And during all this, through all the bank notes and bewilderment, Paul had learned to read and write and reason, and above all to use his will. He had even willed Libby Herz herself into a seriousness she had not possessed when he had first met her. So complete a job had he done, in fact, that it had been she who had first suggested marriage. Though it was none of Asher’s business, it was nevertheless so. How could she go back to the other boys after Paul?
His own decision was not, however, out of anything so simple, so unemotional, as obligation. If there was a sense of obligation it was to himself; he would unite with her not to make Libby a better woman, but to make himself a better man. He would place a constant demand upon his spirit, solidify his finest intentions by keeping beside him this mixture of frailty, gravity, spontaneity, and passion. He would serve another with the same sense of worthiness he served himself. Surely that was love, where duty and passion (and lust too, to swallow Asher’s argument) mingled.
“Paulie, I have to leave,” said Asher. “First let me go to the toilet.” In a few minutes he came out of the men’s room wiping his hands on his coat. “Look, how about you come back with me? I want Patricia Ann and you to meet. She’ll make some tea. I won’t say anything more. You’re too smart for me to flood you with my personal philosophy. Just come back for an hour or two. I’m past fifty, nearing the end. Every emotion you’ve felt, multiply it by a thousand and that’s how often I felt it. It gives me a little edge, don’t it, Paulie? Till forty you think you’ve got bad emotions, you know, real killers — and then you find out they’re only little flowers compared with what’s coming. I’m not going to bombard you with any more wisdom of the aged. I only say you shouldn’t consider yourself a special case. Look at the hag next to you — her mistakes,” he said, not lowering his voice, “crawling over her like bugs. I’m not selling you my life, Paulie. Just maybe you should wait.”
Asher paid for the both of them on the bus they took downtown. He dropped thirty pennies into the driver’s hand. “What’s your problem, buddy, a wise guy?” the driver said. “Pennies are money,” Asher said. “Shut your ass and drive.” He seemed in a very depressed state.
After Asher’s mother had died, her son had taken all of her potted plants to live with him in Manhattan. For the two years she was ill he had gone over to Brooklyn every other day to water them; the old lady claimed that the day nurse was an anti-Semite and would either drown her plants, or leave them to dry up and crack. Some of them were now higher than Asher himself, and the pots, spread around three of his walls, weighed up to seventy-five pounds. What furniture there was in the room was beyond description. Before a row of tall windows at the front of the studio stood Asher’s easel, and outside was the El. They had walked up to the building past a row of bars, all of them full of bums.
When Paul and his uncle entered the room, Patricia Ann was wiping the leaves of the plants with an old piece of her lover’s undershorts; she immediately stuffed the dustrag under a pillow on the sofa.
“It’s all right,” Asher told her. “Patricia Ann Keller — my nephew, Paul Herz.”
She shook Paul’s hand. “I never think of Asher having relatives. What do you call him? Uncle Asher?” The laugh this produced in her seemed to have directly to do with her very small bones — as though a wind had blown through them. She was not really very much taller or heavier than Libby. Her gold ballet slippers had an inward, tomboyish turn, and her skirt and sweater left no doubt as to how high and how round were her various parts. Where run-of-the-mill people have the small of their back, she carried a little cannonball of a behind. Her breasts too, packed up nearly on a line with her shoulders, had the suggestion of small metallic spheres. Her face was a not very arresting, meager thing, pretty on the style of high school baton twirlers: the mouth a bow, the chin a point, the eyes blue beads, the nose hardly big enough to support its freckles. Her hair fell onto her shoulders in ringlets, naturally curly.
Asher ran a finger over a philodendron leaf and then dropped into a ratty leather club chair, where he proceeded to kick off his shoes. He dropped his glasses into his left shoe and rolled his thumb and forefinger deep into his closed eyes. His mouth was open and Paul could see his tongue. “Make a little tea, dearie,” he said, very weary.
What a sloppy man, thought Paul. What an unattractive played-out old lecher. How many dearies over the years had dusted his leaves, carried him his tea? Why did they come, what enticed them — the greenery? When they left on Wednesday evenings, what feelings washed up from Asher’s chest into his throat and mouth?
Patricia Ann brought Paul his cup. “You go to college?”
“Yes,” he said.
“I have a stepbrother—Virgil,” she called over to Asher. Then to Paul, “Virgil Cooper — he used to play basketball for City.”
“Yes?”
“Yeah, but that’s about ten years ago already. Even more.” She carried a cup to Asher. He directed her to put it at his feet and leave him be. “You have a headache, Puss?” she asked him.
“Uh-uh.”
“The plants really got all dusty,” she told him.
“Okay.”
“It’s from the windows being open,” she said to Paul.
“I gotta breathe,” Asher said, more sleepy than rude, and the girl left his side.
A long silence followed.
“Excuse me for being informal.” She pointed to her slippers. “It’s for comfort around the house.” She sat down on a stool beside Asher’s easel and lifted a pair of pumps from the floor. “Would you care for me to put these on?”
“No,” Paul said. “That’s fine.”
“Well,” she said, sighing.
Asher mumbled. Then he mumbled again, in sleep. The day grew darker and darker, and across the room the man’s outline became less distinct.