All wrong, said she. High as a kite and low as whaleshit, Toddy-O. Crashing! Got to talk to you.
We talked. The guru of her establishment, I learned, was dead — accidentally drowned a month since while fishing on Lake Erie — and Jeannine feared the institution was disintegrating even faster than herself. She confirmed what I had gathered from other sources: that poor Joe Morgan, late of Marshyhope, was there. Further, that he was no longer a patient but some sort of clinical counselor, to whose unlicensed ministrations she had turned in lieu of her deceased doctor’s. Further yet, that she had never needed help so sorely as now, when her Last Hope to Make It, Reggie Prinz, had dumped her. Did I understand? She was out of the movie! Prinz was shacked up in New York City with her own ex-stepdaughter, Mel Bernstein’s kid, and wasn’t that incest or something? But the main thing was, even Joe Morgan (We call him Saint Joe up here, Toddy, he’s such a fucking saint; I mean literally a fucking saint, ha ha; we’ve got a little thing going ourselves, or did have; part of my prescription) was pissed at her now, ’cause his wife didn’t used to drink, if I knew what she meant, and it looked like she’d worn out her welcome up there even though it was her dad’s money that paid the effing rent. But the main thing was, to hell with telephones: she needed a place to crash and a trusty shoulder to cry on and maybe a little fatherly advice, and she’d always thought of me as being as much her father as her father was, ha ha, and if she could make it to a plane could she come down like right away for a couple of days? At least we could talk about her dad’s estate, and like that.
She paused. Then asked startlingly, over my pause: Mom isn’t with you, is she?
Your mother’s off with your new stepparent-to-be, I reported, glad of the extra moment to consider. A sire I may be, Dad, but I am no parent. My possible daughter is a fairly hopeless mid-thirtyish drunk, once uncommonly attractive to the eye but never long on character, judgment, intelligence, or talent: a woman whose girlhood I recall with some affection but in whom my interest steadily declined from her puberty on. Her brother, her parents, most of her husbands, her current (unlicensed) therapist, even her fickle lover and her ex-stepdaughter (whom you recall I bailed out along with Drew Mack’s “pink-necks” on Commencement Day) — all in my opinion have more at their center than does poor rich Jeannine. What’s more, damn it, Osborn Jones and I are about to drop our moorings, and I’ve plenty to do between now and then!
On the other hand, she is Jeannine: companion at three years old of my original tour of the Original Floating Theatre on June 21 or 22, 1937. Quite possibly bone of my bone et cetera, and if so the last of our not very impressive line. Moreover, since our Author saw fit to place this call just as I was in mid-rumination about the Mack estate, there was plainly a Buzzard circling here.
I volunteered to fly to her: have a look at that farm, a word with Morgan, a chat with her — and bid her bye-bye when I was ready. But no, no, she had to get out of there; no privacy anyhow from the feebs and loonies. She needed (weeping now) to see me alone. She was feeling… well… suicidal.
I regarded the shell pile. Hell, I said, so am I, honey. Come on down; we’ll discuss ways and means.
Good-bye concentration. She is to call back when she’s made her reservations, so that I can haul over to Baltimore and meet her flight.
She hasn’t called. Ms. Pond reports unsympathetically, after phoning back, that officials of the Fort Erie Remobilization Farm report that Ms. Golden has left the premises without authorization or proper notification of her intentions. They will appreciate a call from her, at least, if she shows up here. Now, Ms. Pond knows that “Bea Golden” (up there she’s known as “Bibi”) is Jeannine Mack; she seems not to know further that we may be father and daughter, for it was her aspersive insinuation, as she left for the weekend, that I had given dear Polly so cold a shoulder because I was Otherwise Engaged! Her exact words: I thought it was a single-handed cruise, not a singles cruise.
Really! Five-thirty now, and no word from Jeannine, who may well be passed out in the Buffalo, or for that matter the Baltimore, airport. No response to my periodic pages at both terminals, and the airlines won’t divulge their passenger lists. There are two more nonstops this evening, also several connecting flights through Pittsburgh. I’ve a dozen things to do at the cottage before I can set sail! Not to mention before I can receive a weekend houseguest. Stupid of me not to have specified clearer arrangements…
Damn it, Author, this improvisation is wearing thin! Must I cue you, like an actor his tardy sound-effects man, who are supposed to cue me?
Just then, as if on cue, the telephone rang.
Ahem, sir: JUST THEN, AS IF ON CUE
Attaboy. ’Bye, Dad.
T.
N: Todd Andrews to the Author. A series of 21’s and an intention to bequeath.
Skipjack Osborn Jones
Slip #2, Municipal Harbor
Cambridge, Maryland 21613
Friday, August 29, 1969
Sir:
Numbed by a certain letter, I am moved to this letter by a certain number.
21 Fridays ago, in early March, I declined “for the present, at least,” your request to “use” me in a projected new fiction. More specifically, I believe I promised to consider your strange proposal over Easter and let you know if further reflection should change my mind. You’ve heard no more from me since, because until today I gave the matter no more thought. It has been an eventful season.
21 days ago, on August 8, I was to have boarded Osborn Jones at Todds Point for a final cruise of my favorite Chesapeake anchorages — which number, as it happens, just about three weeks’ worth. O.J. & I got off a day late, and our itinerary suffered two major diversions, with the result that certain snug and splendid coves I shall not get to say goodbye to. Even so, we traversed a considerable stretch of tidewater, and just this morning — Day 21 in O.J.‘s log — we rearrived at Slip #2 to check in at the office and collect the mail. Tomorrow we shall move down to our starting place and complete the circuit.
21 hours ago, more or less, at our final overnight anchorage (Sawmill Cove, off Trappe Creek, off Choptank River, one of my favorites of my favorites), I began drafting the ultimate and newsiest installment of my ancient Letter to My Father, to bring him up to date on the 21 days since I’d written him last. But after an hour’s scribbling I put it by: there seemed at once too much to tell and too much of consequence not yet tellable — at least till I should get home, check in at the office, and review my mail.
For symmetry’s sake I should like to say that 21 minutes ago, in that office, I opened among that accumulated mail a letter-bomb, and was mortally injured thereby. But in fact that noiseless, flashless, unshrapneled blast went off three hours back, in mid-muggy afternoon — since when I’ve closed up shop till after Labor Day, walked back down High Street to the boat basin, and sat under O.J.‘s awning, fairly stunned by the concussion of that letter (a simple wedding announcement from my longtime secretary Polly Lake, with a note on the back in her familiar hand).
The wound is fatal, but not instantly: another 21 days or so ought to do the trick; I had been dying already. Meanwhile my head has cleared enough for me to get on with the business of putting my affairs in order. Hence this letter, to report to you that — as on your Floating Opera in 1937—I have changed my mind. A codicil to my will will bequeath to you my literary remains: i.e. (as I mean to destroy all other personal papers), my Letter to My Father, of which you may make whatever use you wish, and certain letters from other characters in the little drama of my life’s recycling.