The dream had become trivial and stiflingly repetitious after that. He had seemed to be in a wide, airless, natural underground pool, trying to find a well up which he could swim to the surface, and there were a lot of wells, but every time he made his way kicking and paddling and bubbling up to the surface of one of them, he found that he was in someone's house—a cigarette would be trailing smoke from an ashtray, or fresh clothes would be draped over a chair and the shower would be running—and, alarmed at the thought of being caught in someone else's place, he had, over and over again, submerged himself and let the air out of his lungs and kicked back down into the darkness of the common pool that underlay all the individual wells. Eventually the hopeless repetition had left him awake, staring up at the white plastic smoke-alarm on the flocked motel ceiling.
The last dream house had been the one where the lance head and the cup lay in a pool of color-stained sunlight on green felt. Without even needing to touch them, he had known that they weren't really there, didn't belong there, and were there even in this illusory form only because there was not, today, any place where they belonged.
Now Crane looked at the digital clock on the bedside table. 2:38 P.M. And there was a note on the table, held down against the air conditioner breeze by a Coors can.
He and Ozzie and Mavranos had checked into this motel at about six-thirty this morning, he recalled now. It was a little ten-unit place somewhere out past the Gold Coast on the wrong side of I-15, he remembered, and a "credit card imprint" had been necessary to get a room. Crane had two Visas in his wallet, one for Scott Crane and one for Susan Iverson-Crane, and Ozzie had made him use Susan's, to avoid being traced by anyone looking up the name Crane, Scott.
Crane and Mavranos had let the old man have the bed, and had dragged in a couple of sleeping bags from the Suburban for themselves.
Crane wriggled out of his sleeping bag now and stood up, wincing at the hot pain in his bandaged leg.
Something was wrong. What?
He tried to remember all the events of the last forty-eight hours. Gardena, he thought, and Baker, with that weird kid who played Go Fish, and the beer I sneaked in the car … Whiskey Pete's, and the beer and bourbon I got on the way to the men's room … that pickup truck, the man with the hair and the voice, and his friend Max with the gun … the streets around the downtown area, and a dozen goddamn grocery stores, not one of which employed anyone named Diana …
None of it was particularly reassuring, but neither did any of it seem to call for the degree of dread that was speeding his heartbeat and chilling his face. He felt as though he had overlooked something, failed to think of something, and now someone who had depended on him was … frightened, alone with bad people, being hurt.
Caused by me.
He picked up the note. It was in ball-point ink on a piece of a grocery bag.
Archy and I have gone to check out a casino or two, it read. Seemed like you could use more sleep. Be back around four.—Oz.
Crane looked at the telephone, and after a moment he realized that his open hand was hovering over the instrument. What is it? he asked himself uneasily. Do you want to call somebody, or are you waiting for a call?
His mouth was dry, and his heart was pounding.
Outside, a white Porsche pulled into the motel parking lot.
Al Funo stepped out of the car and stared around quizzically at the row of windows and doors, each door a different bright color. Poor old Crane, he thought. This is where he stays when he's in Vegas?
He tucked his sunglasses up into his styled sandy-colored hair as he walked across the lot toward the office. He knew he was going to have to approach Crane a bit more carefully this time. The bullet through the windshield, or something, had apparently spooked him into some elementary caution, and if Funo hadn't gone to the extra trouble of using a jewelery store's ID number to get the details of Crane's credit file from TRW, he'd never have learned about the Iverson-Crane Visa card.
Bells on strings clanged as he pushed open the office door and stepped into the air-conditioned dimness. The floor was shiny green linoleum, and aside from a standing rack of pamphlets and coupon books for tourists, a green vinyl couch was the only furniture.
Just not any class at all, Funo thought sadly.
When a white-haired woman appeared from the little office in the back, he smiled at her with genuine affection. "Hi, I'd like a room, please—probably just for one night."
As he was filling out the form she handed him, he said, "A friend of mine is supposed to be staying here, too—Crane, Scott Crane? We had to drive out separate; I couldn't get the extra day off work."
"Sure," said the old woman. "Crane. Fortyish guy, with two buddies, one with a mustache and the other real old. They're in six, but they just a little bit ago drove off."
"In his red pickup?"
"No, it was a big blue thing, like a cross between a station wagon and a Jeep." She yawned. "I could put you next to them, in five or seven."
"Hey, that'd be great, thanks. Heh-heh, listen, don't tell them I'm here, okay? I want to surprise them."
She shrugged.
Funo gave her his MasterCard rather than his American Express because he knew she would call it in; that's how he had found Crane after all. This was becoming expensive, in both money spent and work time lost. He wondered if there was some way to make it pay, to get it out of the category of auto-assignment. He thought about the gray Jag, and the telephone number that he had got with the registration data on the Jag's Nevada license plate number. That fat man driving it had been after something. And he had seemed to have money—but what did he want?
When Funo signed the draft, he noticed the date: 4/1/90. April Fool's Day.
It upset him. It seemed to mock what he was doing, make him seem insignificant.
He gazed at the old woman until she looked up, and then he gave her a wink and his best boyish smile.
She just stared at him, as if he were a stain on the wall, a stain that might resemble a person if you squinted at it in a certain way.
He was glad he had already signed the voucher, for his hands were trembling now.
Mavranos drove out of the multilevel parking structure behind the Flamingo and steered the big Suburban along the broad driveway, past the taxi stand and the loading zone toward the Strip. He took it slow over the wide speed bumps, but still the car rattled as it crested the lines of raised asphalt, and the ice shook and swashed in the ice chest. The Strip was clear either way for a hundred yards when he got to the street, and he made his left turn as easily as he would have in some quiet Midwest suburb.
"What are the odds of that?" he asked Ozzie, forcing himself to squint intently and not smile. "Making a left so easy in front of the Flamingo?"
"Christ," wailed the old man, "you're looking for big statistical waves, okay? If you start watching for, I don't know, numbers on license plates, or two fat ladies wearing the same flowered shorts, you're—"
Mavranos laughed. "I'm kidding you, Oz! But I swear a couple of things back there signified."
They had watched a Craps table at the Flamingo for a while, had walked across the street to listen for patterns in the ringing and clattering of the slots at Caesars Palace, and then had written down a hundred consecutive numbers that came up on a Roulette wheel at the Mirage. Twice, once crossing the street west and once east, Mavranos had simultaneously heard a car horn honk and a dog bark and had looked up to catch hard sun glare off a windshield, so that for half a minute afterward he'd seen a dark red ball everywhere he looked, and at Caesars, three different strangers had whispered, "Seven," as they shouldered past him. He had eagerly asked Ozzie if he thought these coincidences might mean anything, and the old man had dismissed them all impatiently.