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For the want of any other chance of contact with Theres, she took out her MP3 player and listened to ‘Fly’ at full volume, their version. It wasn’t that it was better than the one that had been recorded in the studio. It was infinitely better.

Theres had recovered somewhat by the time they got back to Svedmyra, and was able to make her way up to the apartment without help. Outside the door she stopped, turned to Teresa and said in a weak voice, ‘I’m not going to make a CD.’ Then she opened the door.

Jerry was home. When he asked what they’d been doing, Theres just shook her head and disappeared into her room, where she flopped down on the bed and fell asleep again.

As Teresa headed for the door of the apartment, Jerry blocked her way. He folded his arms and said with a menacing air of calm, ‘I want to know what you two are up to.’

‘Nothing.’

‘Teresa. If you want to come here to visit Theres again, then I want to know what you’re up to. Whatever it is. Just don’t lie.’

‘My train leaves soon.’

‘I noticed you turned up in a taxi. Take another taxi. Otherwise you’re not welcome here anymore.’

‘That’s not your decision.’

‘Yes, it is.’

Teresa had to tip her head back so that she could see Jerry’s face. It wasn’t as closed and harsh as his voice suggested. More troubled. She asked, ‘Why do you want to know?’

‘Why do you think? Because I care about Theres, of course.’

‘So do I.’

‘I believe you. But I want to know what you’re doing.’

Teresa wasn’t capable of making up a story, that had never been her strong point. So she told him. She left out the part with Max Hansen in the hotel room, and gave a brief account of their songwriting and today’s studio session. How exhausted Theres had become.

When she had finished she looked Jerry in the eye. There was neither displeasure nor pleasure there. They stood like that until Teresa just had to look away. Then Jerry gave a brief nod and said, ‘OK. So now I know. Shall I ring for a taxi?’

‘Yes…please.’

While Jerry was making the call Teresa went over to the bedroom and stood for a while, resting her head on the doorpost, watching the sleeping Theres. A cold, slimy unease writhed in her belly, where happiness had bubbled such a short time ago.

Never to see you again.

Jerry could make that decision, as easily as taking a breath. He could lock the door, unplug the phone or move away with Theres, and they wouldn’t be able to do a thing about it. They had no power over themselves.

‘I think it’s probably time you made a move,’ Jerry said behind her.

Teresa detached herself from the doorpost like a piece of ivy being ripped off a wall. She went towards the front door with her head lowered; she wanted to ask, ‘Can I come again next weekend?’ but her pride made it impossible. Instead she straightened her back, looked at Jerry and said, ‘I’ll be back next weekend, OK?’

Jerry shook his head and grinned. ‘Of course. What else would you do?’

Teresa didn’t really understand what was behind his remark. There was something odd about it. But she grasped the fact that she could come back. Since she was about to burst into tears of relief, she quickly turned away, opened the door and ran down the stairs.

When she got home she locked her bedroom door, took out Max Hansen’s DVD and watched it. She had expected-had been afraid, to some extent-that the sight of Theres’ naked body would have some effect on her. That was partly why she hadn’t watched the film apart from the glimpses while it was still in the camera.

But it didn’t happen. She thought Theres was beautiful with and without clothes, and that was all there was to it. When Max Hansen’s bare backside came into view, Teresa began to wonder whether she might be asexual. The whole business of sex just seemed unnecessary and ugly. Max Hansen down on his knees, Theres backing away, Hansen grabbing hold of her, pushing his face into her crotch. So undignified.

However, she watched what followed with keen interest. Theres picking up the glass and snapping the stem. Then beginning to hack at Max Hansen’s back with the spike of glass, as devoid of emotion as a carpenter hammering in a nail. It was something that needed to be done, and she did it without even spilling the contents of the glass in her other hand. When Max Hansen realised what had happened and began to scream, she didn’t even look at him as she went to open the door.

You’re totally sick, Theres. You are the wolf above all other wolves.

She played the sequence over and over again.

At the beginning of December Teresa walked into the classroom and saw that five of the girls had gathered around her desk. In the middle sat Jenny, showing them something on her mobile. No. Teresa felt in her pockets. She’d left her phone behind when she went out at break time. It was her mobile Jenny had in her hand.

When the girls caught sight of Teresa, Jenny held up the mobile. The display was showing one of the photos of Theres.

‘Who’s this, Teresa? Is she your girlfriend?’

Jenny turned the mobile back to face her and scrolled through the photos. Caroline said, ‘She’s really pretty. How did you get such a pretty girlfriend?’

Teresa didn’t respond, and made no move to take the phone, because she knew exactly what would happen. Jenny would run off, throw it to someone else, and Teresa would just end up feeling worse than she already did. She didn’t give a damn what they said, but she didn’t like them talking about Theres. She didn’t like it at all.

‘Hang on a minute!’ Johanna said suddenly, pointing at Teresa’s mobile. ‘It’s her! The girl who was on Idol! Do you know her?’

Teresa nodded, and Jenny, aware that the situation was slipping out of her hands, said, ‘Of course she doesn’t. And in any case she was useless. Absolutely fucking useless. Worst thing I’ve ever seen.’

Teresa went and stood on the opposite side of the desk. Then she cleared her throat and spat straight in Jenny’s face. Jenny squealed in disgust and wiped Teresa’s spit out of her eye. Then she did something Teresa wouldn’t have expected of her. Her eyes narrowed; she hissed, ‘You disgusting little bitch, what the fuck do you think you’re doing?’ and jumped over the desk and scratched Teresa’s face with her long nails.

It didn’t really hurt, and Teresa kept her head. In her mind’s eye she saw Theres with the spike of glass. How calm she had been. It was all about calmness. Calmness and ruthlessness. When Jenny went for her again, hands scrabbling wildly, Teresa leaned back a fraction to gather her strength, clenched her fist and punched Jenny in the face as hard as she could.

So simple. Jenny fell backwards with blood pouring from her smashed nose. The other girls were frozen to the spot, and Teresa picked up her mobile and put it in her pocket. So simple. Everything is actually very simple.

After Jenny had been carted off to the hospital, Teresa had to have a long conversation with the Principal and the school counsellor. In many ways the conversation was like the lesson on the Democrats and Republicans, except that Teresa was unfortunately unable to make notes. She had already begun to transform her experience with Jenny into a song with the working title ‘Mush’. It was about things that had a solid form in everyday life, but which had to be turned into mush if you wanted to live.

She was also preoccupied with her new insight into the concept of simplicity. You usually know what to do in a given situation, but doubt, cowardice or misguided concern for others gets in the way. Moving her hand and body back, then shifting her weight forward and delivering the blow had been the obvious thing to do. The problem was how to apply this same simplicity to situations that were not about violence, that could not be solved with violence.