I had actually gone to Camden with Mitchell Allen but barely knew him there, even though the school was a tiny and incestuous place. What had surprised me to discover was not so much that Mitchell Allen was now living next door to Jayne, but rather that he was married and had fathered two children: Ashton, who because of their close proximity was Robby’s default best friend, and Zoe, who was a year younger than Sarah. Given what little I knew about Mitchell at Camden I had assumed he was bisexual if not, in fact, totally gay. But back then, before AIDS hit, everyone was basically screwing everybody else during that brief, sexually freewheeling historical moment. After we graduated and the eighties passed, it was not unusual for the “lesbians” I’d known during that era to have married and become parents, and the same held true for many of the Camden men whose sexual identities remained hazy and blurred during their four years in New Hampshire. It was considered cool at Camden to be bisexual—or at least to be perceived as bisexual—and the student body not only was inordinately tolerant of its own sweeping pansexuality but actively encouraged it. Most guys shrugged off the occasional one-night stand with another male and some even wore it as a badge; Camden girls thought it was hot, and the Camden boys considered you mysterious and dangerous, so it opened doors and increased your desirability level and made you feel, within the context of everything, that you were more of an artist, which was really what we all strove for—to let our peers know that there were no boundaries, that everything was acceptable, that transgression was legitimate. And after getting over my initial surprise (because my only memories of Mitchell were composed of rumors that he’d initiated a lengthy affair with Paul Denton, another classmate of ours) I recalled a girl named Candice whom he hooked up with during his last couple of terms, before he began graduate school at Columbia, where he met Nadine on the steps of Low Library, a replica of the ditsy, hot blonde Mitchell had dated as an undergrad. When we were first reacquainted this summer at a neighborhood barbecue in Horatio Park he pretended to mistake me for Jay McInerney, a lame joke that Mitch was so enamored of that he repeated it three more times to other couples he introduced me to, but since these weren’t readers they failed to “get it,” causing Mitchell to realize that he didn’t have an audience. Neither one of us was particularly interested in getting to know each other better or to reminisce about Camden and our respective raunchy pasts, even for the sake of our sons (the improbable best friends). For his part, Mitchell was simply too enthralled by Jayne to make any attempt at male bonding. We were older now and living in a different world, and Mitchell let Jayne’s presence reduce him to that peculiar desperation frequently seen in men who fall into close contact with a movie star. The cool, uncaring facade Mitchell played out in Camden—the exquisite vagueness, the stab at bohemia, the Christmas in Nicaragua, the Buzzcocks T-shirt, the punch he spiked with MDA, the screwing around and the moving away—all of that had been zapped out of him. This was due, of course, in part to age, but this erasure was also connected to his immersion in suburbia (plenty of men my age in Manhattan still retained some semblance of their youthful edge). The handsome and edgy sexual adventurer was replaced by a dorky guy nearing forty with a slavish devotion to my wife. Nadine noticed this too and kept a tight rein on Mitchell whenever school activities or the occasional dinner party brought the four of us together, and I didn’t really care; I had my own proclivities, and I knew that Jayne was so not interested. It was the inevitable outcome of being early-middle-aged and bored and having a beautiful wife. But when Nadine flirted shamelessly with me—that was when the tiredness and the cliché of suburbia would dampen whatever enthusiasm I had for my new life as a man trying to form himself into the responsible adult he probably would never become.
After we said goodbye to the kids (Robby was flopped in front of the giant plasma screen watching 1941 and barely acknowledged us, while Sarah sat with Wendy on the other side of the room, going over the CliffsNotes for Lord of the Flies) Jayne and I stepped out onto Elsinore Lane and on the brief walk to the Allens’ she patiently reminded me who everyone was and what they did since I always seemed to forget, which in this circle was considered bad form. Mitchell was, of all things, a member of the investment banking community, while Mark Huntington was a golf course developer and Adam Gardner was yet another semimobster whose supposed career in waste management was clouded with fuzz—just a group of regular dads, living in the soft dreamlight of wealth we had all created, joined by our generically beautiful wives in trying to secure our perfect children’s ascension in the world. A slight wind caused leaves to scratch along the pavement as Jayne and I walked from our house to the Allens’. Jayne held my hand and leaned into me. I moved away slightly so she couldn’t feel the bulge of the cell phone in my pocket.
Mitchell opened the door and hugged Jayne tightly before remembering to shake the hand I was holding out in midair. We were the last couple to arrive, and Mitchell ushered us in quickly since Zoe and Ashton were about to perform the yoga poses they had learned the previous week for the adults. In the living room we nodded at Adam and Mimi Gardner and at Mark and Sheila Huntington, all of us standing in that vast space while Zoe pretended to be a tree for something like five minutes and her brother demonstrated his impressive breathing exercises in a downward dog stretch. (Ashton looked as if he’d been crying—his eyes red, his face flushed and swollen—and he obediently went through his routine as if forced, though at the time I blamed his apparent misery on the ear infection.) They both did the “sideways plank” and then they curled up into a “rock pose.” This was all capped off by Zoe and Ashton’s balancing beanbag pillows on their heads until the adults applauded. “How cute,” I murmured to a delighted Nadine Allen, who I hadn’t realized was standing beside me and whose hand was resting on my lower back. She smiled generously at me (a Klonopin rictus) and then reached out for Ashton, who abruptly turned away and stalked out of the room. Nadine’s face flickered with worry—but only for a second—and then became the smiling mask of a hostess again. It was a significant moment. I was already stricken and exhausted.
The Allens’ house was an almost exact replica of our place—palatial and minimalist and immaculate. There was even the same chandelier in the high-ceilinged foyer and the same curving staircase connecting the two floors, and Mitchell started taking drink orders once the kids had gone to their rooms and Jayne glanced at me when I asked for a vodka on the rocks and I returned the glance jokingly when she demurred and decided on a glass of white wine I knew she really didn’t want, and we settled into cocktail chatter with a Burt Bacharach CD playing in the background—a knowing, kitschy touch presented with an ironic formality, operating not only as a dig at our parents’ tastes, a way of commenting on how bourgeois and middlebrow they were, but also as something comforting; it was supposed to take us back to the safety of our childhoods, and I suppose that for some it worked like a balm, as did a menu that updated the meals our mothers had served: chicken Kiev (but with a Jamaican touch—I could not imagine what that would taste like) and au gratin potatoes (but made with manchego cheese) and that seventies stalwart sangria, which like so many artifacts from that era had made a comeback.