We had been moving, very gradually, and without any attention to our surroundings, to and fro in the beautiful sweet churchyard. Flowers were everywhere, growing, budding, blooming; color and perfume were parts of the very air, and beneath these pretty and ancient tombs, graven with old dates and honorable names, slept the men and women who had given Kings Port her high place is; in our history. I have never, in this country, seen any churchyard comparable to this one; happy, serene dead, to sleep amid such blossoms and consecration! Good taste prevailed here; distinguished men lay beneath memorial stones that came no higher than your waist or shoulder; there was a total absence of obscure grocers reposing under gigantic obelisks; to earn a monument here you must win a battle, or do, at any rate, something more than adulterate sugar and oil. The particular monument by which young John Mayrant and I found ourselves standing, when we reached the point about the ladies and the thorns, had a look of importance and it caught his eye, bringing him back to where we were. Upon his pointing to it, and before we had spoken or I had seen the name, I inquired eagerly: "Not the lieutenant of the Bon Homme Richard?" and then saw that Mayrant was not the name upon it.
My knowledge of his gallant sea-fighting namesake visibly gratified him. "I wish it were," he said; "but I am descended from this man, too. He was a statesman, and some of his brilliant powers were inherited by his children — but they have not come so far down as me. In 1840, his daughter, Miss Beaufain—"
I laid my hand right on his shoulder. "Don't you do it, John Mayrant!" I cried. "Don't you tell me that. Last night I caught myself saying that instead of my prayers."
Well, it killed the minuet dead; he sat flat down on the low stone coping that bordered the path to which we had wandered back — and I sat flat down opposite him. The venerable custodian, passing along a neighboring path, turned his head and stared at our noise.
"Lawd, see those chillun goin' on!" he muttered. "Mas' John, don't you get too scandalous, tellin' strangers 'bout the old famblies."
Mayrant pointed to me. "He's responsible, Daddy Ben. I'm being just as good as gold. Honest injun!"
The custodian marched slowly on his way, shaking his head. "Mas' John he do go on," he repeated. His office was not alone the care and the showing off of the graveyard, but another duty, too, as native and peculiar to the soil as the very cotton and the rice: this loyal servitor cherished the honor of the "old famblies," and chide their young descendants whenever he considered that they needed it.
Mayrant now sat revived after his collapse of mirth, and he addressed me from his gravestone. "Yes, I ought to have foreseen it."
"Foreseen—?" I didn't at once catch the inference.
"All my aunts and cousins have been talking to you."
"Oh, Miss Beaufain and the Earl of Mainridge! Well, but it's quite worth—"
"Knowing by heart!" he broke in with new merriment.
I kept on. "Why not? They tell those things everywhere — where they're so lucky as to possess them! It's a flawless specimen."
"Of 1840 repartee?" He spoke with increasing pauses. "Yes. We do at least possess that. And some wine of about the same date — and even considerably older."
"All the better for age," I exclaimed.
But the blue eyes of Mayrant were far away and full of shadow. "Poor Kings Port," he said very slowly and quietly. Then he looked at me with the steady look and the smile that one sometimes has when giving voice to a sorrowful conviction against which one has tried to struggle. "Poor Kings Port," he affectionately repeated. His hand tapped lightly two or three times upon the gravestone upon which he was seated. "Be honest and say that you think so, too," he demanded, always with his smile.
But how was I to agree aloud with what his silent hand had expressed? Those inaudible taps on the stone spoke clearly enough; they said: "Here lies Kings Port, here lives Kings Port. Outside of this is our true death, on the vacant wharves, in the empty streets. All that we have left is the immortality which these historic names have won." How could I tell him that I thought so, too? Nor was I as sure of it then as he was. And besides, this was a young man whose spirit was almost surely, in suffering; ill fortune both material and of the heart, I seemed to suspect, had made him wounded and bitter in these immediate days; and the very suppression he was exercising hurt him the more deeply. So I replied, honestly, as he had asked: "I hope you are mistaken."
"That's because you haven't been here long enough," he declared.
Over us, gently, from somewhere across the gardens and the walls, came a noiseless water breeze, to which the roses moved and nodded among the tombs. They gave him a fanciful thought. "Look at them! They belong to us, and they know it. They're saying, 'Yes; yes; yes,' all day long. I don't know why on earth I'm talking in this way to you!" he broke off with vivacity. "But you made me laugh so."
VI: In the Churchyard
"Then it was a good laugh, indeed!" I cried heartily.
"Oh, don't let's go back to our fine manners!" he begged comically. "We've satisfied each other that we have them! I feel so lonely; and my aunt just now — well, never mind about that. But you really must excuse us about Miss Beaufain, and all that sort of thing. I see it, because I'm of the new generation, since the war, and — well, I've been to other places, too. But Aunt Eliza, and all of them, you know, can't see it. And I wouldn't have them, either! So I don't ever attempt to explain to them that the world has to go on. They'd say, 'We don't see the necessity!' When slavery stopped, they stopped, you see, just like a clock. Their hand points to 1865—it has never moved a minute since. And some day" — his voice grew suddenly tender—"they'll go, one by one, to join the still older ones. And I shall miss them very much."
For a moment I did not speak, but watched the roses nodding and moving. Then I said: "May I say that I shall miss them, too?"
He looked at me. "Miss our old Kings Port people?" He didn't invite outsiders to do that!
"Don't you see how it is?" I murmured. "It was the same thing once with us."
"The same thing — in the North?" His tone still held me off.
"The same sort of dear old people — I mean charming, peppery, refined, courageous people; in Salem, in Boston, in New York, in every place that has been colonial, and has taken a hand in the game." And, as certain beloved memories of men and women rose in my mind, I continued: "If you knew some of the Boston elder people as I have known them, you would warm with the same admiration that is filling me as I see your people of Kings Port."
"But politics?" the young Southerner slowly suggested.
"Oh, hang slavery! Hang the war!" I exclaimed. "Of course, we had a family quarrel. But we were a family once, and a fine one, too! We knew each other, we visited each other, we wrote letters, sent presents, kept up relations; we, in short, coherently joined hands from one generation to another; the fibres of the sons tingled with the current from their fathers, back and back to the old beginnings, to Plymouth and Roanoke and Rip Van Winkle! It's all gone, all done, all over. You have to be a small, well-knit country for that sort of exquisite personal unitedness. There's nothing united about these States any more, except Standard Oil and discontent. We're no longer a small people living and dying for a great idea; we're a big people living and dying for money. And these ladies of yours — well, they have made me homesick for a national and a social past which I never saw, but which my old people knew. They're like legends, still living, still warm and with us. In their quiet clean-cut faces I seem to see a reflection of the old serene candlelight we all once talked and danced in — sconces, tall mirrors, candles burning inside glass globes to keep them from the moths and the draft that, of a warm evening, blew in through handsome mahogany doors; the good bright silver; the portraits by Copley and Gilbert Stuart; a young girl at a square piano, singing Moore's melodies — and Mr. Pinckney or Commodore Perry, perhaps, dropping in for a hot supper!"