Absurd, I said. But true, said she. By six everyone had arrived: Mensch (who’s to get the honorary doctorate declined by Cook), Jeannine and Prinz and the movie crowd, Drew and Yvonne, and, for filling and spacing, some Mack Enterprises folk and a few foundation trustees. A ship of fools, Drew declared, and disembarked early: yet he said it mildly, and when Polly asked him whether he’d expected me to invite a delegation of his friends to blow up the boat, he kissed her cheek and said one never knew. Later I heard her asking Prinz whether he’d ever dabbled in still photography — couldn’t catch his answer, if there was one — and later yet I saw her at the bar, deep in conversation with Jeannine, no doubt asking what her plans were regarding her father’s will. Finally, to my surprise, she went about the boat looking at her watch and declaring her astonishment that it was seven o’clock already. Most took the hint. The movie folk had another party to go to anyhow, at Robert Mitchum’s spread across the river; Germaine and Ambrose, too, plainly had other irons in the fire. The Mack Enterprises and T.F. people remembered their several dinner plans; not a few invited Jane, who however declined, and/or their host, ditto, and/or Polly, who responded to some one or another of them that she’d be pleased to join them shortly, as soon as the party was tidied up.
An odd thing had happened, Dad. From the moment that Lincoln appeared on Long Wharf and Jane issued forth in a handsome white pants suit, blue blouse, and red scarf, I was, as the kids say nowadays, “spaced.” I’d been truly curious to hear what Germaine had to say about Cook’s declining that degree; I wanted to try to talk to Drew about the demonstrations at Marshyhope and Abe Fortas’s resignation from the Supreme Court, as well as about Harrison’s will, and to Jeannine about the progress of the film. But I had the feeling, unfamiliar since 1917 or thereabouts, that if I opened my mouth something outrageous would come out. After that initial tour of the boat with Germaine, I scarcely moved from the afterdeck, merely greeting guests, seeing to their drinks, and smiling sappily, while that white pants suit and its tanned inhabitant moved ever before my eyes. Ah, Polly, Polly: yes, I am, and passing odd it is to be, daft in love in my seventieth year!
Again like an old-fashioned teenager, I’d scarcely talked to Jane all evening, only hovered on her margins as she chatted with all hands back by the taffrail. Now that everyone was gone but her and Polly, I busied myself settling up with the help, excited that Jane had lingered behind, wondering why, still almost afraid to speak, wishing Polly would leave, half hoping she wouldn’t. Jane’s chauffeur came expectantly pierwards. It was still only seven-thirty. Now the three of us were together on the afterdeck with our last gin and tonics, and it occurred to me that Polly had walked down from the office; I owed her a lift home.
Could we go sailing? Jane suddenly asks. What a good idea! cries dear Polly, utterly unsurprised. We’ve no crew, says I, rattled. Jane guesses merrily she hasn’t forgotten how to saiclass="underline" don’t I remember their old knockabout from Todds Point days, that we used to sail out to Sharps Island in? You’re hardly dressed for sailing, I point out. Listen to the man, tisks Polly; the best-dressed skipper on Chesapeake Bay. I don’t believe he wants to take us sailing, pouts Jane. Never mind us, says Polly airily: I’ve got me a dinner date, and if you don’t mind I’ll borrow your chauffeur to take me there; it’ll knock their eyes out. She was welcome to him, Jane told her — unless I really was going to refuse to take her sailing. Jane, I said (seriously now), there’s hardly a breath blowing. Very brightly she replies, Maybe something will spring up as the sun goes down. She goes so far as to take my elbow: If not, we can drift on the tide, like the Floating Opera.
Dear Father: Flustered as I was, I heard her correctly. She did not say Floating Theatre; she said Floating Opera. And thus ends this long recitative and begins the wondrous aria, the miraculous duet.
But you are wondering about Polly. Polly Lake is no martyr, Dad: no long-adoring, self-effacing secretary. Polly’s her own woman, ten years a widow and no yen to remarry, having nursed a husband she was fond of through a long and ugly terminal illness. Polly has grown-up children and grandchildren who love her, plenty of friends of both sexes, good health and a good job, more hobbies and interests than she can find time for, and at least one other casual lover besides me, who’d love her less casually if she’d permit him to. Polly Lake is mildly abashed that her romantic life is more various and agreeable since menopause and widowhood than it was before. Sex itself she neither over- nor underrates: male companionship without it she finds a bit of a bore. Even when she’s not feeling particularly horny herself, she prefers her male friends to feel a bit that way. The only woman I ever met who finds cigar smoke erotically arousing. So don’t worry about her. Good night, Poll.
As for your son. Still wondering what on earth is up with Ms. Oblivious, he motors the O.J. from its slip and out of the basin, Jane having neatly cast off the dock lines. She then takes the wheel and heads for the channel buoys, nattering on about bare-boat chartering in the Aegean, while he goes forward to winch up sails. There is a tiny southerly breeze in midriver, just enough to move old Osborn on a beam reach down from the bridge toward Hambrooks Bar Light. Gorgeous as such sailing is, though, Jane declares — the spanking meltemia of the Cyclades; the crystal-clear Caribbean, through which you can see your anchor plainly in five fathoms; salty Maine, where you can’t see your bow-pulpit in the fog — give her the snug and easy, memory-drenched Eastern Shore: cattails and mallards, loblolly pines and white oaks, oysters and blue crabs, shoal-draft sailing, the whole tidewater scene.
Except in July and August, I amended, when I would happily swap it for Salty Maine etc.; also January through March, when give me that crystalline Caribbean instead of the—memory-drenched, I believe she’d called it? With the motor off, sails (just barely) filled, and water rustling lightly now along the hull, my spirit calmed: I was able to begin to savor my unexpected good fortune, while still wondering what accounted for it. Jane, Jane.
She turned the wheel over to me, took her ease on the cockpit seat, and named off in order the points between us and Chesapeake Bay — Horn, Castle Haven, Todds, and Cook on the south shore going out; Blackwalnut, Nelson, Benoni, Bachelor, Chlora, Martin, and Howell on the north shore coming back. She guessed she and Harrison had anchored in every one of the creeks and coves between those points, and run aground on every shoal, when they’d first cruised the Choptank back in the early thirties. And before that, before she’d even met Harrison, back in her “Scott Fitzgerald” days, she’d done the regatta circuit from Gibson Island right around the Bay, bringing in the silverware with her Thistle at a time when few women raced sailboats. Let her son think what he pleased, she was glad the rich had bought up all the waterfront property in large holdings before the general prosperity after World War II; otherwise it would be subdivided by now into tacky little hundred-foot frontages, each with its dock and its outboard runabout — her own master plan for Dorset Heights! As it was, she could see on the aerial photos made by her real estate people that many of those coves were as unspoiled now as they’d been when she and Harrison first anchored in them in 1932—indeed, as when the Ark and the Dove reached Maryland in 1632.