In the passenger pod of VTO moonship Pustelga, Rafa, Lucas, Carlinhos and Heitor Pereira’s familiars light up. On the train back to Hypatia Junction, Sombra alerts Wagner Corta. In the moto to the Meridian apartment, Beijaflor and Hetty key in their clients.
Corta Hélio is under attack.
The hire of a VTO moonship is hefty even for a Dragon but Rafa knew that whatever the result on the killing floor of the Court of Clavius he would need to get the family to safety fast. By the time the ship drops on to the pad at João de Deus, West and East Imbrium and Central Serenity are all down.
‘We’ve just lost West Serenity,’ Heitor Pereira says as the ship lowers the pod on to the tractor. ‘I have South Serenity, I’ll link you in to it.’
Helmet feed appears on everyone’s lenses: a devastated samba-line. The camera pans across wreckage and scrap, metal and plastic shards strew far across the regolith; five extractors dead, a rover smashed open like a skull by falling construction beams.
‘Are you getting this?’ a woman’s voice shouts. Her familiar-tag identifies her as Kiné Mbaye: Mare Serenitatis. ‘They’re killing us.’ Behind her a flash in the sky, a blast of light. An entire structural truss spins towards the camera. The woman swears in French. The camera goes dead. The name tag turns white.
‘Carlinhos!’ Rafa shakes his brother. After the explosive rage and madness of the court-arena Carlinhos collapsed into catatonia. His seconds wrestled him down to the zashitnik stables where a medical bot patched up his abdominals, his biceps and shot him full of tranquiliser. His seconds showered off the blood, shoved him into street clothes, bundled him on to the Pustelga. ‘What’s happening?’
Carlinhos tries to focus on his brother’s face.
‘We’ve lost the entire South Serenity samba-line,’ Heitor Pereira says. His face is grey. Airlocks link and equalise, the passengers enter the elevator lobby. ‘Thirty lives.’
‘Carlinhos! You’re the duster.’
‘Show me,’ Carlinhos says. He reviews Kiné Mbaye’s footage three times as the elevator arrives. ‘Stop all the samba-lines.’
‘What’s happening—’ Rafa begins but Lucas cuts him off.
‘I’ve given the order.’
‘It won’t hold them off for long. They’ll just recalculate the trajectories.’ Carlinhos looks at each of the faces in the elevator car in turn to see if any of them have worked it out. ‘They’re firing BALTRAN capsules at us. You can see one in the South Serenity report if you slow it right down, just before the impact. That flash, it’s not a flash, it’s a BALTRAN capsule impact.’
‘There’s nowhere we can hide,’ Rafa says.
‘This isn’t something you just make up on the spur of the moment,’ Lucas says. ‘You have to plot the locations of every single one of our extractors, book the capsules, target the launchers. They’ve had this planned for a long time.’
‘Who?’ Heitor Pereira asks. Lucas rounds on him.
‘Who do you think, you old fool?’
São Sebastião Quadra Kondakova Prospekt, the elevator says.
‘What can we do?’ Rafa says.
‘Outbid them,’ Lucas says. ‘No one beats General Money.’ He issues commands to Toquinho. There is a pause. There has never been a pause before.
Access to Corta Hélio accounts is temporarily unavailable, Toquinho says.
The elevator doors open.
‘Explain,’ Lucas says.
Our bank systems are under a denial of service attack, Toquinho says.
The elevator lobby rocks. All the lives on Kondakova Prospekt look up, the instinct of people who live in caves.
‘What we need right now,’ Rafa says. ‘A quake.’
‘Not a quake,’ Carlinhos says. ‘Shaped charges.’
One woman, one man, smartly dressed in the fashion of the moment, disembark from the 28 express and pass through the airlocks into Twé Station. They move through the press of passengers with poise and direction; they seem to have a clear destination through Twé’s notorious labyrinth. They are guided. At a public printer they pick up two pre-ordered plastic knives; notched and edged and keen to harm. This woman and man are assassins, hired to locate Lucasinho Corta and gut him. Their familiars lock on to Jinji. The boy is public and exposed. They track him through the tunnels and agraria, across high walkways over precipitous farm tubes; along the ramps that spiral up through the residential zones, every step closing the distance between them.
Lucasinho Corta has spent the morning in his room waiting for news from the Court of Clavius, shredded by guilt. His father has told him time and again that it’s not about the wedding. It’s about the slap. The calculated insult, the call to duel. This is between him and Bryce Mackenzie. The wedding was the pretext.
I’m coming, Lucasinho said.
You’re not, Lucas ordered.
I need to see, Lucasinho said.
No one needs to see, Lucas said. Stay in Twé. You’re safe in Twé. I’ll let you know.
Lucasinho tried to sit, tried to walk about, tried to play games, tried to scan the social networks, tried to bake something. He couldn’t settle. He couldn’t concentrate. He felt sick with dread. Then Jinji lit with a message from Lucas. Carlinhos won. Nothing more.
Carlinhos won. Lucasinho feels light. He feels released. He feels elated. He has to tell someone, has to see someone. A familiar message won’t do. Abena meet me. He almost runs through the tunnels of Twé. The assassins flicker information between their familiars. The target is moving. So much simpler than having to hack apartment security. They’ll cut him off at Nkrumah Circle and take him there, in public. They imagine their channels are secure. There. Their hands close on their concealed knives. They move to bracket Lucasinho.
Danger, Jinji says. Danger, Lucasinho Corta! Lucasinho freezes, spins in the middle of Rawlings Plaza trying to see which of those hundreds of people wants to kill him. He sees the man step towards him, the hand on the knife. He’s close. He doesn’t see the woman behind him.
But the robot in the roof sees her. AKA AIs saw patterns in the arrival of these two passengers, the activity of the Kuffuor Street printer and the evolving events on the surface. They tasked a security bot, a clever spider that scuttled unseen through the cluttered ceilings of Twé’s crowded tunnels, tracking the assassins as they tracked Lucasinho Corta. The bot targets locks and attacks. It leaps on to the woman assassin’s neck and sinks a neurotoxin needle into her neck. Even as her lungs lock rigid the bot springs from her, somersaults over Lucasinho’s shoulder into the face of the male assassin. His hands never even make it to cover and protect before the thing is clinging to his face. AKA BTX toxin has been engineered to be fast and sure. The bodies drop on either side of Lucasinho Corta as the spider scuttles away into the under-architecture of Rawlings Plaza. AKA does not like to involve itself in the politics of the other Dragons but when it must the policy of the Golden Stool is to act quickly and decisively.
You’re safe now, Jinji says. Help will soon be here.
Wagner has developed an affection for the quiet pillar at the end of the platform in Hypatia Junction. It’s a place between worlds – the full world and the dark world; now it’s become a place between times: past and future. Every Dragon, even a half-Dragon like him, lives under the shadow of violence but he never saw a human die at the hand of another. He can still smell the blood. He always will. He imagines he reeks of it and that everyone on the train could smell it. Wagner knows the wolf in him, but in the court-arena he saw a thing inside Carlinhos beyond wolves, a thing Wagner does not know and which scares him because it has always lived there inside Carlinhos and he never saw it. It makes every moment and experience they’ve shared as brothers false.