road, had always been one of Bill’s favourite places in the ghost-seam. Like the merged asylums, this rough patch had been subjected to astral subsidence and collapse, although unlike the situation with the madhouses, nobody seemed to be sure why this should have happened. At the institutions, after all, were lunatics whose confused thoughts and dreams had led to faults in the foundations of the higher world above. Here, as far as anyone knew, the area had always been a wasteland except for five hundred years or so when it had been an obscure and unpopulated outskirt of the castle grounds. Why should the gaudy floorboards of Mansoul choose this point to fall in, when nothing much had ever happened here and where there were no inmate nightmares or delusions undermining the celestial territories that were overhead? Perhaps, Bill had surmised, this region was the way it was because of its proximity to the end of the Ultraduct, or possibly it had just fallen in because of old age and neglect, the way that most things tended to.
The children had jumped down from the white walkway above history, grey after-pictures in a rubber-stamp trail following behind them, and had landed in the Chalk Lane car park on an evening in the spring of nothing-six. Just over the deserted lane they could see Doddridge Church, with its low outline crouching against the impending dusk and multi-storey flats that loomed around it menacingly. Nearly all of the surrounding district was unrecognisable from when the gang had seen it in the 1600s, or even the 1950s. Phyllis, still seeming a bit distracted by whatever she had overheard or witnessed up at the asylums, shepherded the gang across the hushed enclosure to its northwest corner, where you could climb up onto the piece of land that the collapsed lagoon was coexistent with. Upon the mortal plane, the stretch of wasteland had been designated as a remnant of Northampton Castle, purely for the benefit of hoped-for tourists who had never actually turned up, but everybody local knew that this was pants. Logs had been placed as if to replicate some vanished set of castle steps, when all there’d ever really been in this location was a lot of mud and grass, the same as there was now.
The children clambered up to the raised ground, with Phyllis hurrying them from the rear. Bill was the last but one to make the climb, and having done so he turned round to reach down and give Phyllis a hand up. That was when he had noticed the young living woman making her way up Chalk Lane, across the car park’s far side, and had paused to wonder where he recognised her from.
She’d looked like she was on the game with the short skirt and heels, the PVC mac, but Bill hadn’t thought this was the context that he’d seen her in when he had noticed her before. In one of those bizarre and tenuous chains of association, he’d found that she called to mind the phrase Forbidden Worlds, which was the comic-book the Warren kid had mentioned after Bill and Reggie Bowler found him sitting on the central steps at …
Bath Street flats. That was where Bill had seen the girl before. It had been while Reggie and him were showing Michael Warren the Destructor, the vast, smouldering astral whirlpool emanating from the point in Bath Street where the waste-incinerator chimneystack had stood until the 1930s. Its slowly-rotating radius of obliteration had appeared to intersect with various rooms inside the blocks of flats, including one where this same girl, her hair arranged in corn-rows, had sat doing crack and gluing pictures in a scrapbook, unaware that a great whirling phantom buzz-saw scraped at her insides, her spirit.