Выбрать главу

Ms. Tran now was poking her head inside the victim's closet. I approached her from behind and asked, "Anything interesting?"

She turned around and faced me. "There are three cops, a forensics expert, and four detectives here. Why me?"

"Update me, and I'll get out of your life."

For the first time she looked interested in what I had to say. "Is this because I'm an attractive woman?"

"Absolutely not." Definitely. I said, "You look smart and you take notes. Like the girl I sat beside in second grade."

"When was that? Last year?" She smiled at her own joke.

Which brings me to the here and now: 10:30 a.m., Monday, October 25, Apartment 1209 in a mammoth complex of rental units, mostly cramped efficiencies and one- and two-bedrooms, on South Glebe Road. There was no sign in front of the building that advertised, "Cribs for Swinging Singles," though I was aware it had that reputation.

The apartment was small, essentially one bedroom, an efficiency-style kitchen, closet-size living room, and an adjoining dining room. A Realtor's brochure would characterize it as cozy and intimate, which is code for cramped and uninhabitable. The furniture was sparse and looked new, and also cheap, the sort of crap you rent by the month or pick up at a discount furniture warehouse. I observed few personal, and no permanent touches; no books, no artwork, few of the usual trinkets or junk people sprinkle around to individualize their living environment.

You can usually tell a lot about a person from their home. Especially women who tend to think that how they dress, and how they decorate, are reflections of their inner selves. More often it reveals who they'd like to be, though that contrast can also be telling. Men aren't that complicated or interesting-they're usually anal or pigs; usually shallow pigs. Anyway, I judged the inhabitant here to be fairly neat, not showy, highly organized, and thrifty. Or, alternatively, broke, with the personality and interior complexity of an empty milk carton.

I knew the victim's name was Clifford Daniels, a career civil servant, and I knew that he was assigned to the Pentagon's Office of the Under Secretary of Defense for Policy, or USDP, part of the Secretary of Defense's civilian staff.

I also knew this to be a singularly important office in the vast labyrinth of the Pentagon, the equivalent of the military's own State Department, where strategies for world domination are hatched and war plans are submitted for civilian approval, among other dark and nefarious activities.

Also I knew Clifford was a GS-12, a civilian rank roughly equivalent to an Army colonel, and that he had a Top Secret security clearance. Regarding those facts, I considered it noteworthy that a late-middle-aged man in a serious profession such as he, working in a sensitive and prestigious office such as his, would choose to live in a complex nicknamed the "Fuck Palace."

I should mention one interesting personal touch I observed as I passed through his living room: a silver frame inside which was a studio-posed photograph of a mildly attractive, middle-aged lady, a smiling young boy, and a frowning teenage girl.

This seemed incongruous with Clifford's living arrangements, and could suggest that we had just stumbled into his secret nooky nest, or he was divorced, or something in between.

Finally, we were just inside the border of the county of Arlington, which explained all the Arlington cops, homicide dicks, and forensics people trying to get a fix on this thing.

Were this suicide, they were wrapping up and about to knock off for an early lunch. If murder, on the other hand, their day was just starting.

As I mentioned, the smell was really rank, and I was the only one without a patch of white neutralizing disinfectant under my nose-or the only one still breathing.

At least I looked manly and cool while everybody else looked like character actors in a stunningly pathetic milk commercial. But in my short time with the Agency, I had learned that image is all-important: The image creates the illusion, and the illusion creates the reality. Or maybe it was the other way around. The Agency has a school for this stuff, but I was working on the fly.

Anyway, Bian Tran was staring at her watch, and she sort of sighed and said, "Okay, let's get through this. Quickly." She looked at me and continued, "I spoke with the lead detective when I arrived. It happened last night. Around midnight." She said, "I think your nose is already telling you that. Am I right?"

After five or six hours at room temperature, a body begins purging gases, and in a small and enclosed space such as this, the effect was worse than the men's room in a Mexican restaurant. Whatever Cliff had for dinner the night before was revolting.

She noted, "Statistically, that's the witching hour for suicides. Not the exact hour, per se. Just late at night."

"I had no idea."

"About 70 percent of the time."

"Okay." I was looking at the window. Unfortunately, we were on the twelfth floor of a modern high-rise and the windows were permasealed. I would either have to breathe slower or get her to talk faster.

She said, "Think about it. Exhaustion, mental defenses are worn down, darkness means gloominess, and if the victim lives alone, a mood of depression and isolation sets in." I must have looked interested in this tutorial because she continued, "Spring. That's the usual season. Holidays, though, like Christmas, Thanksgiving, and New Year's are also fatally popular."

"Weird."

"Isn't it? When normal people's moods go on the upswing, theirs sink into the danger zone."

"Sounds like you know this stuff."

"I'm certainly no expert. I've helped investigate seven or eight suicides. How about you?"

"Strictly homicides. A little mob stuff, a few fatal kidnappings, that kind of thing." I asked her, "Did you ever investigate a suicide that looked like this?"

"I've never even heard of one like this."

"Was there a note?"

She shook her head. "But that's not conclusive. I've heard of cases where the note was left at the office, or even mailed."

She walked over to the dresser and began a visual inspection of the items on top: a comb and brush, small wooden jewelry box, small mirror, a few male trinkets. I followed her and asked, "How was the body discovered?"

"The victim uses… used a maid service. The maid had a key, at nine she let herself in and walked into this mess."

"Implying the apartment door was locked when she arrived. Right?"

"It has a self-locking mechanism." She added, "And no… there are no signs of burglary or break-in."

"The cops already checked for that?" I knew the same question would later be asked of me, so I asked.

"They did. The front door and a glass slider to the outdoor porch are the only entrances. The slider door was also locked, if you're interested. Anyway, we're on the twelfth floor."

"Who called the police?"

"The maid. She dialed 911, and they switched her to the police department."

I already knew that, but when you fail to raise the predictable questions, people get suspicious and start asking you questions. My FBI creds looked genuine enough to get me past the crime recorder at the door; now all I had to do was avoid any serious discussions that would expose what an utter phony I was. I'm good at that.

Checking the next box, I asked, "Where's the maid?"

"In the kitchen. Name's Juanita Perez. Young, about twenty. Hispanic, and very Catholic, probably illegal, and at the moment, extremely distraught."

"I'll bet." I mean, I arrived at this apartment anticipating a corpse, and yet, between the malignant stench and the sight, I was still appalled. Juanita expected perhaps a messy apartment, but not a dead client, definitely not one in his vulgar condition, and for sure not a green card inspection.