'You really should be practising your shifting.' Lissa says at last. The traffic's already creeping, the highway burdened with even more cars than usual; it's a matter of days until Christmas.
'Yeah, but I like coming to work with you.' That's only partly true – certainly not today.
Shifting hurts, I really haven't mastered it yet, and I don't like the pain. I'm sure I could handle it if it was the same sort of agony each shift, but it's not. Sometimes it manifests itself as a throbbing headache, others as a kick to the groin, or a hand clenching my guts and squeezing. There's usually a bit of gagging involved.
Lissa grunts. Changes lanes. I reach over to turn on the stereo and she slaps my hand again. This is the real silent treatment.
'What did I do wrong?' I shake my stinging fingers.
'It's what you haven't done,' she says, and that's all I can get out of her, as she weaves her way through the traffic.
What the hell haven't I done? It's not her birthday. And we've only been together for two months, so there's no real anniversary to speak of. I try to catch her eye. She ignores me, contemplating her next move. Changes lanes again.
We cross the Brisbane River on the Captain Cook Bridge, crawling as the Riverside Expressway ahead becomes anything but express: choked by a half-dozen exits leading into and out of the city. I can feel the water beneath us, and its links to the Underworld and the Hell river Styx – all rivers are the Styx and the Styx is all rivers. When I was a Pomp it was just murky water to me, a winding thread that bound and separated the city, east from west, north from south. Now it hums with residual energies, it's like stepping over a live wire. My whole body tingles, the hangover dies with it – down the river and into the Styx, I guess. A smile stretches across my face. I can't help it.
Lissa doesn't seem to appreciate the grin.
She clenches her jaw, and swerves the Corolla into a gap in the next lane barely large enough. A horn blares behind us, Lissa holds the steering wheel tight, the muscles in her jaw twitching.
I settle in for one of the longest fifteen minutes of my life. The only noise is the traffic and the thunk of the Corolla's tyres as it passes over the seams in the unexpressway. I can't find a safe place to look. A glance in Lissa's direction gets me a scowl. Looking out over the river towards Mount Coot-tha earns me an exasperated huff so I settle on staring at the car directly in front of us, my hands folded in my lap. It's as contrite a position as I can manage.
At last Lissa belts into the underground car park of Number Four, off George Street, pedestrians beware. She pulls into a spot next to the lift, turns off the engine and stares at me. 'So, even after that drive you've got nothing to say for yourself?'
'I -' I give up, look at her, defeated. I can feel another grin straining at my lips. That's not going to help. Lissa's eyes flare.
'Look,' she snarls, 'we've all lost people that we care about, but you -'
'I've what? What do you think I've done?'
'Oh – I could just – no, forget about it.' Lissa yanks her seatbelt free, storms out of the car and is already in the lift before I've opened my door.
I have to wait for the lift to come back down. The basement car park's full. I can see Tim's car a few spots down. I'm last to work, yet again.
I could shift up to my office from here. But I don't reckon it's worth the pain.
The lift takes me straight up to the sixth floor. Everyone's a picture of industry when the doors open, and no one gives me a second glance. Which worries me. Where are the usual hellos? The people wanting to talk to me? Why hasn't Lundwall from the front desk hurried over to me with a list of phone calls that I'm not going to bother returning? I look around for Lissa. Nowhere. No one meets my gaze.
'OK,' I mumble. If that's how everyone is going to play it… I mean, I haven't come to work drunk in over a week.
I amble over towards the coffee machine in the kitchen. The tiny room empties out the moment I walk in. I don't hurry making my coffee, then stroll into my office, taking long, loud sips as I go.
'Nice to see you've made it,' Tim says. Tim's trying so hard to hold it all together. I used to be able to tell, with a glance, what he was thinking. Now, sometimes I can't even meet his eyes. He's developed movements, tics and gestures, which are wholly unfamiliar to me. He's sitting on my desk – his bum next to the big black bakelite phone – carefully avoiding the throne of Death. I understand why. It exerts a pull. I'm sure he feels it, too. How it does it is beyond me, it shouldn't. It's not particularly imposing, merely an old black wooden chair. There are thirteen of these in the world, made for each member of the Orcus. Just a chair and yet so much more. I cannot stand in here without feeling the scratching presence of it. I know I could lose myself in it, that I'm perhaps losing myself already. Sometimes I wonder if that wouldn't be so bad. Then I wonder if that's what the throne wants me to wonder. If a chair can really want anything.
In one hand, Tim's clutching the briefing notes that I should have read about three weeks ago.
'Yeah, isn't your office across the way?' I ask.
Tim folds his arms, says nothing.
'So who's stealing paperclips this week?' I force a grin. Honestly, that had been a major issue last month. Paperclips and three reams of A4.
The door bangs shut behind me. I jerk my head around, and Lissa's standing there, her arms folded, too. Ambushed!
'What the hell is this? Look, those Post-it notes on my desk are all accounted for.'
She's not smiling. Neither is Tim. Christ, this is some sort of intervention.
'Do you know what today is?' she asks.
'The 20th of December.' Sure, I have to look at my desk calendar for that.
Tim snorts. Pulls the bookmark out of the briefing notes. A bookmark whose movements have been somewhat fabricated – damn, I thought he'd swallowed that one. He slaps the notes. 'If you had actually read these, you'd have an idea, you'd probably even be prepared.'
'Look, I've got work to do. The Death Moot's on the 28th and I -'
'Absolutely. What do you need to do?'
I shrug.
In a little over a week the Orcus, the thirteen Regional Managers that make up Mortmax Industries, will be meeting in Brisbane for the biannual Death Moot. With just two months in the job, I'm expected to organise what my predecessor Mr D once described as a meeting of the most bloodthirsty, devious and backstabbing bunch of bastards on the planet.
'You've got no fucking idea, have you?' Tim says.
Lissa touches my arm. 'Steven, we're worried about you.'
Tim doesn't move. His eyes are hard. I can't remember seeing him so pissed off. 'Mate, I like to have a drink as much as anyone, but I have responsibilities. And you do, too. To this company, to your staff and your shareholders, and to your region. You're an RM. You're one of the Orcus!'
'I know, I know,' I say. How the hell did I ever become one of the Orcus? Me being RM was just a massive mistake, a joke played out by the universe. I'd fought for this role, only because I'd had no choice. Death for me, and death for my few remaining friends and family – or fight and live. I'm about to mention my call to Meredith when Tim laughs humourlessly. My cheeks burn.
'Then start acting like it,' he says.
I walk past him, drop into my throne. For a moment, there is no argument. Lissa and Tim fade away. It's just the throne and me. The throne deepens and broadens my senses, brings the living/dying world even closer to the fore. In this chair I touch not only the land of the living but the land of the dead as well. Traffic is moving nicely in both zones, which is really rather remarkable. The throne is opiate, CNN and 3D extravaganza rolled into one. I have to concentrate to manage that sensory overload. Part of me doesn't want to; the effort of it burns a little behind my eyes like the seed of a migraine. How the hell am I expected to handle all this? And it's not getting any easier.