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Bond at last freed himself from the two girls, looked around carefully, and set off again, pushing and shoving through the wall of people whose eyes could not leave the dazzling spectacle of starshells, rockets and Roman candles.

The entire area around the Castillet was tightly packed with shining faces old men and women, who probably could remember this fete when it was not done on such a grand scale; children getting their first view of something magical; tourists trying to capture the experience for their home movies; and locals who entered into the spirit of the fete.

Bond saw all these faces even teenagers aglow and delighted, not blase, as they might have been in Paris, London or New York. He saw none of the enemy faces and finally pushed through the crowds, walking fast towards the less-populated streets and in the direction he remembered the post office to be.

The noise, music and fireworks were behind him now, and the streets darker. Within a few minutes he recognised the landmark of the Place Arago with its palm trees, shops and attractive bars. On his last visit Bond had often sat at the large cafe occupying the centre. The post office was only a minute away, in a street straight ahead to the left of the canal.

The street was narrow buildings to his left and trees bordering the canal to the right. At last Bond saw the line of open telephone booths, each dimly lit and empty a row of grey electronic sentries beside the post office steps. He drove his hand into his pocket, counting out the one franc pieces from his change. Six in all. Just enough to make the call, if the duty officer allowed him to speak without interruption.

Swiftly he dialled the 19-44-1 London prefix, then the number of the Regent's Park building. He had already inserted one of the franc pieces into the slot from which it would be swallowed when contact was made. In the far distance he was aware of the whoosh and crackle of the fireworks, while the music was still audible through the noise. His left ear was filled with clicks and whirrs from the automatic dialling system. Almost holding his breath, Bond heard the sequence complete itself, then the ringing tone and the receiver being lifted.

'Duty watchman. Transworld Exports,' came the voice, very clear, on the line.

'007 for M...' Bond began, then stopped as he felt the hard steel against his ribs, and a voice say quietly, 'Oot fast, or I'll put a bullet into ye.'

It was the watcher who had been standing near the Castillet. Bond sighed.

'Fast,' the voice repeated. 'Put down yon telephone.' The man was standing very close, pushed up behind Bond.

Primary rule: never approach a man too close with pistol. Always keep at least the length of his leg away. Bond felt a twinge of regret for the man as he first turned slowly, his right hand lowering the telephone receiver, then fast, swinging around to the left, away from the pistol barrel, as he brought the handset of the telephone smashing into the Scot's face. Murik's man actually had time to get one shot away before he went down. The bullet tore through Bond's jacket before ricochetting its way through the telephone booths.

Bond's right foot connected hard with his attacker's face as the man fell. There was a groan, then silence from the figure spreadeagled on the pavement outside the open booth. The blood was quite visible on his face. A telephone, Bond reflected, should be classified as a dangerous weapon. He had probably broken the fellow's nose.

The handset was wrecked. Bond swore as he rammed it back on to the rests. He bent over the unconscious figure to pick up the weapon. Cheeky devil, he thought. The gun was Bond's own Browning, obviously retrieved from the Saab.

In the distance, among the noises of the fete, there came the sound of a klaxon. It could well be a fire engine, but someone might have heard the shot or seen the scuffle.

There had to be another place from which to get a message to M. The last people Bond wished to argue with tonight were theflics.He pushed the Browning into his waistband, turning the butt hard so that the barrel pointed to the side and not downwards, and then set off at a brisk walk crossing the road and returning in the direction from which he had come.

At the Place Arago he stopped for traffic, looking across the road at an elegant poster prominently displayed on the wall of the large cafe. It took several seconds for the poster to register: ROUSSILLON HAUTE COUTURE. GRAND SHOW OF THE NEW ROUSSILLON COLLECTION ON THE NIGHT OF THE FESTIVAL OF OLD ST JOHN. PALACE OF THE KINGS OF MAJORCA. ELEVEN P.M. There followed a list of impressive prices of admission which made even Bond wince. Eleven eleven o'clock tonight. He gazed wildly around him. A clock over a jeweller's shop showed it was five minutes past eleven already.

Franco... the cat-walk... air rifle... death with a gelatine capsule... Now. M would have to wait. Bond took a deep breath and started to run, trying to recall from his previous visits the quickest way to the ancient Palace, and the easiest clandestine way into it. If he was right, the girl would die very soon. If he was right; and if he did not get there in time to prevent it.

17

Death in many fashions

The Palais Des Rois De Majorque stands on the higher ground at the southern part of Perpignan, and is approached through narrow sloping streets. The original Palace was built on a vast knoll, in the eleventh century, and was later walled in with the citadel which rises to a height of almost three hundred feet and is wide enough at the top to accommodate a two-lane highway. On the inside, the walls dip to what was once the moat, making the whole a near-impregnable fortress.

Bond had visited the Palace several times before, and knew that the approach is made from the Street of the Archers, up flights of zig-zagging steps, which take the normal sightseer underground, to the main entrance, and then into the large cobbled courtyard. Above the entrance is the King's Gallery, while to the left are apartments closed to the casual visitor. On the right stands the great and impressive Throne Hall, while opposite the entrance runs a cloister with a gallery above it. Behind the cloister stands the lower Queen's Chapel, and above that, off the gallery, the magnificent Royal Chapel, with its series of lancet, equilateral and drop arches.

Above the two chapels the keep climbs upwards to a small bell-tower. This is the extent of the Palace usually on view to the public. Bond knew, however, that there was a further courtyard behind the cloister, gallery, chapels and keep. This area was still used: the yard itself as a depot for military vehicles and the surrounding buildings as billets for some of the local garrison; the bulk of whom lived below the citadel, in the Caserne Marechal Joffre.

On his last visit to the area some three years before on a skiing holiday in the nearby mountains, Bond had fallen in with a French army captain from the garrison. One night, after a particularly lively apres ski session, the gallant captain had suggested drinks in his quarters, which lay within the second courtyard of the Palace. They had driven to Perpignan, and the Frenchman had shown Bond how easy it was to penetrate the barracks by entering through a narrow alley off the Rue Waldeck-Rousseau, and from there follow the transport road which climbed steeply to the top of the citadel. It was not possible to enter the rear courtyard through the main transport gates, but you could squeeze through a tiny gap in the long terrace of living quarters forming the rear side of the courtyard. It was on that night Bond also learned of the archway through the rear courtyard, which leads straight into the main Palace area.

So it was to the barracks, the Caserne Marechal Joffre, that he was now running as if the plague was at his heels. He knew there was little chance of gaining admittance to the main courtyard by following the normal route. Concerts were held there, and he had few doubts that this was where the Roussillon fashion show was being staged under bright illuminations, and with the audience seated in the cobbled yard or occupying the windows in the old royal apartments, the King's Gallery, and the gallery in front of the Royal Chapel.