McCormick said, "I understand this place was bought for you."
Jean said, "That's right." Nothing to hide.
"But not by your husband."
"He died," Jean said. "A friend bought me the place."
"A boyfriend?"
"A benefactor." She loved the word, the prim sound of it. "You know what he paid? Less than a hundred thousand, back when real estate was relatively sane."
"I understand," McCormick said, voice flat, eyes watchful, about to ambush her, "he was a member of organized crime."
"A member," Jean said, smiling. "As opposed to what, an independent contractor?" Turning the smile then gradually from shy to off. "That was so long ago." Getting a little sigh in her tone. "It was an exciting time and I'm afraid I was, well, impressionable, to say the least. If you will accept that, Mr. McCormick..."
"Jim--"
Wanting to add, Then you'll accept anything.
"But I'm positive this doesn't involve anyone I used to know, Jim... From out of the past." Starring Bob Mitchum; she'd really wanted the Jane Greer part. Giving him her aware brown eyes straight on. "Aside from Mr. Zola, of course. He's advised me all through this, suggested I cash in bonds rather than re-mortgage the apartment. I'm not left with much." Chin up, resolute, but eyes beginning to mist. "I'll make it though. I can always sell the place, move back to the Coast." Wistful hint of a smile. "I know, this is a coast too. But once you've been in film, Jim"--tough line--"there's really only one Coast."
"I understand," Jim said.
"I think you should put all your effort into finding Richard Nobles," Jean said, "though he's probably far away from here by now." Looking off, coming back suddenly then to hold his gaze. "He did mention once he'd love to go out to the Coast, try the movies. Like several hundred others who look just like him try every year, and maybe a couple of them make it in television, wrecking cars. The only thing I can suggest"--sigh, tired but still willing to help--"alert your office on the Coast, send them Richard's picture... and if I should think of anything else in the meantime, Jim..."
Jim told her that once Richard was established as a fugitive the entire Bureau would be on him from Seat of Government through every field office in the country, the case tagged a major.
"I'm flattered," Jean said.
"Maybe we can have a drink sometime," Jim said.
"I'd like that," Jean said. Pause. "I'd like that very much."
Not a memorable performance, but not bad. About average. Not nearly as difficult to make convincing as the love scene in Treasure of the Aztecs. God--telling Audie Murphy that neither the sacrificial dagger of Montezuma nor the conquering sword of Cortes could stop her heart, her pagan heart, from throbbing with desire, "my golden Lord." And Audie in his jerkin and codpiece squirming, eating it up. She wondered if she could update it and run it past LaBrava, just for fun.
She felt like performing... She could get on the freeway and be at Richard's house in about fifteen minutes; she'd memorized the directions. They had planned to wait at least a week, give the police time to relax. But she was so close and her mood was perfect.
She could hear the elevator door close across the hall, the elevator begin to descend with McCormick and the two Palm Beach officers.
It might be the best time of all. Richard would be surprised. Just in case he had ideas...
Coming away from the door Jean paused, looking at herself in the wall of glass behind the sofa. She smiled. Too much. Staring at herself she saw a worried expression now, with a smile trying to break through. "Richard, is everything all right?" Make it a little more personal. "Richard, are you all right?" Maybe even, "Richard, I couldn't wait to see you." Well--disarm him, but don't overdo it.
LaBrava stood by his window with the phone. He could see Franny in the park across the street, sitting at an easel in shade, painting one of the Della Robbia women who sat facing the ocean. When the slim girl, Jill Wilkinson, came on he said, "How was Key West?"
She said, "I love it. It's the only place I know you can rest and not get hit on all the time. I mean a girl. Wait a minute." She was gone several minutes. When she came back she said, "I'm sorry. We've got a guy took one of the panels out of the ceiling and crawled up into the overhead. He won't come down because he says the office is full of alligators. Keeps saying 'They's gators down there.' He's right, but we're not supposed to let on." He asked her the name of the cop Richard Nobles had mentioned that night, the one Pam said she knew. Jill said, "Hold on." He heard her call to Pam and ask her. Jill came back on and said, "Glenn Hicks, he's Boca P.D. But tell me about Richard. What's that subhuman piece of shit up to now?"
Franny looked naked at her easel; and her hair made her look like a little girl. The Della Robbia woman was getting up, walking around behind Franny to look at the painting. Watching them LaBrava phoned Torres and gave him the name of Richard's friend. Glenn Hicks.
He crossed the street from the Cardozo to Lummus Park, two ice-cold cans of beer in each of his hands. Boy, did she look good: the mauve bikini top with cutoff jeans, artist at work under a palm tree, very nice if you can get away with it, if you're any good. Artist concentrating, showing the tip of her tongue, touching up, canvas chair where the subject had been sitting, empty. Her weird hair moved, she was looking at him, waiting.
"Well, how're you doing?"
She said, "How am I doing. I went home for a wedding three days ago, you didn't even know I was gone."
"You got married? Here I've been looking all over for you."
"Why, were you horny?"
"Reasonably."
"You don't get reasonably horny, Joe, you are or you aren't."
"I was more than horny, I missed you." He handed her a can of beer, then paused as he was about to sink into the canvas chair, looking at the easel. "That's very good. You know it?"
"Who is it?"
"It's Mrs. Heffel. Don't you know who you're painting?" He was pretty sure it was Mrs. Heffel.
"I know. I didn't think you did."
"Even without the nose shield. You know how I know her? I took her picture. She's got a little girl inside her that shows every once in a while, when she doesn't think people are accusing her of something. You caught the little girl. A glimpse of her." He sat down and popped a beer.
"You think so?"
He handed her the opened beer, took the one Franny was holding and popped it. "I think so. What happened to your hotels?"
"I like hotels okay, but hotels are things. I've decided my interests lie more in people. That's your influence, LaBrava. I look at your work, I want to see what you see."
"You do, you see things."
"I don't know. I see a certain thing in your work because you caught it, there it is. But I don't know if I'd see the same thing before. I don't know if I have the eye."
"You got Mrs. Heffel."
"I've been watching her for a week."
"You've got the eye. The secret is, don't look at everything at once, concentrate on one part at a time."
She said, "Maybe I'm doing it, I'll find out." She sipped her beer and said, "So what've you been up to while I was in New York having the time of my life with my relatives?"
He said, "Not too much. I've been trying to think of a movie I saw a long time ago."