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"Billy Boy," the commissaris said. "The sheriff's office must keep an eye on the dock."

"Yes, Billy Boy saw it all." Katrien narrowed her eyes. "We keep presuming. The men leave, the woman doesn't, the yacht appears abandoned, he takes a peek aboard, finds the woman's dead body."

"Fits in, doesn't it?" The commissaris asked.

"The woman got overdosed?"

"Cocaine," the commissaris said. "We had a similar case right here in Amsterdam on the Emperor's Canal. Remember? Attractive young lady in a splendid gabled house in the best part of town gets herself coked up. She visits a few pubs and picks up three university students. She takes them home, parties, dies. We have an anonymous call, which de Gier, by following the victim's movements that evening, traced to one of the students who was with her when she died. Through him we located two more murder suspects. But, once again, we ran into a web of mishaps. Suspects stated that their hostess seemed insatiable, kept sniffing and handing out more cocaine, broke out the liquor, insisted on more sex. And she was enticing her partners-the cocaine kept exciting them too, of course, it does that in the early stages of the addiction…

"… I thought it made the user paranoid?"

"Later, Katrien. Much later in the process. The user can't bear being touched then but first there's the sexy stage. As I said, subject kept inciting her guests and the students kept complying. She finally went into a dead faint that changed into a coma. One of the boys placed an anonymous call to a doctor, we verified that from the doctor's answering machine, and eventually called us."

"You believe the students were just trying to please?"

"Where does mutual pleasure become abuse?" the commissaris asked. "This model versus the Latinos could be a similar situation. Remember the boat show we visited during that holiday in Naples? Expensive yachts, beautiful saleswomen, champagne, smoked salmon on toast? You kept saying you thought some of the buyers had to be big-time dope dealers. Same here. South American types pick up a brand new beautifully equipped yacht, the saleswoman, 'the model,' goes along on the maiden voyage." He stared at Katrien. "Can you see it? The cocktail party on board? The clients joking that they'll buy the boat for cash if the seller throws in the girl too? Everybody hopped up on something or other. Everything seems just beautiful and easy. The seller takes the model aside and offers her a commission in cash if she goes along with the joke. The buyers are happy with their new boat, the model is happy with the prospect of profit-sharing, a week of partying and beautiful island hopping-quite risky, of course, as in our present case where the joy ride becomes a hair-raising trip up the dangerous Maine coast. The Latinos do manage to make it to Jameson, the effort warrants a party, pot plus whiskey and a wild wild woman, things get out of hand-we have a dead woman…"

"But the South American types didn't call a doctor and the police anonymously," Katrien said, "like our nice university student on the Emperor's canal."

"All situations differ because happenstance cannot repeat itself exactly," the commissaris said. "We may safely assume that foreign suspects will not want a tough American sheriff to check out their boat. As soon as their beautiful lady becomes seriously unwell, suspects decide to run for freedom. Abandoning a million dollars' worth of yacht means nothing to them and it might stall the sheriff, like throwing a bone to the wolf that pursues you."

"Why didn't suspects attempt to hide the body? Throw her overboard themselves? Bury her on an island somewhere?" Katrien shook her head. "But they didn't. The yacht was left in Jameson Harbor, anchored with a short line that made her dip her nose at low tide."

"Too hung over from that final party?" the commissaris asked. "It would mean taking the boat out of Jameson Harbor, feeing shoals and tides and currents and winds once more. I bet you they swore they'd never handle that boat again."

"So now the sherifFarranges for Macho Bandido to break her anchor rope so that she may float into the ocean where he can claim it privately. But the dead woman is in his way so he gets rid of the corpse?"

"Chucks it overboard," the commissaris said.

"Or buries it on Jeremy Island," Katrien said. "Either possibility works. Flash and Bad George either saw Hairy Harry carry something ashore at the island or they found the body floating in the bay, maybe as they were taking Lorraine home. But in that case Lorraine would know about there being a dead body." Katrien shook her head. "Too gory, she wouldn't have cooperated. So, Flash and Bad George picked up the corpse before they met with Lorraine, and buried it in the tunnel. Noticing a similarity between the 'model's and Lorraine's bodies, they later dug it up to frighten de Gier and thought ofa ruse to get Lorraine to cut off her hair. They then braided that into the corpse's

…"

"What about the sheriff and Billy Boy knowing about the tunnel onJeremy Island?" the commissaris asked. "They were kids once, grew up around Jameson. Kids love tunnels, so do hibernating bears. Having something to hide, they thought of their tunnel. Flash and Bad George also knew about the tunnel. So did Mr. Bear. The two skippers watched the sheriff doing something sneaky on Jeremy Island, traced him, Mr. Bear traced them. They were all in there, burying the poor woman, digging her up again."

Katrien looked sad. "Kids. And now our kids are out there. Playing. Without you to protect them. They aren't even armed."

"I think de Gier would like to show us that he can lace his own boots now," the commissaris said. "And Grijpstra was getting stuck here, all on his own. I'm sure he enjoys working with his old pal again."

While Katrien went shopping, the commissaris explained to Turtle that Grijpstra and de Gier, realizing their weak position, were applying for help from available sources. Who were? Beautiful Aki, powerful Beth, Mother Farnsworth in her doggie shape, handyman/collector Ishmael, disciple of Hermit Jeremy, the two skippers. The commissaris was swishing his cane through the quiet garden air, cutting down Hairy Harry. "My two lean warriors, Turtle, temporarily slowed down by bags of money; a mere detail we'll fix later." Being at it anyway, the commissaris also swished Billy Boy.

Dinnertime came along. "The way I see it," the commissaris said brightly, "there's been some regrouping, some crossing over lines. Our boys have made friends there."

"Two retards in a sinking boat?" Katrien asked. "A dog with braids? A madman flying a motorized kite with a fuel-pump problem? An obese short-order cook and her disoriented recovering lady love? The past-her-prime biologist?"

"Others who can be helpful habitually come the way they are," the commissaris said, "not the way you may want them to present themselves." The commissaris shook his fist. "To the barricades, comrades!"

"We're opposed by bizarre evil, Jan."

The commissaris said, "I believe the United States to be basically sound, and moreover the best possible country ever. In spite of what goes on. Americans do keep trying. And all my heroes come from there, Katrien. Were there ever finer idealists than Washington, Jefferson, and Franklin? If you think of a superior man, doesn't Abraham Lincoln come to mind? Could anyone be more sensitive and creative than Clifford Brown and Miles Davis? The subtle juggling of W. C. Fields, Katrien, the ultimate in managing telephone books and words. Even the American shadowside is brilliant. Dennis Hopper, for instance, and Harry…"