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Shops open, Coaches roll, Carts shake the Ground,

And all the Streets with passing Cries resound.

In the early nineteenth century, as occupations and areas began to be differentiated on social lines, various formal urban types appear. At eight o’clock and ten o’clock the postman, in scarlet tunic, made his deliveries in the West End, while the “musicians” and old-clothes-sellers made their way from the East End towards the centre. The commercial clerks walked down the Strand towards the Admiralty and Somerset House, while the government clerks tended to ride down to Whitehall and Downing Street in broughams.

This was the morning tide of the citizens. The nineteenth-century journalist G.A. Sala knew them well. “You may know the cashiers in the private banking houses by their white hats and buff waistcoats; you may know the stock-brokers by their careering up Ludgate Hill in dog-carts, and occasionally tandems … you may know the Jewish commission agents by their flashy broughams … you may know the sugar-bakers and soap-boilers by the comfortable double-bodied carriages,” and the warehousemen only “by their wearing gaiters.”

Between nine and ten the omnibuses arrived at the Bank with thousands of occupants, while on the Thames itself a large number of “swift, grimy little steamboats” had picked up passengers from the piers at Chelsea and Pimlico, Hungerford Bridge and Southwark, Waterloo and Temple, before disgorging them to the piers by London Bridge. Thames Street, both Upper and Lower, was “invaded by an ant-hill swarm of spruce clerks, who mingle strangely with the fish-women and the dock-porters.”

The London morning “hungered” for its crowds and, equally voracious, “the insatiable counting houses soon swallow them.” Not just the counting-houses were filled, but also all the workshops, warehouses and factories of the metropolis. The bars of the public houses were opened. The baked-potato men and the owners of coffee stalls were engaged in their brisk business. In the West End the shoe-cleaners and commercial travellers were already at their work, while in the adjacent courts and alleys the vast army of the poor swarmed out of doors. There was a nineteenth-century phrase that “you can hardly shut the street door for them” and, even in the poor quarters, the morning brought “a desperate, ferocious levity” as if the opening of each day’s misery could elicit only an hysterical response.

There is indeed an insistent rhythm to the routine of London. The Exchange opens and closes its gates, the banks of Lombard Street are filled with and then emptied of customers, the glare of the shops brightens and then fades. In the later decades of the nineteenth century the trains as well as the omnibuses brought in the multitudes from the suburbs. But what the city takes in during the morning it spews forth at evening, so that there is a general pulse of people and power which keeps its heart beating. This is what Charlotte Brontë meant when she recorded that “I have seen the West End, the parks, the fine squares; but I love the City far better. The City seems so much more in earnest; its business, its rush, its roar, are such serious things, sights, sounds … At the West End you may be amused; but in the City you are deeply excited.” She was “deeply excited” by the process of urban life itself, fulfilling in its own fashion the rhythms of night and day.

By the time the Post Office had barred up its letter boxes on the stroke of six o’clock, the businessmen and their clerks had left the City to its shopkeepers and dwindling number of householders. The full tide of the citizens ebbed and, through a thousand different streets, returned homeward. And, at the close of Dickens’s Little Dorrit, “as they passed along in sunshine and shade, the noisy and the eager, and the arrogant and the froward and the vain, fretted and chafed, and made their usual uproar,” all to return on the following morning.

And if they had woken up fifty, or a hundred, years later no doubt they would still have been able to follow the instinctive movement of the rush hour. Yet there is one distinction. If a nineteenth-century Londoner were to be set down in the City of the twenty-first century, perhaps at twilight in Cheapside when the office workers and computer operators are returning homeward, he would be astonished by the orderliness and uniformity of their progress. He might recognise a type, or an expression of thoughtfulness or anxiety-he might also be familiar with those who mutter to themselves- but the general quietness, together with a lack of human contact and of friendly exchange, might be unnerving.

London’s Radicals

The Sessions House on Clerkenwell Green, part of the ritual of riot and punishment which has marked this small area for many hundreds of years.

CHAPTER 51

Where Is the Well of Clerkenwell?

There is a story by Arthur Machen in which he describes an area in Stoke Newington where, on occasions, an enchanted landscape can be glimpsed and sometimes even entered; perhaps we may locate it near Abney Park, a somewhat desolate cemetery beside Stoke Newington High Street. This is the street where Defoe lived and where Edgar Allan Poe went unwillingly to school. Few people have seen this visionary place, or even know how to see it; but those who have can speak of nothing else. Machen wrote this story, “N,” in the early 1930s, but as the century progressed other enchanted areas of London have emerged into the light. These remain powerful and visible to anyone who cares to look for them. One of these districts finds its centre upon Clerkenwell Green.

It is not “green” at all; it is a small area enclosed by buildings with a disused public lavatory in the middle. On both sides are narrow streets which in turn lead off into alleys or other streets. The green has its restaurants, two public houses, commercial premises and offices for architects or public relations consultants. It is, in epitome, a typical area of central London. But there are other signs and tokens of a different city. Just beyond the green are the relics of the eleventh-century church and hospital of St. John, where the Knights Templar and Knights Hospitaller had their headquarters; the crypt survives intact. A few yards to the south of the crypt, in the early sixteenth century, was erected St. John’s Gate; this also still remains. Just on the northern edge of the green itself can be found the original site of the medieval well from which the district derives its name; in the eighteenth and early nineteenth centuries it was simply a broken iron pump let into the front wall of a tenement building but, since that time, it has been restored and preserved behind a thick glass wall. It marked the site of the stage where mystery plays were performed for centuries “beyond the memory of man,” and in fact for many hundreds of years Clerkenwell was notorious for its dramatic representations. The yard of the Red Bull Inn, to the east of the green, is reputed to be the first theatrical venue where women appeared on stage. It is one example of the many continuities that charge Clerkenwell and its environs with an essential presence. But perhaps it is best to begin at the beginning.

On Clerkenwell Green the remains of a prehistoric settlement or encampment have been discovered, suggesting that this area of London has been continuously inhabited for many thousands of years. Perhaps the melancholy or ancientness which writers as diverse as George Gissing and Arnold Bennett have intuited, in this location, derives from the weariness of prolonged human settlement with all the cares and woes which it brings.

The area itself is first noticed in the early records of St. Paul’s when, in the seventh century, it became part of the property of the bishop and canons of that institution. In the eleventh century William I awarded the land to one of his most successful supporters, Ralph fitz Brian, who in the proper terminology became lord of the fee of Clerkenwell, held of the bishop of London within the manor of Stepney by knight service. It is important to note here that from the beginning Clerkenwell was beyond “the bars” of London, and effectively part of Middlesex.