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Yet the city itself is curiously unmoved by its crowds. One of the reasons for civic peace in London, as opposed to other capitals, lies directly in its size. Its very scale determines its quietness. It is at once too large and too complex to react to any local outbreaks of passionate feeling, and in the twentieth century the most marked characteristic of riots and demonstrations was their failure to make any real impression upon the stony-hearted and unyielding city. The disappointment of the Chartist uprising in 1848, preceded by a large meeting on Kennington Common, anticipated the inability in 1936 of Oswald Mosley to proceed down Cable Street with thousands of fascist sympathisers. It was as if the city itself rebuked them and held them back. The poll tax riots of the late 1980s, around Whitehall and Trafalgar Square, were another instance of a violent local disturbance which did not affect the relative composure of the rest of the city. No movement could sweep through the entire capital, and no mob could ever control it. The city is so large, too, that it renders the average citizen powerless in its presence. In the early decades of the twentieth century there was something curiously compliant and complacent, not to say conservative, about the Cockneys; unlike the Parisians they did not want to fight the conditions of the city and were happy to live with them unchanged. That happy equilibrium could not last.

One unwelcome novelty of the latter half of the twentieth century, for example, was the race riot, among the most notable being those of Notting Hill in 1958 and of Brixton in 1981. The Notting Hill riots began with individual harassment of black men by gangs of white youths, but an incident on 23 August provoked a full-scale riot. Tom Vague, in the aptly named London Psychogeography, describes “a crowd of a thousand white men and some women … tooled up with razors, knives, bricks and bottles.” In the following week a large mob proceeded down Notting Dale and beat up any West Indian they could find, but the worst rioting took place on Monday 1 September, in the central area of Notting Hill Gate. Mobs congregated in Colville Road, Powis Square and Portobello Road before going on a “smashing rampage, chanting ‘Kill the niggers!’ … women hang out of windows shouting, ‘Go on boys, get yourselves some blacks.’” One observer noted that “Notting Hill had become a looking-glass world, for all the most mundane objects which everyone takes for granted had suddenly assumed the most profound importance. Milk bottles were turned into missiles, dustbin lids into primitive shields.” So an area of London becomes profoundly charged with the emotions of its inhabitants; everything is irradiated and transformed by their hatred. The accoutrements of a civilised city had suddenly been transformed into primitive weapons.

A youth leader remarked that “Those sort of boys take up any activity to break the boredom,” and in the twentieth century boredom had to be considered a component of any crowd behaviour. The sheer daily tedium of living in impoverished and unprepossessing surroundings is enough to break the spirit of many Londoners, who feel themselves trapped in the midst of the city without redress or relief. It creates not apathy but active tedium. Thus the violence starts.

On that Monday evening the West Indians collected together in Blenheim Crescent with “an armoury of weapons including milk bottles, petrol and sand for Molotov cocktails.” The white mob entered the area, with shouts of “Let’s burn the niggers out!,” and were greeted by home-made bombs. The police arrived in force, just before things could develop into out-and-out race war; some rioters were arrested, the others dispersed. Then by curious chance the great heat of these August days was swept away by a thunderstorm, the rain falling among the debris of broken bottles and wooden clubs. At their trial in September certain white rioters were told: “By your conduct you have put the clock back 300 years.” But this would only take them back to 1658; they had in fact behaved like their medieval predecessors who “swarmed” upon supposed enemies or aliens with often fatal results.

In the spring of 1981 the young black Londoners of Brixton, enraged by the perceived prejudice and oppression of the local police, erupted in streetrioting. For the first time petrol bombs were used in attacks upon the police, together with the conventional deployment of bottles and bricks, while a general wave of burning and looting left twenty-eight buildings damaged or destroyed. The depth and diversity of the disturbances suggest that they had a cause more fundamental than those of police oppression, however, and we may find it in the propensity among certain Londoners for riot and disorder. It then becomes a way of fighting structural oppression, whereby the very texture and appearance of the streets are oppressive and oppressing.

Poverty and unemployment have also been cited as the causes of sporadic violence, like that in Brixton; certainly they confirm the character of the city as a prison, confining or trapping all those who live within it. What more inevitable consequence, therefore, than rage against its conditions and its custodians? There have been other race riots; there have been riots against the police; there have been riots against the financial institutions in the City of London. Reports produced after the event characteristically refer to “the collapse of law and order” as well as the “fragile basis” of civic peace. But in fact the curious and persistent feature of London life is that “law and order” have never collapsed and that civic peace has been maintained even in the face of grave disorder. It is often wondered how, in its diversity and bewildering complexity, the city manages to function as a single and stable organism. In a similar fashion the fabric of the city, despite a variety of assaults, has always been preserved. Its mobs have never yet dominated it.

CHAPTER 44

What’s New?

The crowd lives upon news and upon rumour. Elizabeth I recalled that, as a princess, she had asked her governess, “What news was at London?” On being told that it was rumoured she was about to marry Lord Admiral Seymour, she replied, “It was but a London news.” So in the sixteenth century “London news” was considered to be fleeting and inaccurate but, even so, the object of much curiosity. In King Lear the “poor rogues Talk of Court news … who loses and who wins; who’s in, who’s out.” Shakespeare also invoked “the newes Of hurly burly innovation” in Henry IV, Part One as well as “the new newes at the new Court” in As You Like It. It was often observed that, on entering a coffee house, the first and immediate enquiry was “What news? What news?”

The city is the centre of scandal, slander and speculation; the citizens are rumourmongers and backbiters. In the sixteenth century there were handbills and pamphlets and broadsheets devoted to the more sensational events of the day, and the street-sellers ensured that they were reported from door to door. In 1622 a weekly pamphlet of news was published in London, under the rubric of “Weekly Newes from Italy, Germanie, Hungary, Bohemia, the Palatinate, France and the low Countries etc.” Its success was such that it provoked the publication of many other weekly pamphlets which went under the common title of “Corantos.” The “news” was treated with great suspicion, however, as if the reports of London were based on faction or fractiousness. It was not an honest city and the editor of the Perfect Diurnal, Samuel Peche, was described in the 1640s as being “constant in nothing but wenching, lying and drinking.” He was, in other words, a typical Londoner.