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'I don't know about that.'

The detective laughed mockingly. 'This is Robert Earl's big shot, right? You think it'll do the trick for him? You think you can walk him off the Row?'

'I don't know. It's a pretty interesting story.'

'I bet.'

'I just wanted to give you the opportunity to respond.'

'You'll tell me what it says now?'

'Yes. That's correct. Now it's written.'

Tanny Brown's voice paused over the telephone line. 'I suppose you got all that stuff about beating him up and that crap? The bit with the gun, right?'

'It says what he contends. It also says what you said.'

'Just not quite as strong, though, huh?'

'No, they have equal weight.'

Brown laughed. 'I bet,' he said.

'So, would you like to comment directly?'

'I like that word, "comment." Says a bunch, doesn't it? Nice and safe. You want me to comment on what it says?' A sharp sarcasm tinged his voice.

'Right. I wanted you to have the opportunity.'

I got it. An opportunity to dig a bigger grave for myself,' the detective said. 'Get myself in more trouble than I'm already going to be in, just because I didn't bullshit you. Sure.' He took a breath and continued, almost sadly. 'I could have stonewalled the whole thing, but I didn't. Is that in your story?'

'Of course.'

Tanny Brown laughed briefly, wryly. 'You know, I know you got an idea what's gonna happen because of all this. But I'll tell you one thing. You're wrong. You're dead wrong.'

'Is that what you want to say?'

'Things never work out as smoothly or as simply as people think. There's always a mess. Always questions. Always doubts.'

'Is that what you want to say?'

'You're wrong. Just wrong.'

'Okay. If that's what you want to say.'

'No, that's what I want you to understand.'

The detective laughed abruptly. 'Still the hard case, ain't you, Cowart? You don't have to answer that. I already know the answer.' He let a beat slip by, then another.

Cowart listened to the deep, angry breathing on the line before Tanny Brown finally spoke, rumbling his words like a distant storm. 'Okay, here's a comment: Go fuck yourself.'

And then he hung up.

8. Another Letter From Death Row

He did not see or speak with Ferguson until the hearing. The same was true for the detectives, who refused to return any of his phone calls in the weeks after the stories ran. His requests for information were handled summarily by prosecutors up in Escambia County, who were scrambling for a strategy. On the other hand, Ferguson's defense attorneys were effusive, calling him almost daily to inform him of developments, filing a barrage of motions in front of the judge who'd presided over Ferguson's murder trial.

When his story had appeared, Cowart had been caught up in a natural momentum created by the allegations he'd printed, like being driven down a street by sweeping sheets of rain. The television and newspaper press inundated the case, crawling with rapacity over all the people, events, and locations that had constituted his tale, retelling it, reforming it in dozens of different yet fundamentally similar ways. To all involved, it had been a story of several fascinations: the tainted confession, the disquieted town still restless from the child's murder, the iron-hard detectives, and ultimately, the awful irony that the one killer could see the other go to the electric chair simply by keeping his mouth shut. This, of course, Blair Sullivan did, summarily refusing all interviews, refusing to speak with reporters, lawyers, police, even a crew from 60 Minutes. He made one call, to Matthew Cowart, perhaps ten days after the articles appeared.

The call was collect. Cowart was at his desk, back in the editorial department, reading the New York Times version of the story (QUESTIONS RAISED IN FLORIDA PANHANDLE MURDER CASE) when the phone rang and the clipped voice of the long-distance operator asked him if he would accept a call from a Mr. Sullivan in Starke, Florida. He was momentarily confused, then electrified. He leaned forward in his seat and heard the familiar soft twang of Sergeant Rogers at the prison.

'Cowart? You there, fella?'

'Hello, Sergeant. Yes?'

'We're bringing in Sully. He wants to talk to y'all.'

'How're things up there?'

The sergeant laughed. 'Hell, I shoulda known better than to let you in here. This place been buzzing like a damn bee's nest since your stories. All of a sudden, everybody on Death Row's calling up every damn reporter in the state, for sure. And every damn reporter is showing up here demanding interviews and tours and every damn thing.' The sergeant's laugh continued to barrel over the telephone line. 'Got this place more excited than the time both the main and the backup generators went out, and all the inmates thought it was the hand of Fate opening the doors for them.'

'I'm sorry if I caused you some trouble…'

'Oh, hell, I don't mind. Takes the edge off the sameness, you know. Of course, likely to be a mite difficult around here when things do settle down. Which they will, sooner or later.'

'How about Ferguson?'

'Bobby Earl? He's so busy giving interviews I think they ought to give him his'n own talk show on late-night TV, like Johnny Carson or that Letterman guy-'

Cowart smiled. 'And Sully?'

There was a pause, then the sergeant spoke softly.

'Won't talk to no one about nothing, no sir. Not just reporters or shrinks. Bobby Earl's attorney been 'round maybe five, six times. Those two detectives from Pachoula came by, but he just laughed at them and spat in their eyes. Subpoenas, threats, promises, whatever, you name it, don't do no good. He don't want to talk, especially about that little gal in Pachoula. He sings some hymns to himself and writes more letters and studies the Bible hard. Keeps asking me what's happening, so I fill him in as best as possible, bring him the papers and the magazines and such. He watches the television each night, so he can see those two detectives call you every name in the book. And then he just laughs it all off.'

'What do you think?'

'I think he's having fun. His own kind of fun.'

'That's scary.'

'I told you about that man.'

'So why does he want to talk to me?'

'I don't know. He just up and asks me this morning if'n I'll put the call through.'

'So put him on.'

The sergeant coughed with concern. 'Ain't that easy. You remember, we like a few precautions moving Mr. Sullivan.'

'Of course. How's he look?'

'He don't look no different from when you saw him, save maybe a bit of excitement about him. Got a little bit of a glow to him, like he's been putting on weight, which he ain't, cause he don't eat much at all. Like I said, I think he's having fun. He's right lively.'

'Uh-huh. Hey, Sergeant, you didn't say what you thought of the story.'

'No? Well, I thought it real interesting.'

'And?'

'Well, Mr. Cowart, I got to say, you hang around prisons long enough, especially Death Row, and you're likely to hear every damn strange story there is.'

Before Cowart could ask another question, he heard loud voices in the background and shuffling sounds by the telephone. The sergeant said, 'He's coming in now.'

'This is a private conversation?' Cowart asked.

'You mean, is this phone bugged? Hell if I know. It's the line we use mainly for lawyers, so I doubt it, 'cause they'd make a helluva stink. Anyway, here he is, just one second, we got to cuff his hands.'

There was a momentary silence. Cowart could hear the sergeant speaking in the background. 'That too tight, Sully?' And he heard the prisoner reply, 'Nah, it's okay.' Then there were some indistinct noises and the sound of a door closing, and finally Blair Sullivan's voice.

'Well, well, well, Mr. Cowart. The world-famous reporter, how yah doing?'

'Fine, Mr. Sullivan.'

'Good. Good. So what d'you think, Cowart? Our boy Bobby Earl gonna walk in the air of freedom? Do you think that god of good fortune's gonna pluck him out from behind these bars, from out of the shadow of death, huh? You think the gears of justice gonna start grinding away on him now?' Sullivan laughed hoarsely.