The title Lunar Park is not intended as a take on Luna Park (as it mistakenly appeared on the initial Knopf contracts). The title means something only to my son. These are the last two words of this book, and by then, I hope they will be self-explanatory to the reader as well.
Regardless of how horrible the events described here might seem, there’s one thing you must remember as you hold this book in your hands: all of it really happened, every word is true.
The thing that haunted me the most? Since no one knew what was happening in that house, no one was scared for us.
And now it’s time to go back into the past.
THURSDAY, OCTOBER 30
2. the party
“You do an awfully good impression of yourself.”
Jayne said this after she looked me over with a confused expression and asked pointedly what I was going as to the Halloween party we were throwing that night, and I told her I’d decided to go simply as “me.” I was wearing faded jeans, sandals, an oversized white T-shirt with a giant marijuana flower emblazoned on it and a miniature straw sombrero. We were in a bedroom the size of a large apartment when we shared this exchange, and I tried to clarify things by raising my arms up and turning slowly around to give her a chance to check out the full-on Bret.
“I’ve decided against wearing masks,” I said proudly. “I want to be real, honey. This is what’s known as the Official Face.” As I continued to turn I noticed Victor, the golden retriever, staring at me, curled in a corner. The dog kept staring and then yawned.
“So you’re going as—what? A Mexican pot activist?” she asked, too tired to glare anymore. “What should I tell the kids about that lovely shirt you’re wearing?”
“I’ll explain to the kids if they ask that—”
“I’ll just say it’s a gardenia,” she sighed.
“Just tell them Bret’s just really into the Halloween spirit this year,” I suggested, turning around again, arms still raised. “Tell them I’m going as a hunk.” I made a playful grab at Jayne, but she moved away too quickly.
“That’s really great, Bret—I’m so proud of you,” she said unenthusiastically as she walked out of the room. The dog glanced at me worriedly, then heaved itself up and followed Jayne. It did not like to be left alone in any room that I was in. The dog had been a mess ever since I’d arrived in July. And since Jayne had been obsessing over a book called If Only They Could Speak (which I thought was an exposé on young Hollywood but was actually an investigation of zoo animals) she had taken the dog through hydrotherapy and acupuncture and to a massage therapist (“Hey, why not get it a personal trainer?” I muttered at one point) and finally it visited a canine behaviorist who prescribed Cloinicalm, which was basically puppy Prozac, but since the drug caused “compulsive licking” a kind of canine Paxil had been prescribed instead (the same medication Sarah was on, which we all thought was extremely distressful). But it still did not like to be left alone in any room that I was in.
The party was my idea. I had been “a good boy” for four months and thought something celebratory was deserved. But since lavish Halloween parties had been a part of my past (the past that Jayne wanted to deny and erase) we fought about this “bash” (my word; Jayne used the term “bacchanal”) amiably, even playfully, until—surprise—she gave in. I credited this to the distraction of the upcoming reshoots for a movie she thought she had finished in April but that the studio wanted to tweak after audience testing proved clarifications were needed to simplify a totally ludicrous big-budget thriller that was impossible to follow. I had seen a rough cut in New York the month before and was secretly appalled but in the limo ride back to the Mercer I raved about the thing until Jayne, seething and staring straight ahead, said, “Shut your mouth now, please.” In the limo that night I realized Jayne was essentially a simple, private person, a woman who had lucked into a career that seemed fast and baffling to her and that this worry about the reshoots was at the heart of why she relented and allowed me to throw the party on the evening of the thirtieth (trick-or-treating would take up the following night). The invitations had been e-mailed to a smattering of my friends (Jay, who was in town on his book tour; David Duchovny; a few cast members from last season’s Survivor; my Hollywood agent, Bill Block; Kate Betts, who was here covering something for the New York Times Style section; and students from my writing workshop) and also, unfortunately, to a couple of Jayne’s acquaintances (mostly parents of Robby’s and Sarah’s friends, whom she couldn’t stand either but had invited in a moment of passive aggression; I kept my mouth shut). Jayne’s second way of protesting the party: no costume, just black Tuleh slacks and a white Gucci blouse. “Nothing accessorized with straw and no apple bobbing” were further demands, and when I complained during the planning stages that Jayne was lacking in Halloween spirit, her concession was to hire an expensive catering company from town. The kids were forewarned that this would be an adult party; they’d be allowed to mingle for the first hour and then it was up to bed since it was a Thursday and hence a school night. In one last-ditch effort Jayne suggested it should be a school night for me as well, that maybe my time would be better spent working instead of throwing a party. But Jayne never understood that the Party had been my workplace. It was my open market, my battleground, it was where friends were made, lovers were met, deals were struck. Parties seemed frivolous and random and formless but in fact were intricately patterned, highly choreographed events. In the world in which I came of age the Party was the surface on which daily life took place. When I tried explaining this in earnest, Jayne just stared at me as if I had suddenly become retarded.
I removed the sombrero and looked at myself in the multitude of mirrors in Jayne’s bathroom (we each had our own), checking my hair from various angles. I’d had it colored the day before to cover the gray on the sides but was afraid I was slowly losing it, like my father had, even though Joelle, my hairdresser, kept stressing that hair loss was represented by the mother’s side of the family. For some reason, “the golden autumnal night” was a phrase that kept repeating itself in my mind as I looked at my hair, and I liked it so much that I decided to incorporate it into my new novel once I sat down the next day to go over the outline. Behind me was a walk-in steam shower with multiple showerheads and a huge tub made from Italian marble that I stared at admiringly whenever I was in Jayne’s bathroom; its extravagance touched something in me, defined in some way who I was now, what I had become even as it was also evolving into a symbol of my precariousness in this world. Hair inspection completed, I left the bathroom and ran my hands across the Frette sheets that hugged our massive bed before turning off the lights.