He marched down the hallway, wearing black and cloaked in magic. He looked unstoppable. He would soon learn that looks could be deceiving.
“Hail to Hugh d’Ambray,” the Iron Dogs intoned in unison, their voice one loud chorus.
Hugh strode through the door and walked to our table, straight to Desandra’s chair on my left.
“You’re in the wrong seat.” He held out his hand.
Desandra blinked, stood up, and put her hand into his. Hugh led her to his chair on Curran’s right and held it out for her. She sat. He turned and sat in her place, next to me.
Great.
“You didn’t bring enough,” Curran said quietly.
“It will suffice,” Hugh said. His voice boomed. “In honor of the hunt, I bring you entertainment.”
The Iron Dogs took three steps backward, turning, moving in unison until they formed a line along the wall to our right, behind Jarek’s werewolves. People entered the minstrel’s gallery, carrying small round drums, accordions, and other instruments. A line of men walked into the great hall, dressed in identical jet-black djigit coats. The musicians plucked at their instruments, adjusting and settling down.
A wild melody started, fast and limber, the rhythm of the drums like a racing heart. The men spun across the floor, dancing like a flock of graceful ravens, pivoting and leaping. The lead dancer dropped down and spun across the stage on his knees. I winced.
Hugh pretended to be absorbed in the dance. What are you planning, you bastard?
Something tugged on my jeans. I glanced down carefully. Atsany stood by my chair.
You’ve got to be kidding me.
The small man patted my leg with his pipe, winked, and pointed to the side. I glanced up. Astamur stood by the door, leaning against the wall. He wore a long wide coat of black fleece that covered him from head to toe. A rifle rested in his hands. He looked straight at me and his eyes were grim. The nearest Iron Dog was feet away and oblivious to the man behind him. Nobody paid him any attention, as if they couldn’t see him.
I glanced down. Atsany was gone. I leaned to Curran. “Do you see him?”
“Who?”
“Astamur. By the door.”
Curran frowned. I looked back. Astamur was gone.
Okay, I did just see that. That wasn’t a hallucination.
The dancers snapped into their final poses. The music died. Hugh clapped. Reluctant applause followed from the side tables.
“Is there going to be a play next?” Curran asked. “I never took you for the dinner theater type.”
“I promise it will be a show you never forget,” Hugh said.
A man and a woman walked in. The man, lean and graceful, wore the black djigit outfit, his profile hawkish, his dark hair slicked back. The woman wore a silver-white gown that covered her head to toe. Fitted in the bust and the waist, the gown flared at the skirt. She looked like a swan. Her black hair fell in four braids, two over her chest, two down her back, all the way past her narrow waist. A small hat perched on her glossy hair, with a white veil trailing from it to hide her back.
The woman turned, standing side by side with the man. Her face was beautiful. I felt a brush of magic. It felt ancient.
“Thousands of years ago Suliko’s family entertained the ancient kings of Georgia,” Hugh said. “Today she honors us with her presence. She will dance the kartuli for us. Count yourself fortunate. You will not see another dance like that.”
A song started with a solo of some sort of reed pipe, so old it rolled through me, familiar and new at the same time, like an echo of some racial memory buried deep inside me, in the places mind and reason couldn’t reach. The man held his hand out. The woman placed her fingers on his. He led her forward. They bowed.
Magic shifted. The shapeshifters sat, oblivious. This wouldn’t be a normal dance.
“What are you up to?” I squeezed through my teeth.
“You’ve been sleepwalking for so long, you forgot who you are,” he said “This is your wakeup call.”
“What’s going on?” Curran asked.
“Magic,” I told him.
“Yours isn’t the only ancient family,” Hugh said.
Drums joined the reed pipes in a quick rhythm. Suliko and her partner backed up—he moving on his toes in tall leather boots, she gliding as if she had wheels—and split, moving to the far ends of the room. The woman stood, her arms raised, so graceful it was almost painful to watch. The man approached her, drawing a big circle with his feet, one arm bent at the elbow and pressed to the top of his chest, the other extended straight to the side. He stopped, dignified, waiting for the woman to accept the invitation. She did and they glided across the floor, their arms raised, in sync but never touching, a black raven and a white swan.
Magic wound about them in invisible currents. It tugged on me. It was impossible not to watch them.
The dancers split again.
The music quieted, the wild quick notes of the pipes slowing, careful rather than fast. The woman moved with breathtaking grace, gliding backward, turning . . . So beautiful. I couldn’t look away. The magic held me spellbound.
Desandra began crying quietly. At the side tables, closest to the dancers, the people wept.
The music was now a mere breath of sound, delicate and intricate, pulling me in. Suliko turned . . .
Hugh picked up a knife and cut across my hand. Magic tore from my blood straight into the complex twisting currents surrounding the woman, like a lit match thrown into a room filled with gasoline fumes. The magic exploded.
Curran moved. I grabbed his arm before he could lunge at Hugh in full view of a dozen vampires and the Iron Dogs. “No!”
The currents spun, sparking with gold and purple, and a transparent scene unfolded, stretching the entire length of the room, hanging feet above the floor. A bloody battle raged on a vast field. Fire and lightning streaked. A machine gun spat glowing green bullets. Fighters tore at each other, shapeshifters disemboweled their opponents, vampires ripped into bodies in tactical armor. Carnage reigned, the roar, bellows, and moans of the dying blending into a terrible din.
A body fell aside, cleaved in two, and my aunt swung onto the scene. She wore the crimson blood armor and carried two swords. Blood stained her face, her hair flaring, loose. Fighters locked their ranks. She opened her mouth and screamed. The word of power burst from her. The magic cleaved through the fighters, mangling the bodies, straight as an arrow. My aunt tore into the gap, cutting like a dervish in a familiar lightning-fast pattern, severing limbs and spraying blood, unstoppable, without mercy.
“That’s my girl.” Hugh grinned.
She carved a shaggy ursine shapeshifter in half, disemboweling him with a precise stroke, and I saw her sword.
She carried Slayer.
The hair on the back of my neck rose. It wasn’t my aunt. My aunt was dead.
I watched myself slaughter, reaping a harvest of lives, spitting magic and bringing death. On the left a clump of bodies exploded, and Hugh roared, covered in blood, a bloody axe in his hand. They connected, the blood armor–wearing Kate and Hugh, back to back. For a brief moment they stood alone in the carnage, and then they broke apart and charged back into battle.
The vision vanished. Suliko stood, her face shocked.
“What the hell is this?” Jarek Kral snarled.
“The future,” Hugh said.
Hell no. No, this wouldn’t be my future. Not if I had anything to say about it.