“No! No!” They cried out to him, afraid; he was moved, deep love for their helplessness, deep pity for their state filled him and made him powerful and strong.
“No,” he said softly, cooing to them, rocking them in the arms of his bottomless wrath and pity, “no, no; Arthur sleeps in Avalon; you have no champion, no white hope; nothing is left to you but surrender, don’t you see that, you do, don’t you? Surrender; that’s your only chance; show your rusted sword, useless as a toy; show yourselves, helpless, innocent of any of the causes or conclusions of this, aged, confused, weak as babes. And still. And still. Helpless and pitiable as you are”—he held out commiserating arms to them with great slowness, he could hold them all and comfort them— “eager to please as you are, full of love, asking only with softest tears in your big babe’s eyes for mercy, pity peace; still, still.” The arms descended, the big hands again gripped the lectern as though it were a weapon, a huge fire burst within Russell Eigenblick’s bosom, horrid gratitude engulfed him that he could lean down upon these microphones at last and say this: “Still it will not draw their pity, none of it, for they have none; or stay their awful weapons, for they have already been loosed; or change anything at alclass="underline" for this is war.” Lower he bent his’ head, closer his satyr’s lips came to the aghast microphones, and his whisper boomed: “Ladies and gentleMEN, THIS IS WAR.”
Unexpected Seam
Ariel Hawksquill, in the City, had felt it too: a change, like a flash of menopause, but not happening to herself but to the world at large. A Change, then; not a change but a Change, a Change glimpsed bowling along the course of space and time, or the world stumbling over a thick and unexpected seam in the seamless fabric.
“Did you feel that?” she said.
“Feel what, my dear?” said Fred Savage, still chuckling over the ferocious headlines of yesterday’s paper.
“Forget it,” Hawksquill said softly, thoughtful. “Well. About cards, now. Anything at all about cards? Think hard.”
“The ace of spades reversed,” Fred Savage said. “Queen of spades in your bedroom window, fierce as any bitch. Jack of diamonds, on the road again. King of hearts, that’s me, baby,” and he began to sing-hum through his ivory teeth, his buttocks moving slightly but snappily on the long, buttock-polished bench of the waiting room.
Hawksquill had come to the great Terminus to question this old oracle of hers, knowing that most evenings after work he could be found here, confiding strange truths to strangers; pointing out with an index finger brown, gnarled, and dirt-clogged as a root, certain items in yesterday’s paper which the train-takers around him might have missed, or discoursing on how a woman who wears a fur takes on the propensities of the animal—Hawksquill thought of timid suburban girls wearing rabbit-furs dyed to look like lynx, and laughed. Sometimes she brought a sandwich to share with him, if he were eating. Usually she went away wiser than she had come.
“Cards,” she said. “Cards and Russell Eigenblick.”
“That fella,” he said. He was lost awhile in thought. He shook out his paper as though shaking a troublesome notion from it. But it wouldn’t go.
“What is it?” she said.
“Now damn if there wasn’t a change just now,” he said, looking upward. “Sumpm… What was it, did you say?”
“I didn’t say.”
“You said a name.”
“Russell Eigenblick. In the cards.”
“In the cards,” he said. He folded his paper carefully. “That’s enough,” he said. “That’ll do.”
“Tell me,” she said, “what you think.”
But she had pressed him too hard, always a danger, ask the great virtuosi for one more encore and they will turn petulant and surly. Fred rose—as far as he ever rose, remaining bent like a quizzical letter—and felt for something nonexistent in his pockets. “Gotta go see m’uncle,” he said. “You wouldn’t have a buck for the bus? Some kinda buck or change?”
From East to West
She walked back through the vast arching hall of the Terminus no wiser this time than when she had come, and more troubled. The hundreds who hurried there, eddying around the shrinelike clock in the center and washing up in waves against the ticket booths, seemed distracted, hard-pressed, uncertain of their fates: but whether more so than on any other day she wasn’t sure. She looked up: grown faint with age and long watching, the Zodiac painted in gold marched biaswise across the night-blue dome, pricked out with tiny lights, many of them extinguished. Her steps slowed, her mouth fell open; she turned, staring, unable to believe what she saw.
The Zodiac ran the proper way across the dome from east to west.
Impossible. It had always been one of her favorite jokes about this mad City that its grand center was watched over by a Zodiac that was backwards, the mistake of a star-ignorant muralist, or some sly pun on his star-crossed City. She had wondered what reversals might happen if—with proper preparation—one were to walk backwards through the Terminus beneath this backwards cosmos, but propriety had always kept her from trying it.
But look now. Here was the rain in his right place, and the hindquarterless bull, the twins and the crab, King Lion and the virgin and the double-panned scales. The poised scorpion next, with red Antares in his sting; the centaur with his bow, the fish-tailed goat, the man with the water-jug. And the two fishes bow-tied at the tails. The crowds flowed around her where she stood gawking, flowed without pause as they did around any fixed object in their path. Her looking upward was infectious, as in the hoary trick; others looked upward too, searching briefly, but, unable to see the impossible thing she saw, hurried on.
The ram, the bull, the twins… She struggled to retain her memory that they had been otherwise, had not always had this order, for they looked as old and immutable as the stars they pictured. She grew afraid. A Change: and what other changes would she find, out on the streets; what others lay in the to-come, yet to be manifested? What anyway was Russell Eigenblick doing to the world; and why on earth was she sure that it was Russell Eigenblick who was Somehow at fault? A sweet baritone bell struck, and echoed around her as she stared, not loud but clear, calm as though possessed of the secret: the Terminus clock, ringing the small time of the hour.
Sylvie?
The same hour was being rung in the pyramidal steeple of a building which Alexander Mouse had built downtown, the only steeple in the City that rang the hours for the public enlightenment. One of the four notes of its four-note tune was silenced, and the others fell irregularly into the channel of streets below, blown away by wind or muffled by traffic, so it was no help usually, but Auberon (unbarring and unbolting a door into Old Law Farm) didn’t care what time it was anyway. He gave a glance around himself to see that he wasn’t followed by thieves. (He’d already been robbed once, by two kids who, since he’d had no money, had taken the bottle of gin he was carrying, and then took and flung his hat to the ground and stepped on it with long sneakered feet as they went away.) He slipped in, and bolted and barred the door behind him.
Down the hall, through a brick-toothed rent George had made in the wall to give access to the next building, up that hall, up the stairs, gripping the banister iced thickly with generations of paint. Out a hall window onto a fire escape, a wave to the happy farmers at work with shoots and trowels down below, and back into another building, another hall, absurdly narrow and close, familiar in its gloom and joyful, for it led home. He glimpsed himself in the pretty mirror Sylvie had hung on the wall at the end of the hall, with a tiny table below it and a bowl of dried flowers, bien nice. The doorknob didn’t open the door. “Sylvie?” Not home. Not back from work, or out farming; or just out, the reborn sun caused the blue island lagoon in her blood to rise. He hunted out his three keys and peered at them in the dark, growing impatient. Ovoid-ended for the top lock, keystone-ended for the middle, oh hell! He dropped one, and had to get down on hands and knees, furious, and feel for it amid the irremediable antique filth of all City nooks and crannies. Here it was: huge, round-ended one for the police lock, which kept the police out, ha ha.