Thus she explained Harrison’s old quarrel with Drew Mack, not with any ill will toward the boy (she’s a decent sort, Lady A.; even Jane still admires her; no malice in her that I can see toward anyone but Schott & Co., who deserve it), but to keep Harrison from reasoning himself into your country before his time. In the same vein, with a kind of dark understanding between them that I can only half follow myself (and half is too much by half on this subject), she’d remind him that the Revolution itself was still some years to come: 1968 could well be 1768, and himself in the prime of his career! But Harrison would answer with a rueful smile that he was not so easily gulled, even by those dear to him: she knew as well as he that the “revolution to come” would be not the First but the Second, and that its direction was neither in his hands, who had lost America in 1776, nor in his “self-styled son’s,” who had nearly lost Canada in 1812, but in hands more powerful and adroit than either’s.
With uneasy glances at me — how many of these history lessons, so tender and so serious, yet so lunatic, I audited! — Lady A. could rejoin only that Harrison was forsaking fact for speculation: if he put off dying until the commencement of that “Second Revolution,” he had at least a hundred fifty years to live.
“Not years, dear Liza,” the king would say — or “Germaine” if he was calling himself “Harrison” at the moment. “You and Todd will bury me next Groundhog’s Day.”
And we did. I daresay it took some enterprise in the inner sanctums of Harrison Mack’s incorporated psyche to bring about his first stroke in mid-January and hold off the second till the month’s end. The first fetched Jane home from her adventures and left her husband blind (“Why not 1813 and seven years to go?” I asked Lady A., having checked the history books on G. III’s blindness. But she declared, in tears, he was another king now, old broken Lear, and she no longer “Elizabeth Pembroke” but a superannuate Cordelia). The second stroke killed him. On your deathday — which Harrison still remembered as the cause of my endless Inquiry, my presence in this hotel, my old Floating Opera story, these epistles to the dead-letter file in the Cambridge P.O., the whole bearing of my life — we put him under in their family plot at Tidewater Farms.
It’s a plot of which “Farmer George” (so G. III and H.M. II liked to call themselves) is the sole identified tenant: long before there was a Maryland it had been an Algonquin burial ground; from George I the First to George III the Second, that aboriginal fertilizer had nourished crop after crop for English and American planters: tobacco, cotton, corn, tomatoes. Harrison acquired it (and the rest of Redmans Neck) from old Colonel Morton in 1955, when Mack Enterprises picked up Morton’s Marvelous Tomatoes. The burial ground he reclaimed for its original crop; the other 1,999 acres he put into soybeans, stables, mansion-houses, the Mack Enterprises Research and Development Facility, the Tidewater Foundation, and Tidewater Technical College. This reclamation, or recycling, was more or less the theme of my eulogy, which I delivered at Jane’s request. Harrison—my Harrison, back when Jane was our Jane (Spanish Civil War days, Roosevelt days, sweet days of last night’s dream, that Depressioned you to death and brought me to life!) — Harrison would’ve got a kick out of it. My text was the motto of Marshyhope State University College: Praeteritas futuras fecundant, which the Undergraduate Bulletin approximates as “The future is enriched by the past.” As befits a good agribusiness school, Tidewater Tech (on which we first bestowed the motto) used to misrender it “The past is the seedbed of the future.” But we knew what we meant, Harrison and I: not fecundant even in the sense of “fertilizes,” but stercorant: The past manures the future.
I’d proposed it as the Mack family motto in 1935—Floating Theatre days! — when we learned that Harrison’s father, in his last years, had caused his poop to be preserved in pickle jars. In ’37, when we used those jars (I mean the gardener’s misuse of them as fertilizer for Mrs. Mack’s zinnias) to win Harrison the family estate, I proposed it again, in English, to Jane — but the Macks had tired by then of our ménage à trois and were beginning to lose their sense of humor. Imagine my surprise, as they say, in 1957 or thereabouts (Eisenhower days! Middle middle age!), when they and I resumed our acquaintance and I learned (a) that Mack Pickles, now known as Mack Enterprises, was diversifying into soya-oil plastics, chemical fertilizers, artificial preservatives, and frozen-food plants; (b) that Jane herself was more and more the guiding force of the company; and (c) that as Harrison willingly gave way to her and to his new eccentricities, his old sense of humor began to return, and Praeteritas futuras stercorant (soberly given by their P.R. people as “The future grows out of the past”) was the corporation motto! Above it, on letterhead, label, and billboard, an elderly gentleman in muttonchop whiskers, pince-nez spectacles, and Edwardian greatcoat, standing in a newly furrowed field amid a horse-drawn plow, a three-masted ship, and a single-stacked factory, shook hands across the generations with a horn-rimmed, crew-cut, gratefully grinning young man (not futuras after all, but the praesentis of the 1950’s) waist-deep in soybeans, diesel tractors, propellor-engined airliners, and half a dozen smoking stacks.
Even in his next-to-last year, when Jane vetoed the effluent-purifiers and electrostatic precipitators urged upon Mack Enterprises by the new environmentalists, Harrison was capable of sighing slyly, “The past craps up the future.” And so my eulogy turned Ecclesiastes into a prophet of industrial recycling and rebirth control, as who should say to scrap metal, “Out of Buicks art thou come; to Buicks thou shalt return”; or compare my friend’s body in the Indian graveyard to those fish (I worked in the resurrected Christ somewhere along here) that Squanto taught the Pilgrim fathers to plant with their corn.
Praeteritas futuras fecundant: The king is dead; long live the king!
Lady Amherst, a better Latinist than I, detected the irony, but took it as it was intended and without offense. Her new friend Ambrose Mensch was all grins; but people regard him as an oddball anyhow. The widow was moved, not indecorously, and thanked me afterward, with no detectable irony of her own, for “a lovely tribute to the Harrison we both loved so.” The rest of the company either took my words at face value or paid them no attention. Drew Mack was there, stony-faced, with his handsome wife, Yvonne, both in dark dashikis for the occasion. His sister — now Jeannine Patterson Mack Singer Bernstein Golden, by my count; “Bea Golden” on last summer’s programs of The Original Floating Theatre II—was supported in her grief and gin (so the recipe smelt to me, flavored with latakia and too much of something by Givenchy) by the remarkable “Reggie Prinz”: his Jewish Afro more formidable than Yvonne Mack’s Afro Afro, his wire-rimmed eyeglasses harking back to Old Man Praeteritas in the picture, his hands (despite himself, I trust) framing hypothetical cinema-shots of ourselves, the house, the grave, nearby Marshyhope Creek and College. Of him, no doubt, more later. Who else? The ubiquitous but elusive Laureate of Maryland, A. B. Cook, read off a poem for the occasion, the closing alexandrines of which—
This marshy Indian Plot where sleeping Mack’s interr’d
Shall grow the royal Tow’r his Dreams on us conferr’d—
brought stifled groans from Lady A. and young Mensch and pursed the lips of Cook’s even more elusive son, introduced to me later as Henry Burlingame VII. John Schott, however, was moved to single-handed applause, as it were, and triumphant red-faced glare. As for Jerome Bray, the final graveside guest — a madder chap in my estimation than poor Harrison at his dottiest, and whose presence there no one could account for — his face was impassive as a visitor’s from another country, or planet.