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The metallic substance descended faster, pooling in the grass beneath it. I squinted. The stuff was wire. Right before my eyes, I watched the Zombie take this wire and do something with five of its legs while it supported itself on the other three. The legs scrambled around, working and weaving the shiny wire this way and that. They moved too fast for me to see exactly what they were creating. Grass flew and the soft whirring sound grew slightly louder.

Then the legs stopped. For a moment all I could hear was the sounds of crickets and frogs singing, the breeze blowing in the palm and mangrove tree tops. I could smell the sizzling oil of someone frying plantain or yam nearby.

My eyes focused on what the Zombie had done. I grinned. I grinned and grinned. “What is that?” I whispered.

It held it up with two of its front legs and tapped its back leg twice on the ground as it always seemed to when it was trying to make a point. A point that I usually didn’t understand.

It brought three legs forward and commenced to pluck out what first was a medley of my favorite songs, from Bob Marley to Sunny Ade to Carlos Santana. Then its music deepened to something so complex and beautiful that I was reduced to tears of joy, awe, ecstasy. People must have heard the music, maybe they looked out their windows or opened their doors. But we were hidden by the darkness, the grass, the trees. I cried and cried. I don’t know why, but I cried. I wonder if it was pleased by my reaction. I think it was.

I spent the next hour learning to play its tune.

Ten days later, a group of Zombies attacked some oil workers and soldiers deep in the delta. Ten of the men were torn limb from limb, their bloody remains scattered all over the swampy land. Those who escaped told reporters that nothing would stop the Zombies. A soldier had even thrown a grenade at one, but the thing protected itself with the very force field it had been built to use during pipeline explosions. The soldier said the force field looked like a crackling bubble made of lightning.

Wahala! Trouble!” the soldier frantically told television reporters. His face was greasy with sweat and the sides of his eyes were twitching. “Evil, evil things! I’ve believed this from start! Look at me with grenade! Ye ye! I could do nothing!”

The pipeline the men had barely even started was found fully assembled. Zombies are made to make repairs, not fully assemble things. It was bizarre. Newspaper write-ups said that the Zombies were getting too smart for their own good. That they were rebelling. Something had certainly changed.

“Maybe it’s only a matter of time before the damn things kill us all,” my husband said, a beer in hand, as he read about the incident in the newspaper.

I considered never going near my Zombie again. They were unpredictable and possibly out of control.

It was midnight and I was out there again.

My husband hadn’t laid a heavy hand on me in weeks. I think he sensed the change in me. I had changed. He now heard me play more. Even in the house. In the mornings. After cooking his dinners. In the bedroom when his friends were over. And he was hearing songs that I knew gave him a most glorious feeling. As if each chord, each sound were examined by scientists and handpicked to provoke the strongest feeling of happiness.

My Zombie had solved my marital problems. At least the worst of them. My husband could not beat me when there was beautiful music sending his senses to lush, sweet places. I began to hope. To hope for a baby. Hope that I would one day leave my house and wifely duties for a job as music teacher at the elementary school. Hope that my village would one day reap from the oil being reaped from it. And I dreamt about being embraced by deep blue liquid metal, webs of wire and music.

I’d woken up that night from one of these strange dreams. I opened my eyes, a smile on my face. Good things were certainly coming. My husband was sleeping soundly beside me. In the dim moonlight, he looked so peaceful. His skin no longer smelled of alcohol. I leaned forward and kissed his lips. He didn’t wake. I slipped out of bed and put on some pants and a long sleeve shirt. The mosquitoes would be out tonight. I grabbed my guitar.

I’d named my Zombie Udide Okwanka. In my language, it means “spider the artist.” According to legend, Udide Okwanka is the Supreme Artist. And she lives underground where she takes fragments of things and changes them into something else. She can even weave spirits from straw. It was a good name for my Zombie. I wondered what Udide named me. I was sure it named me something, though I doubted that it told the others about me. I don’t think it would have been allowed to keep seeing me.

Udide was waiting for me there, as if it sensed I would come out this night. I grinned, my heart feeling so warm. I sat down as it left the pipeline and crept up to me. It carried its instrument on top of its head. A sort of complex star made of wire. Over the weeks, it had added more wire lines, some thin and some thick. I often wondered where it put this thing when it was running about with the others, for the instrument was too big to hide on its body.

Udide held it before its eyes. With a front leg, it plucked out a sweet simple tune that almost made me weep with joy. It conjured up images of my mother and father, when they were so young and full of hope, when my brothers and I were too young to marry and move away. Before the “kill and go” had driven my oldest brother away to America and my middle brother to the north… when there was so much potential.

I laughed and wiped away a tear and started strumming some chords to support the tune. From there we took off into something so intricate, enveloping, intertwining… Chei! I felt as if I was communing with God. Ah-ah, this machine and me. You can’t imagine.

“Eme!”

Our music instantly fell apart.

“Eme!” my husband called again.

I froze, staring at Udide who was also motionless. “Please,” I whispered to it. “Don’t hurt him.”

“Samuel messaged me!” my husband said, his eyes still on his cell phone, as he stepped up to me through the tall grass. “There’s a break in the pipeline near the school! Not a goddamn Zombie in sight yet! Throw down that guitar, woman! Let’s go and get…” He looked up. A terrified look took hold of his face.

For a very long time it seemed we all were frozen in time. My husband standing just at the last of the tall grass. Udide standing in front of the pipeline, instrument held up like a ceremonial shield. And me between the two of them, too afraid to move. I turned to my husband. “Andrew,” I said with the greatest of care. “Let me explain… ”

He slowly dragged his gaze to me and gave me a look, as if he was seeing me for the first time. “My own wife?!” he whispered.

“I… ”

Udide raised its two front legs. For a moment it looked almost like it was pleading with me. Or maybe offering me a hug. Then it clicked its legs together so hard that it produced a large red spark and an ear splitting ting!

My husband and I clapped our hands over our ears. The air instantly smelled like freshly lit matches. Even through the palms of my hands, I could hear the responses from down the pipeline. The clicking was so numerous that it sounded like a rain of tiny pebbles falling on the pipeline. Udide shuddered, scrambled back and stood on it, waiting. They came in a great mob. About twenty of them. The first thing that I noticed was their eyes. They were all a deep angry red.

The others scrambled around Udide, tapping their feet in complex rhythms on the pipe. I couldn’t see Udide’s eyes. Then they all ran off with amazing speed, to the east.

I turned to my husband. He was gone.

Word spread like a disease because almost everyone had a cell phone. Soon everyone was clicking away on them, messaging things like, “Pipeline burst, near school! No Zombies in sight!” and “Hurry to school, bring bucket!” My husband never let me have my own cell phone. We couldn’t afford one and he didn’t think I needed one. But I knew where the elementary school was.