He slipped into the billiard hall unnoticed and then found his way out back and went upstairs to the top floor. From here he went upstairs again, went properly upstairs, using what types like him referred to as a crook-door which in this case, unbeknownst to the establishment’s living proprietors, was hidden in the corner of an upstairs lumber room. Just past the crook-door’s four-way hinge there was a Jacob Flight with tired old wooden steps that Fred knew, ultimately, led up to the landings. He began to mount it anyway, knowing the place he wanted would be only halfway up. He wouldn’t have to venture within shouting distance of the higher balconies, the Attics of the Breath. He wouldn’t have to feel he’d got above himself.
The Jacob Flight, a seemingly deliberately inconvenient construction somewhere in between a boxed-in staircase and a roofer’s ladder, was as awkward and exhausting to ascend as ever. All the treads were no more than three inches deep while all the risers were a good foot-and-a-half. This meant you had to climb the stairs just as you would a ladder, sort of upright on all fours, using your hands and feet. But on the other hand you were enclosed by rough white plaster walls to either side, the stairway being no more than four feet across, with just above your head a steeply sloping ceiling, also in white plaster. The ridiculous impracticality of such an angle to the stairway made it seem like something from a dream, which Fred supposed it was. Someone’s dream, somewhere, sometime. On the ledge-thin wooden steps beneath his toes and fingertips, again a dream-like detail, an old stair-carpet was fitted, brown with the dark writhing of its floral patterns faded nearly to invisibility and held in place by worn brass stair-rods. Puffing from what he assumed was spiritual exertion, Fred climbed up and on.
At last he reached the enterprise’s true top deck, the upper billiard hall, and clambered through a trapdoor up into the cluttered, dusty little office room that was to one side of the main floor with its single giant snooker table, extra wide and extra long. From all the footprints through the faintly phosphorescent moon-dust on the dirty floorboards, and the hubbub that he heard beyond in the main hall while opening the creaky office door, it sounded as though he was late. Tonight’s game had already started. Freddy tiptoed round the edges of the huge dark games room, trying to put no one off their shot, and joined the small crowd of spectators standing at the room’s top end in their allotted area, watching the professionals at play.
That was the way it worked. Those were the house rules. The rough sleepers such as Freddy were quite welcome to come there and be supporters, but not play. Quite frankly, none of them would want to, not with stakes like that. It was sufficiently nerve-wracking just to gaze between your fingers at the contest going on at the vast table over there, in the bright pillar of white light that fell from overhead. Around the baize, the builders who were taking part strode back and forth with confidence, chalking their alabaster cues and warily inspecting tricky angles, pacing up and down along the borders of the table, twenty-five feet long and twelve feet wide. Only the builders were allowed their game of snooker, or whatever the queer version that they played was called. Riff-raff like Freddy simply stood there in a quietly shuffling mob at the far end and made an effort not to gasp or groan too loudly.
There were several in the crowd of onlookers tonight that Freddy recognised. Three-fingered Tunk who’d had his stall up in the Fish Market for one, and Nobby Clark, all got up in the ‘Dirty Dick’ gear that he’d worn when he was in the bicycle parade, and holding his old placard with the Pears Soap advert on: “Ten years ago I used your soap, and since then I have used no other”. How had Nobby ever got that up the Jacob Flight, Fred wondered? He could see Jem Perrit standing at the crowd’s perimeter and looking on with relish at the snooker. Freddy thought he’d slide across and join him.
“Hello, Jem. I saw you on the Mayorhold just this dinnertime. Your Bessie was just taking you off home, and you were snoring.” Bessie was Jem’s spectral horse.
“Aa. I’d bin up the Smokers for me Puck’s ’At Punch. I ’spect it was the work as I’d bin doin’ as ’ad wore me ayt. That’s when yuh seen me on the Merruld.”
Jem spoke with the real Northampton twang, the proper Boroughs accent that you didn’t really hear no more. Wood-merchant had been how Jem made his living back when he still had a living to be made, a wiry tinker-looking chap with a hook nose, his dark and doleful shape perched up there on his horse and cart behind the reins. These days, Jem’s line of work, if not his living, was as an unusually enterprising and phantasmal junkman. Him and Bessie would roam round the county’s less substantial territories, with Jem picking up such apparition-artefacts as he should find along his way. These might be old discarded wraith-clothes, or a vivid memory of a tea-chest out of someone’s childhood, or they might be things that made no sense at all and were left over from a dream somebody had. Freddy remembered once when Jem had found a sort of curling alpine horn fashioned to look like an elongated and intricately detailed fish, but with a trunk much like an elephant’s and things that looked like glass eyes in a stripe down either side. They’d tried to play it, but its bore was stuffed with tight-packed sawdust that had funny plastic trinkets buried in it. It had no doubt joined the other curios there in the front room of the ghost of Jem’s house, halfway down the ghost of Freeschool Street. Right now, whenever that might be, because you never really knew up here, the fish-horn was most probably displayed in Jem’s front window with the phantom Grenadier’s dress jacket and the reminiscences of chairs.
The Puck’s Hat Punch that Jem had mentioned was just what it sounded like: a kind of moonshine that could be distilled out of the higher vegetables and ingested. Fred had never fancied it and had heard tales of how it had sent some ex-lifers barmy, so he left it well alone. The thought of being all in bits and barely able to hold any real identity together for the rest of your near-infinite existence sent a shudder up the spine that Fred no longer had. Jem seemed all right, though. Possibly, if Fred was in the mood, then later on when he went up the Jolly Smokers as he’d promised Mary Jane he would when leaving here, he’d give the punch a sniff, see what he thought. One glass would do no harm, and until then he could relax and watch the game.
He stood there in the shadows next to Jem and all the others, sharing in the ragged congregation’s reverent silence. Freddy squinted at the house-wide table in its shaft of brilliance and could see immediately why the spectators seemed unusually rapt this evening. The four players gathered round the table weren’t just ordinary builders, as if there could be such things as builders that were ordinary. These lads were the four top men, the Master Builders, and that meant tonight’s match was important. This was championship stuff.
As they progressed around the massive billiard tale in their bare feet and their long white smocks, the senior builders all left trails behind, though not as Freddy and his friends did. Fred and them had faint grey photos of themselves in an evaporating string they dragged behind them, while the builders left these burned-through white bits in the air where they’d been standing, blazing after-shapes like when you glimpse the sun or stare up at a light-bulb filament, then close your eyes. That was the way that ‘ordinary’ builders were, but this quartet tonight were ten times worse, especially around their heads where the effect was more pronounced. To tell the truth it hurt to look at them.
The outsized table they were playing on had just four pockets, one up in each corner. Since the table was aligned so it was parallel with the club’s walls, Fred knew the corners lined up with what might be seen, approximately, as the corners of the Boroughs. Set into the heavy varnished woodwork of the table just above each pocket was a separate symbol. These were roughly carved into the centre of the wooden discs that decorated the four corners of the table, gouged in a crude style that looked like tramp-marks, yet inlaid with gold as though it were the most adored and cherished holy manuscript. The symbol at the southwest corner was the childish outline of a castle-turret, while there was a big prick such as you might find drawn on a toilet wall up to the northwest end. A loose depiction of a skull marked the northeast, and Fred could see a wonky cross inscribed at the southeast, the corner nearest to where he and Jem were standing. Since it was a bigger table, there were lots more balls in play, and it was lucky that the builders would call out the colour of the ball that they were going for, since all of them were grey or black or white to Freddy and his friends.