Cesare was angry. He was not a coward, and he disliked the thought of running away, but he must guard against his enemies. That was one thing he had learned. When his father was alive he had been able to ignore them; now they massed about him, determined to strike while they found him defenseless.
He pictured those maddened relatives of Mancioni. They would humiliate him, mutilate him, if they had a chance. He would fight them and kill a few; but how many of them would there be? A large band, the messenger told him; not only members of the Mancioni family, but others who had suffered at his hands.
Cesare turned to his servant. “Make ready,” he said. “We will leave at once for Castel del Ovo.”
Oh the humiliation of this! He, the great Cesare, to skulk from his lodgings into refuge! When he recovered his kingdom all those who had dared humiliate him should pay a thousandfold for every slight they had inflicted. He would come back to Naples; he would inflict such torture on the Mancionis as they had never dreamed of.
But there was no time to think of that now. Through the silent streets he hurried, all the time alert for sounds which might indicate that his enemies had discovered his flight and were in hot pursuit. When he reached the castle—sweating with exertion and relieved that he had been spared the humiliation of meeting his enemies—he was surrounded by soldiers.
“Cesare Borgia,” said one of these, “you are a prisoner of His Majesty, the King of Spain.”
Cesare looked about him, but he could see nothing for the mists of anger which swam before his eyes.
It was a trap, a trap conceived by the Great Captain, that honorable man!
For a few seconds it seemed as though he would venomously attack all those who surrounded him; but he was too late. He was firmly held and bound.
Very soon afterward he was put on the ship which was waiting to take him to his Spanish prison.
Lucrezia was overwhelmed with sorrow when she heard that Cesare had been taken prisoner and incarcerated in the fortress of Cincilla.
She wept to recall how often he had talked of going to Spain—the country of their family’s origin—in the utmost splendor, even as his brother the Duke of Gandia had done. No, it would have to be greater splendor. Cesare must outdo Giovanni at all costs. And now he had gone ignobly, taken there by force, a captive.
She heard that the King of Spain was wondering whether he should be brought to trial for the murder of his brother, found guilty—which he undoubtedly would be—and executed. But it might be that Cesare Borgia was more important to the King of Spain alive and a menace to Pope Julius. On such did the life of one who had hoped to rule all Italy depend.
The Court of Ferrara was growing more and more antagonistic toward Lucrezia as her family’s fortunes further declined. There was only Goffredo left, and Goffredo had never been of great account. Never before had Lucrezia been so lonely; never before so completely shorn of that power in which her family had so tenderly wrapped her.
Alfonso had gone away on a foreign visit and, without even his casual protection, life at the castle was unsupportable. Therefore Lucrezia retired to the country retreat of Comacchio.
Pietro Bembo arrived and stayed nearby at one of Strozzi’s villas which the architect of this affair had put at the disposal of his pair of lovers.
There was comfort in Bembo’s presence. There were walks in the beautiful gardens of the villas; there was music and the reading of poetry. But the love which she had once enjoyed with Bembo had lost its ecstasy. How could she indulge in ecstatic love when Cesare was in misery? Moreover into Lucrezia’s thoughts there intruded a man quite different from Bembo—a man of action, the breeder of horses, flat-nosed, completely sensual Francesco Gonzaga.
Pietro would gently recall her attention to the poem he was reading.
“You are sad, beloved,” he would murmur.
“How can I be otherwise,” she asked, “when I think of my brother? He less than any can endure prison. What is his life like, I wonder.”
Pietro shook his head. He did not remind her that what was done to Cesare was not so cruel as that which Cesare had done to others.
“He would have been a good ruler, a good and wise ruler, once his kingdom was in his hands,” she insisted. “He had great plans which he discussed with his fortress engineer, a man who, I think, is called Leonardo da Vinci. There were to be sanitary systems which would have drained away the refuse in the cities, and that, Cesare used to say, was one of the first steps toward ridding the country of periodic plague. He planned to do all this, and he would have done it.”
Bembo tried to lure her back to talk of poetry, but the magic which the early days of their association had brought with them was lost to her.
There came a day when messengers arrived from Ferrara. They had come to warn Lucrezia that old Duke Ercole was very ill and there seemed little hope that he would recover. Her brothers-in-law, Ippolito, Ferrante, Sigismondo and Giulio, thought that she should return at once to Ferrara.
She was preparing to leave when she saw Bembo coming across the garden to her, and the sight of him, his poems in his hands, walking quietly across the gardens, seemed to her so utterly peaceful that she was filled with a longing to spend the rest of her life at Comacchio or some other quiet retreat.
“I love Pietro,” she murmured. “Oh, that I were free to marry him.” And her mind went back to Pedro Caldes whom she had once loved so dearly, the father of little Giovanni, and she thought, had I been allowed to marry him when I wanted to, had I been allowed to live peacefully with him, our lives would surely have been lived in surroundings such as this. And Pietro and Pedro seemed in that moment like one and the same person; and she loved that person dearly.
She ran out to meet him, for she was overcome by a longing to stroll once more round the gardens, to snare the happy moments she had enjoyed in this place that she might preserve them in her mind forever; she knew that the death of Duke Ercole was going to make a great deal of difference to her life, and that when she was truly Duchess of Ferrara—if Alfonso decided to keep her as his wife, and if he did not she could not begin to imagine what would become of her—she would not be allowed to leave Ferrara to indulge in an idyllic love affair with a poet.
In the shelter of the trees Pietro embraced her fervently. “We cannot guess,” he said, “what his death will mean to us. But know this, my beloved, always I shall love you, always cherish these hours we have spent together.”
She dared not delay now. In the absence of her husband her brothers-in-law had summoned her, and she guessed that Ippolito was already aware of her love affair with Pietro.
So she rode out to Ferrara, but before she came into the town a letter was delivered to her. As she read it a faint flush rose to her cheeks and she felt a tremor of excitement within her as she recalled the ugly charming face of the man who had lately intruded on her thoughts and refused to be dismissed.
He had written that news of what was happening in Ferrara had reached him. If she should be in need of a friend, he, Francesco Gonzaga, Marquis of Mantua, would be ready to come at once to her aid.
She rode on, her spirits lightened; such was the power of that man to comfort her.
There was an atmosphere of tension in the castle of Ferrara when Lucrezia arrived. Alfonso was, unfortunately, traveling in England, and Ippolito was watchful of Ferrante, Ferrante of Ippolito. Giulio, hot-headed and haughty, was already putting himself at the disposal of Ferrante with whom he had always been on terms of friendship, which had grown deeper out of his hatred for Ippolito. Sigismondo spent his time praying that no discord befall Ferrara on the death of the Duke.