Brandon Sanderson
The Lost Metal
2022
FOR ETHAN SKARSTEDT
Who is a man of Honor.
Acknowledgments
Sixteen years ago, sitting in a dim booth at a local steakhouse, I first pitched to my wife an audacious idea I’d been developing: taking an epic fantasy world, and then expanding it through different eras into the future. I’d seen mashups of fantasy and science fiction before, and I’d seen epic fantasy inch toward industrial technology. But I’d never seen an author develop a world in quite this way — giving an expansive view of a planet moving into the future, using the lore of earlier book series as the foundation of religion and myth.
It was a gamble. Readers tend to like their genres well delineated. Here, I was pitching something that broke apart those genre lines in ways that historically did not sell well. Yet I was convinced that the larger-scale project (the vision of a planet and its magic throughout various eras) was worth the risk. That brings us here, to the final book of Era Two of Mistborn and my grand experiment with genre.
Whether I’ve been successful or not so far is up to you, the reader. But I can say this: I certainly wouldn’t have gotten where I am without the help of a large number of people. I know these acknowledgments are a bit of a blur of names, but I’m so grateful to each and every one of them. These are the people who, when I come up with some new audacious plan, don’t roll their eyes — they instead roll up their sleeves and make it happen.
For this book, Joshua Bilmes did his usual excellent job as my agent. On his team, Susan Velazquez and Christina Zobel were also a great deal of help, managing all the different overseas contracts and subagents.
Speaking of across the pond, I had some extra-special help from Gillian Redfearn on this book — she’s my UK editor, and took the lead on this book performing the line edit work that often is shouldered by the US publisher. She did a fantastic job, and I’m lucky to have her help. In addition, I’d like to thank Emad Akhtar and Brendan Durkin at Gollancz in the UK, as well as my UK agents, John Berlyne and Stevie Finegan at the Zeno Agency.
Over in the US, Devi Pillai was the lead editor on this project, offering her excellent editorial eye for story and character as she always does. Also at Tor, I’d like to thank Molly McGhee, Tessa Villanueva, Lucille Rettino, Eileen Lawrence, Alexis Saarela, Heather Saunders, Rafal Gibek, Felipe Cruz, Amelie Littell, and Hayley Jozwiak. The copyeditor was our longtime collaborator in that field, Terry McGarry.
As for the audiobook, the irreplaceable Michael Kramer is once again giving voice to my characters and making me sound good. I appreciate you, Michael. Thank you for all you do. At Macmillian Audio, I’d like to thank Steve Wagner, Samantha Edelson, and Drew Kilman.
Increasingly these days, my books take a ton of extra work in the art department. So we’ll give these gunslingers their own section — even though some of them could overlap with other sections. For instance, Peter Lutjen is Tor’s art director, and deserves a hearty thanks. Chris McGrath did our jacket illustration. My internal art director at Dragonsteel is 
— the artist formerly known as Isaac Stewart. He did the maps, symbols, and a lot of the work (including the writing) on the broadsheets. Keep an eye out for books by in the future. (Yes, I did just make up that whole symbol thing. I can do that. I have a literary license.) Our good friend and longtime collaborator Ben McSweeney did most of the art you find in the broadsheets. Rachael Lynn Buchanan was our art assistant, and Jennifer Neal provided some additional help in creating the broadsheets.
In my company, Dragonsteel, our in-house Editorial department is headed by the Insatiable Peter Ahlstrom, with Karen Ahlstrom running continuity and various additional editorial help being provided by Betsey Ahlstrom. And Kristy S. Gilbert has just come on as our Production Editor.
Dragonsteel’s Fulfillment and Events team is headed by Kara Stewart, and that team includes Christi Jacobsen, Lex Willhite, Kellyn Neumann, Mem Grange, Michael Bateman, Joy Allen, Katy Ives, Richard Rubert, Sean VanBuskirk, Isabel Chrisman, Tori Mecham, Ally Reep, Jacob Chrisman, Alex Lyon, and Owen Knowlton.
Our in-house Publicity and Marketing team is headed by Adam Horne, with Jeremy Palmer as our marketing director. Our Operations team is headed by Mat “My name is actually Matt with two T’s” Hatch, with Jane Horne, Emma Tan-Stoker, Kathleen Dorsey Sanderson, Makena Saluone, and Hazel Cummings.
And, of course, my wonderful wife, Emily Sanderson, is our COO at Dragonsteel. And is the cutest person on this list.
Less cute, but still very helpful, are the members of the writing group. On this book they include: Kaylynn ZoBell, Peter Ahlstrom, Karen Ahlstrom, Alan Layton, Eric James Stone, Darci Stone, Kathleen Dorsey Sanderson, Emily Sanderson, and Ben “Rick Stranger” Olsen. Also, of course, there is Ethan Skarstedt — to whom this book is dedicated. The real-life inspiration for Skar from Bridge Four, Ethan has been helping me get my soldiering and gunplay right for some twenty years now. Many thanks, Ethan, for helping me pretend I know what I’m talking about.
Mi’chelle Walker created our beta reader feedback database, which was super useful. The beta readers included Trae Cooper, Tim Challener, Ted Herman, Suzanne Musin, Sumejja Muratagić-Tadić, Paige Phillips, Shannon Nelson, Sean VanBuskirk, Ross Newberry, Rosemary Williams, Richard Fife, Rahul Pantula, Poonam Desai, Philip Vorwaller, Paige Vest, Mi’chelle Walker, Megan Kanne, Matt Wiens, Mark Axies Lindberg, Marnie Peterson, Lyndsey Luther, Linnea Lindstrom, Lauren McCaffrey, Kendra Wilson, Kendra Alexander, Kellyn Neumann, Kalyani Poluri, Joy Allen, Joshua Harkey, Jory “Chief Chicken Head Scratcher” Phillips, Jessie Lake, Jessica Ashcraft, Jennifer Neal, Ian McNatt, Chris “Gunner” McGrath, Gary Singer, Frankie Jerome, Evgeni “Argent” Kirilov, Erika Kuta Marler, Eric Lake, Drew McCaffrey, Deana Covel Whitney, David Fallon, David Behrens, Darci Cole, Craig Hanks, Christina Goodman, Christopher Cottingham, Chana Oshira Block, Brian T. Hill, Brandon Cole, Lingting “Botanica” Xu, Bob Kluttz, Ben Marrow, Becca Reppert, Bao Pham, Anthony Acker, Alyx Hoge, Alice Arneson, Alexis Horizon, Aaron Biggs, Joe Deardeuff, Rob West, and Jayden King.
Gamma readers included many of the above, plus Sam Baskin, Glen Vogelaar, Dale Wiens, Billy Todd, Ari Kufer, Matthew Sorensen, Ram Shoham, Eliyahu Berelowitz Levin, and Aaron Ford.
We got some detailed help from a particular group on this book, people who I have asked to keep an eye on my magic systems and offer feedback on where I might need more explanations or might be in danger of contradicting myself. We’re calling them our Magic System Continuity team, but I’m officially dubbing them Arcanists going forward. They are Joshua Harkey, Eric Lake, Evgeni Kirilov, David Behrens, Ian McNatt, and Ben Marrow.
I would like to extend a special thanks to my good friends Kalyani and Rahul, longtime beta readers, who have been encouraging me for years to look into Indian mythology and lore for inspiration for fantasy storytelling. They provided excellent consultation in this book on a certain character who the three of us worked on together to try to expand the Cosmere a little bit in this direction.
Thank you to everyone on this list. And, of course, to the readers. Mistborn has been a strange journey these last sixteen years, and I feel it’s about to get even stranger — as well as (with a little luck) even more incredible.
