“It’s cold out,” Patricia Ann said. “You can feel it right through the window. Is it still cold out?”
“Very,” Paul said.
“What college?” she asked.
“Cornell.”
“Oh. In California.”
“No. New York,” Paul said.
“Really?”
“New York State.”
“Oh.” She broke out laughing again, high, anxious, joyless.
Paul couldn’t believe it. He was nervous for himself and ashamed for his uncle and overcome with pathos for the girl. She crossed and uncrossed her legs, she examined and re-examined her nails, and finally she shrugged, as though resigning herself to some tragedy having to do with her cuticles. The El train made five trips down below the window, and in that time nobody spoke. Paul’s curiosity finally went dead under his disbelief. What—what had Asher wanted him to see? Was he missing something? Was this happiness, saintliness, the serenity of which men dream? Was he witnessing a rejection of the baser things, the ambitions, the quests, the greeds? Look, was this or was this not human waste?
It was. And, curiously, the sight of his uncle’s condition brought palpitations to Paul’s heart. The messiness surrounding him, the indignity of it all, suddenly shook his own faith in himself. He experienced dread at the thought of his own life going wrong. He actually allowed himself to wonder if there might not be a less stern path he might take … for just a little while longer. Could he not chase butterflies again in Prospect Park, catch them fluttering in his cheesecloth and coat hanger? Couldn’t he wait outside the showers at Ebbets Field for a glimpse of Pee Wee Reese? Couldn’t he rise and fall, just for a while again, over those sun-tanned ladies in South Fallsburg, New York? Diligent Paul, hopeful Paul, penniless Paul — couldn’t he sit alone in his room composing one thousand heartfelt words for the scholarship committee, promising that he would be a good boy, that he would study if awarded the eight hundred dollars? No! Absolutely not! He was fed up with being a boy. That’s why Asher looked so pathetic; fifty and bald and still wearing his Eton suit. Asher could not confront the world a full-sized man; he could never take a wife, accept the burden. He mistook the gifts for the penalties, the penalties for the gifts, and backed away from life — so life backed away from him. And now look: a receptacle all right, a garbage can, full of dirty talk and volcanic regrets. Paul could not believe in Asher not having regrets; to do so upset his picture of the world.
A light went on. Patricia Ann looked at her watch and then at her Asher, and gave out a soft moan. She tried to turn a smile on the nephew but only revealed impatience and loss. Her Wednesday afternoon was going, going—
“Do you have the time?” she asked.
His kindness went out to her. “I think I’ll leave,” Paul said.
Almost instantly she was at the door.
“It was nice meeting you,” Paul said. “Don’t wake him.”
“I never met a person from Asher’s family before,” she whispered, and then gave the crumpled-up, sleeping figure across the room a loving glance. “It’s very nice,” she said, and took Paul’s hand to shake it. “Asher’s a terrific painter. He’s the most wonderful person I ever met. He’s not like anybody.”
“I know,” Paul said. “I’m very fond of Asher.”
“Me too,” she said. “Are you interested in art very much?”
“Yes.”
“He’s doing me. You know? For — our anniversary. Do you really appreciate art?”
“Well, yes.”
“If you appreciate art, you wouldn’t be embarrassed …”
“I don’t understand.”
“Would you like to see it? Me. Our fifth anniversary.”
“If you think I should—”
On her toes she walked slowly to the corner behind the stool. “Here,” she said, motioning for him to follow. She flipped through several canvases piled against the wall and then reached in to take one out. First she only looked at it herself; then, somewhat uncertainly, she put it on the easel and twisted a bulb on above them.
“It’s not done,” she said immediately. Then she laughed. Then she shrugged. Then she was dead serious. “Like it?”
The idea was not original with Asher. The figure in the painting was reclining unclothed on a sofa, one arm back of her hair, the other down beside her. But, unlike other women who had been posed in the position, Patricia Ann was not a particularly languorous specimen. She looked as though she’d just heard a knock at the door and was about to fly up after her clothes. The hand at her side was rolled into a fist, and her knees were together, discouraging entrance. The Woman Who Gets and Gives No Pleasure.
“Is it finished?” These were the only words that seemed available to him.
“I think he has to do more coloring,” she said. But he had her shade already; Asher knew exactly the depth and tone of his mistress. “It’s nice, isn’t it?” the girl asked the college boy, and then did not wait for an answer. “My girl friends and me once made a record — singing? — and when we heard it, we were hysterical. I mean laughing. But after a while, you know, we started to think it was kind of good and we were even going to send it to some disc jockey, with a photograph of us. But at first it seemed just real funny.”
“I know,” Paul said, hearing his uncle behind him release a desperate, froggy snore. “I’ve heard myself on a tape recorder. It’s a surprise.”
“It’s a surprise, all right … And,” she added gravely, “my husband Charlie, you know, don’t know anything about this. I had a whole picture painted, and Charlie don’t know. I even have a daughter, a little darling child.”
They both looked at the painting. At the door she smiled at him. “Good luck at Cordell.”
“Thank you.”
Pushing the door shut, she said, “Have a nice time at college.”
The stairs were unlit and he did not descend for a moment. He groped for a handrail, but there wasn’t any. Behind the door Paul heard, “Asher, Asher, oh wake up, pussy cat, it’s after five already.”
Uncle Jerry sent a note. If Paul felt inclined to, he could call Jerry at his office. If he chose to ignore the note, that was his prerogative as well.
“How are you holding up?” Jerry inquired when Paul telephoned.
“I think I’m all right. I’ve lost two pounds but I’ve got all my faculties.”
“How are things at home?”
“Just as you can imagine,” Paul said. “My mother keeps breaking down and my father keeps wanting to talk to me, but he gets all filled up too. I’ve explained several times, Jerry, but I’ve stopped. I’m not going to make a dent. They just say, Please don’t marry that girl. At least not now. At least put it off. And so forth, on and on and on. Honest to God, they’re going to make me hate them!”
He had not realized how menacing he had sounded until he heard Jerry protecting himself. “Paul, I feel obliged, you know — your father called me, he was in tears. I told him I would contact you. That’s why I dropped you the note. I don’t know what to say to you. I don’t want to advise you. I don’t believe in interfering.”
The intervention of Paul’s family in Jerry’s affairs lent a particular weightiness, a certain melancholy strain, to this remark. Paul felt a strong kinship with his uncle then — but it did not make him especially happy. It had not been his plan or his hope to line up, finally, against his family. He had decided to tell them about Libby in December so that their protests might wither with the months and they would come around to the idea of a wedding just after graduation. He had a sense of propriety about his parents, a realization of their responsibilities that perhaps they themselves had not. He had never given in, he thought, to any impulse to be cruel to them, and even if he had worked hard independently of them, it had been in part so as not to increase in any way their disappointments. He felt it now a filial duty to give them every chance; it humbled him not to, in the great world beyond the family to which he aspired, a world of order and decency, which, if he had not as yet experienced, he had fully imagined. Nevertheless, it began to appear that perhaps he had called Jerry for reasons no more elevated than those which had sent him on his walk with Asher: to be reassured.