Then she hurried into the bedroom, looped a wire coat hanger around her wrist, and hauled out the briefcase. The bundles of cash she stuffed into her purse, and the Baggie of cocaine she emptied into the toilet, which she patiently flushed three times.
The toilet tank was hissingly refilling when she carried the empty briefcase out onto the walkway and locked the door behind her.
The Dodge was still parked in the Marie Calender's lot. She was glad Funo wasn't a man to rush through breakfast.
Now, she thought after she had paid the cab, you've got to work on sheer nerve for a few minutes.
Forcing herself not to hurry, she strolled over to Funo's car, pulling the coat hanger off her wrist and untwisting the double helix of its neck. She straightened it out and bent the loop into a sharper angle, and when she got to the car, she worked the loop in between the driver's side window and the window frame.
Her hands were shaking, but on the other side of the glass the loop was steady, and she managed on the first try to get it around the knob of the interior door lock button. She pulled upward, and the button came up with a muffled clank.
She looked around nervously, but no one was watching her, and Funo was not leaving the restaurant yet.
She opened the door and slid the emptied briefcase under the seat.
After she had relocked the door, she stepped around to the front of the car and popped the hood release. The hood squeaked when she raised it, but she made herself reach out calmly to the oil filler cap on the manifold of the slant-six engine and twist it off. Then she dug a handful of change out of her purse and tipped it all into the filler hole, hearing the dimes and quarters and pennies clatter among the valve springs within.
A moment later she had replaced the filler cap and lowered the hood and was walking away across the parking lot, breathing more easily as each step took her further away from the doomed man's car.
She had saved a quarter with which to call another cab.
CHAPTER 34: Ray-Joe Active
The ducks in the pond turned out to like cheese even more than they had liked the bread, and soon the entirety of Nardie Dinh's meager lunch had gone into the pond.
She sat back in the shade of a cottonwood tree and looked past the duck pond, across the grassy hills of the park toward the office building where she worked during the day. Soon her lunch hour would be over, and she'd be walking back there, without having eaten anything.
Again.
She hadn't eaten anything at all since a salad early Wednesday evening, nearly forty-eight hours ago, just before going to rescue Scott Crane from Neal Obstadt's assassins.
And of course she hadn't slept—except, briefly, twice during this last week—since the beginning of the year.
She had celebrated Tet in Las Vegas, among the clang and honk and neon of the Fremont Street and Strip casinos, instead of the flower markets and firecrackers and tea-and-candied-fruit booths of remembered Hanoi, and the festive people all around her had been in cars rather than on bicycles, but in both places there had been the same sense of festivity in the shadow of disaster. Sunk into the sidewalks of Hanoi, every forty feet, had been little round air-raid shelters to climb into when the American planes were thirty kilometers away and alarm two sounded, and in Las Vegas she had her amphetamines to gulp whenever her wakefulness-spells began to weaken.
She was fasting just because the sight of any food, and particularly the prospect of putting it into her mouth and chewing it up and swallowing it and assimilating it, now revolted her; it wasn't a consciously adopted measure, as the wakefulness was; but she was uncomfortably aware of a mythological parallel. In an English translation of the thirteenth-century French Morte Artu, the Maid of Astolat, who became the Lady of Shalott in the Tennyson poem, offers herself to Lancelot and then, when he refuses her, kills herself by refusing to eat or sleep. Her body is put in a barge and rowed down the Thames.
On Wednesday night she had offered herself to Scott Crane, and they had more or less refused each other. Could this involuntary starvation be a consequence of that?
With a sudden splashing and clatter of wings, the ducks all took to the air. Startled, she looked up at them in alarm to see which way they would fly, but they just scattered away into the empty blue sky in all directions, and in a few seconds she was alone beside the choppy water.
She stood up lithely. He's here, she thought, realizing that her heart was pounding and her mouth was dry. Ray-Joe Pogue is here somewhere. He found me, way out here in Henderson.
Her gaze darted around the green hills visible from where she stood, but there was no one in sight.
I should run, she thought, but in which direction? And if he sees me, he'll be able to outrun me, weakened as I am from hunger.
I should run, I should run, I should run! I'm wasting seconds!
The sky seemed to be bulging down at her, and she was afraid that just the sight of her half brother—tall and slim and pale, dressed like Elvis Presley, another King who was not allowed to be dead, striding over the crest of one of these hills—would rob her of the ability even to move at all.
Her back was against the rough bark of the cottonwood tree, and abruptly she turned around and hugged it—she had not realized that she meant to climb it until she found that she had shinnied several yards up the gray trunk, probably ruining her wool jacket and skirt.
The tree's foliage was a dense mass of round yellow-green leaves, and she hoped that if she could get up onto one of the nearly vertical branches, she would be hidden. Hot, fast breath abraded her throat, and rainbow sparkles swam in her vision, but she didn't faint, though she was afraid that even picturing any face card right now would land her back on the grass, unconscious and ready for him.
She got her scraped hands into the crotch of the lowest branch, and then she swung a leg up, tearing out the seam of her skirt, and got her ankle in beside her left hand, and with an effort that wrung a groan out of her she pulled herself up into the tight saddle. She didn't rest until she had stood up and braced her back against the trunk and her feet high up against the branch, and then she held still and worked savagely on slowing her harsh panting.
At last, though she still had to breathe through her mouth, she was breathing silently. She could hear the whisper of traffic on McEvoy Street, sounding to her now like nothing so much as suitcases dragging around the coping of a luggage carousel at an airport, and the leaves that surrounded her rattled faintly like a lot of very distant castanets. Through a wedge of space between the leaves she could see the yellow square of a Kraft Slice rocking gently on the surface of the pond.
She tried to believe that she had been mistaken, that he wasn't here, but she couldn't. And when she heard feet swishing through the long green grass, she only closed her eyes for a moment.
"Bernardette," he said softly below her, and she had to bite her lip to keep from answering, from shouting at him the way a child in a hide-and-seek game might yell to end the terrible suspense when It was so close.
"No ham," he said now. His words had been clear, she hadn't misunderstood him, but the nonsensical statement made her want even more strongly than before to cry out. Surely he knew where she was hiding, and was only torturing her!
"Cheese," he said. "And bread. That's good, you're still staying away from the meat, that's my girl. Still hanging in there as Mrs. Porter's daughter."
Nardie remembered Ray-Joe telling her once about a very old song that still survived today—though in the current version "Persephone" had been phonetically debased to "Mrs. Porter."